Day 2 at my Imaginary Glastonbury- Saturday


Hello Good People who still sometimes read this blog…

(still editing this, sorry about errors, it was written in free-flowing time)

In a fit of self-serving blogging to cheer me up, I am going to bore you all with Day Two of my imaginary ideal Glastonbury.

It’s Saturday , so it will be a long day. Weather is cloudy and unsettled, but hey it’s not raining. I got wellies on for the mud and last night had an imaginary sing song with bearded dread-locked strangers playing djembe by the fire until dawn, sharing bottles of scrumpy, herbal cigarettes,many jokes and looking up to spot shooting stars. I was woken up by the dawn chorus of birds and grumpy young tikes, am a bit dazed, but am looking forwards to foraging for breakfast and a cup of good coffee, and to see if there are any solar powered showers.  Can smell lovely bacon but am trying to be veggie. Maybe I can find a nice veggie sausage alternative.
By the time my physical needs are slowly sorted, it should be time for the first act of today ( at my imaginary Glastonbury…cheaper than the real one and with some of my favourite bands).

Led Zeppelin are billed on the Folk Garden Stage, ( playing electric later on Mainstage). Great, that will do to start my day. This pedal-powered stage is adorned with flowerbeds   and with creeping honey suckle plants hanging over the stage instead of a lighting rig ( this is not evident in the footage I have chosen…you need to use your imagination).
Going to California – Led Zeppelin

Well after that beautiful acoustic performance, I sit down on a bale of hay and chat to Jimmy Page about his acoustic guitar tunings and smile at Robert Plant who talks incessantly about Viking Sagas, ( John Paul-Jones has gone off for a morning shit in the backstage portaloo).
It is still dry, but the skies are turning dark grey.Was that a rumble of thunder in the distance, or an amplifier farting angrily? I don’t know, that Honey Rose cigarette I scrounged off Mr. Plant is giving me a strange sense of space, colour and time.
All the tents look the same as I amble back, I spend two and a half hours looking for mine, it’s blue and I bought it from Millet’s.

Found my tent and collapsed like a clean-living middle-aged hippie who cannot cope with intoxicants of any kind. I am woken up by what sounds like a load of balloons being inflated simultaneously.Ah, a herd of young people and their nitrous oxide I think! I don’t approve, but it’s a festival, and the UK do both festivals and excessive alcohol and drug consumption particularly well.

Managed to get a lift in the back of the van of some crew member to get to a supermarket. All the locals look at us with dishevelled hair and screw up their faces as they sense the smells of skunk and woodfires which suddenly seem to emanate from our clothing once indoors.
The security guard follows us around. I buy festival essentials:cuppa soups, rizzlas, rolling tobacco, tea bags, powdered milk,chocolate biscuits,beer,candles, spare lighter,loo roll and a magazine that I will never read.

Getting back into the festival takes a while due to queues of traffic and getting lost on country roads.My driver is a guy I never met before called Botty. I have  known three “Botties” before,and they were all pretty much the same. He wears a hat , a torn t-shirt and an evil grin.  He likes loud classic rock and  heavy metal music , and so while we are stuck in lines of traffic surrounded by fields, he enriches my musical education with his stereo blasting AC/DC, ZZ Top, Rush  and many other rock bands. He tells me I should investigate the Free-floating Anarchy Noise Tent this evening. So later I go and investigate and to my surprise find my old friends Treatment performing on stage.
Treatment -The Hidden Attack (at a Club Dog event at Shoreditch Town Hall?)

After dancing  like a maniac, I join Clive, Adam and co.  and they encourage me to stay to watch Acid Mother’s Temple from Japan.

I love loud musical anarchy.

Later on,it’s getting dark , and I walk around aimlessly, munching on a reasonably-priced and delicious nut-burger ( remember the prices are imaginary),who is this on the Acoustic Politico-Philosophy Stage? Yes it’s Benjamin Zephaniah, oh joy!

At the end of Zephaniah‘s act, an MC appears in a silly jester’s hat with bells on,  a big pink tutu , his hair in plaits dyed purple to match his beard.
He tell us that he runs “Men and Gender in the 21st century workshops”in the Healing Field and also reminds us that Bob Marley is about to appear on the main stage, creating a minor stampede of Benjamin Zephaniah fans to rush out into the rain. Yes it’s raining, out come the plastic macs distributed with free copies of the Guardian.

But as we plod through mud and showers, to get to the main stage , the sun appears,  re-awakening the evening sky. Bob Marley  is resurrected from the dead, like  a Messiah living  briefly once more to sing us songs of love, hope and tribulation all encased in Rasta spirituality.
Concrete Jungle

After Bob Marley, having  danced and sampled spliffs handed to me from smiling multi-coloured strangers in the crowd, who instantly became my friends, Steve Hillage appears on the stage as he was in 1977! (Steve Hillage  is as great now as he ever was but can’t find recent footage with  good sound quality )

I have been dancing my socks off,drinking some beer, met many strangers, had many laughs, got reasonably covered in mud. I have few possessions but  great happiness renewed in my  heart and spirit.
Late at night, now the booze has worn off, there’s a special guest  on the  Literary and Pensive Songs Stage . It’s my favourite songstress: Joni Mitchell.
This is a sung poem really, about a woman who will not commit or give up her freedom, and her abandoned lovers(or fans?). A few tears run down my cheeks as she sings, but they make feel more alive emotionally and I cannot regret them:
Cactus Tree

I need to go to bed now before I get too stoned ( in my imagination) to enjoy the rest of the weekend. I can’t wait until tomorrow. I have no idea who will be playing as I couldn’t afford a programme as usual.

Well I hope you have enjoyed my Saturday at Glastonbury, I have. I just need a time machine, a ton of money and to own a big plot of land near a spiritual place.

Love and Peace
Born2rant

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Steve Hillage and Gong at The Forum (27th November 2009)-A Review


Hello Good People who read this blog


I am recovering from my evening out at the Forum last night in Kentish Town ( in London for anyone who might be reading this in Estonia) to see Steve Hillage and Gong.

Our little troupe of Hillage/Gong fans started our  journey to the gig after lots of cups of tea and a supper of winter foods including of course our green vegetables. We trailed up the road happily like well-fed hobbits, ready to face the bright lights and commuters, but had to make a detour after a rather alarming  encounter with Orcs dressed in blue accompanied by their hounds of hell.

By the time we got to The Forum , The Steve Hillage Band was already on stage, playing “Love Guitar” ,one of my favourite soppy songs.  The audience didn’t seem quite warmed up at that point and so we reckon we must have arrived pretty much close to the start of the proceedings.

(double-click on the photos to see them in full-screen)

Steve Hillage Band-The Forum-27/11/2009

Left to right

Miquette Giraudy Keyboards-Synth-Backing -Vocals-Air Guitar and fun

Steve Hillage –Genius Electric Guitarist, Vocals.

Chris Taylor (I think! at least it’s him on the 2032 new album by Gong) – Drums with a zillion tempo changes

Mike Howlett-Bass-player extra-ordinaire

I know that Steve Hillage and Gong have played The Forum before in 2008, and that they have toured quite a bit in the past 18 months or so,but this is the first time I have seen the “Steve Hillage Band”. The last time I saw Steve Hillage  playing live in a “rock” band,must have been around 1979  or 1980 at The Hammersmith Odeon. Also to my embarrassment, I had never seen Gong live until  last night. Although I know their early albums and the fantastic Japanese import  “Gong Live etc.” (Virgin,1977 ) back to front. If you do not have this double album, try to get one.I got mine on vinyl as a Japanese import around twenty-nine years ago now, but still love it.

Steve Hillage and Gong fans are very difficult to get rid of, as we could tell from the average age of the audience, although there was a minority of teenagers looking blissful while cuddling with their significant others.

We didn’t go there to take photos or film, but we took a few pictures and short clips,like the two above . We went to  have a good time in the audience, not to film, and we did have a great time, my sore  feet, sore neck and sore throat (from singing and dancing along) are testimony to this, so I’ll stop writing now and put up some photos and clips enshrined in a couple of comments.

After the first couple of songs, the audience were warmed up and the crowd had swelled, in fact the place was packed out. They had made an early start and this had obviously caught some by surprise. Steve Hillage and his band were on form. Occasionally Hillage seemed to lose confidence with his vocals, as many singers do as they get older, especially if they have not been singing for a decade or two. If you listen to Joni Mitchell in the sixties and now in her sixties, her voice is totally different but it’s good, she has had to change her singing range and vocal style to keep it up.

In terms of guitar playing and performing, Steve Hillage is still at the top of his league. As the evening wore on, he just got better and better ( and better) playing complicated solos, with key changes, tempo changes, etc..

Here is a short clip Intro to Hurdy-Gurdy Man

He played some fast and furious guitar too and the band were great, but we were too busy dancing to film it! No doubt more footage will appear on youtube. Also Mike  Howlett’s excellent bass playing was mixed in a way that was not beefy enough , we wanted to hear it louder,and yet it obliterated a bit of the rest of the band’s sound, not sure how! I guess that’s what live music is about, it depends where you stand (and the taste and/or ability of the engineer).

The set was amazing and the crowd were ecstatic, a great lightshow too with inventive animations adding to the whole performance.

My only complaint about The Steve Hillage Band was that their set was so short. I would have been happy to see them play their first five albums from start to end and would have not got bored for a second or judged them if they had missed a few bits and improvised instead.

Personally I would have been happier to see the evening split equally between Gong and Steve Hillage.

An Interval of Rainbow Dome Musick , while we got our “healing” beer would have been ideal! ( I am joking…kind of)

However,when we saw the long set that Gong played with the same instrumentalists , we realised perhaps why Steve Hillage’s set was short but quality rather than quantity. When we arrived at 7.45 pm, The Steve Hillage Band was already playing and by the time Gong had left the stage it was past 11 pm.

Miquette and Steve ( Forum 27/11/2009)

There was a long break for drinks, just as well as it seemed impossible to get served ( hence the request for Rainbow Dome Musick at this point to keep us all calm). Only two bars on the ground floor, for thousands of people, the bar we queued up at only had one person serving, although after half an hour or so ,he was joined by two others.

The mood was jolly, lots of blokes, average age 50, many still with long hair or bald.But there were also a few women of all ages and also there were young, some very young ,teenage boys occasionally with young,very young,girlfriends in tow.

There is always a new crop of hippies germinating from any background. They emerge at around the age of 13 and by 16 they are either in a band or leading some form of alternative lifestyle with individual image to boot.These budding hippies who appear from nowhere decade after decade, will always gravitate towards the music of Gong and Steve Hillage.

Gong appeared on stage at around 9.15pm. They consisted of the members of  The Steve Hillage Band , plus Daevid Allen ( vocals and  guitar, and much leaping around), Gilli Smyth ( Vocals, “Space Whispers”, Goddess/Witch) and Theo Travis ( playing some rather excellent flute and sax).

Gong at The Forum 27/11/2009 ( minus Miquette)

We couldn’t help but notice that Gilli seemed older than the kind of woman you’d expect onstage with a rock band.We have been conditioned to expect only young people onstage doing weird rock music,  especially when it comes to women in a non-acoustic band.We are super-conditioned that only certain types of sexualised young women or alternatively young teenage rebel girls who shave their heads or dye it some extreme colour, will  be there. But I believe in breaking boundaries, most of the best classic bands are older, too old to rock and roll and too young to die? No! Get on stage, I say!

According to Wikipedia, Gilli Smyth, is 76 years old and used to be in academia, lecturing at the Sorbonne before deciding to do something all the more intellectual by forming Gong with her partner Daevid Allen.

Here is Gilli being a Witch on stage along to a free-form jazz jam from other members of Gong.

The Witch’s Song Performed at The Forum 27/11/2009  originally released 1973 on “Radio Gnome Invisible.Part One”

Daevid Allen is 71. But he bounces around the stage like a kangaroo on acid (and speed). Daevid has such a stage presence  that I can’t help but wonder what on earth he would do if he didn’t go on stage and dispel that energy. He is a jester with apparently boundless tigger-like energy. He definitely needs a stage to bounce on!

Gong- You Can’t Kill Me

Unfortunately the camera ran out of memory before being able to film Daevid in his special silver-white silk catsuit, embellished by CDs, or his “No one Knows I’m a Lesbian” T-Shirt, or when he chased Miquette around the stage, or was she chasing him, either way his energy was impressive.


Daevid Allen at The Forum 27/11/2009

Miquette having fun playing air guitar along to Steve (27/11/09-Forum)

There were times when Gong shouted and repeated the same line over like a cross between a sergeant major barking orders and the rat-rat-rat of a self-loading machine gun, which reminded me of war , riots and abrupt change. At other times, Gong intoned half-sung and half-spoken poems with themes of the collective unconscious and mythical archetypes in a free-from jazz jam, then planting  a strong melodic chorus , wherever and whenever it seemed the least expected. There were times when the music became ultra-psychedelic, the same repeated riff and beat, getting faster and louder with glissando guitars and excessive strobes, it went on in a cyclic fashion until it induced the brain into resistance or acceptance. I could not help but close my eyes to take it in. I felt like I was at some spiritual ceremony and that certain harmonious energies were being purposefully raised. I was pelted with rays of  white light and the sound of repeated musical mantras ,until I felt transported from the middle of winter, to a bright dance tent at some summer festival. People didn’t dance as much as they would in a dance tent though, but then we are older and we were tired by the end of the evening.

However there seemed to be some incredibly strong positive force present within the music. ..and I couldn’t help but notice that at the end of the evening, after a long encore and a very long gig,  Daevid Allen seemed to do a little ceremony to seal off each one of his chakra points, starting at his head and working his way down before leaving the stage.

Aha! I thought to myself , that’s where Daevid gets his energy from: rituals and chakras!

I am somewhat cynical about anything too religious, but they must be getting their energy from somewhere!

Love and Peace ( off to do yoga,meditation and find my chakras now!)

Born2rant

p.s. for more of a spiritual explanation click on Pete’s comment on the upper part of the left hand column of this blog or follow this link  to hear Daevid Allen’s spiritual vision for Gong( thanks again Pete).

http://vimeo.com/1626328

new readers to this blog  might be interested in this entry as well…

Steve Hillage always looking to the future: Part one from Hyde Park to Solfest


Steve Hillage and Gong, better late than never…


Hello Good People who surprise me by still reading this blog during my long absences.

This post was originally half written over four weeks ago and was never finished, I was interrupted by the ‘flu,the Cultural Revolution and Revolutionary Operas and then had to recover from the exhaustion of all three!

Anyway, I am now myself again and am greatly excited at the prospect of seeing the Steve Hillage Band and Gong live at The Forum in London, this Friday (on the 27/11/2009 in case you read this at some point in the future).

Talking about some point in the future, before the Cultural Revolution, or sleeping or reading about East Asian pop music compulsively once  again, I will get straight to the point and illustrate Gong’s new album entitled 2032 with a short clip. I have to admit that I think this music video is amazing. It was made by the Japanese animator team Mu-0C Magic , who I believe are Hibari Hoya,Haruka Sakota, and Akira Watanabe.

Gong- How to Stay Alive ( 2009)

Is the album entitled 2032 because an asteroid is due to hit Earth in that year?

Answers in the comments section please, the song is certainly cheerfully apocalyptic. But then the first ever song by Gong that hit me lyrically in the centre of my brain was You Can’t Kill Me, a song about killing off the rest of the family, symbolic and  psychologically strange.

( preceded appropriately by Radio Gnome Prediction) released in 1971 from the album Camembert Electrique:

The tracks on the new album 2032 sound definitely like the old Gong, although on occasion I can hear a bit of old Hawkwind and The Ozric Tentacles too. However considering that without both Hawkwind and Gong , there wouldn’t be any Ozric Tentacles ..I’ll let you do the maths…

Here is Pinkle Ponkle from the new Gong album, starting off sounding a bit techno, then a bit middle-Eastern but then definitely just like Gong’s unique style with echo unit orgasmic sighs by Gilli Smyth , Daevid Allen’s poetry, psychedelic spacy effects by Miquette Giraudy, Steve Hillage’s uniquely wonderful  guitar sound ,with Mike Howlett on bass,Chris Taylor on drums and Theo Travis on flute and sax.


See the Gong website (http://www.planetgong.co.uk/) for further guest players on the album including the original Didier Malherbe.

Gong and Steve Hillage surreptitiously introduced me to Gamelan, free form jazz , Middle-Eastern and Indian classical music and musical concepts like drones on Miquette’s synth,and modes from the East on Steve‘s guitar, when I was only fourteen and “World Music” was not generally heard in London’s mainstream media, apart from a bit of Indian Classical music.

In recent years of course, Steve Hillage has been creating music with Miquette as System7, but even with dance/trance/techno music he was still playing his guitar live.

Now with the reemergence of The Steve Hillage Band , he is playing his old stuff again, something many of us had wished and prayed for during the past two and a half decades and never dared to hope would come true.

I will end with some video clips as it’s late and I need to go to bed! One last piece of info, I phoned up a ticket agency today ( Keith Prowse) and there are still tickets available for this Friday (tomorrow) at the Forum in Kentish Town…

but only because every Steve Hillage fan in London does not realise he is playing yet. If you are one of them, get yourself a ticket by whatever means , it’s not too late. Or you could go and see The Steve Hillage Band and Gong , on Saturday the 28th at The O2 Academy in Oxford,  and Sunday the 29th of  November at The Corn Exchange in Brighton.

I have already put up so many of my favourite Steve Hillage tracks up on this blog along with my favourite youtube video clips so forgive me if I am repeating myself .

Om Nama Shivaya from the album “L” (1976)

Salmon Song ,this is a clip from the fantastic video of Steve Hillage playing in Canterbury from the truly excellent DVD  Steve Hillage LIVE in England 1979.

and from the same DVD here he is with Hurdy Gurdy Man

and here they are in 2009 in Bonn playing  Searching for The Spark ..they need a bigger audience to bounce their musical vibes off, so get down there , if you are in London, Oxford, or Brighton and dance your hippie dance.

See you all on Friday or online sometime.

Love and Peace

Born2rant

Is Everything OK?


Hello Good People who read this blog just a little entry today. Thanks to all the people who contacted me by various means about the little documentary I made, cheers for all your kind and generous comments.

I came across this video montage via the Organ fanzine myspace site and wanted to share it with you.

It shows a couple of guys out in London with a megaphone shouting some very sensible things about freedom, capitalism and fear. It’s quite entertaining and it’s always good to (peacefully) challenge the system as long as you don’t get killed, tortured or arrested in the process.

This clip includes several scenes in different London locations, my favourite is him hugging security guards at Canary Wharf who he calls “fake policemen” because they have copied the uniform of the Met. When he is asked to stop filming in a train station , he asks them to stop filming him on CCTV. Great!

Enjoy!

I haven’t done much freedom fighting recently,been going through a hedonistic phase but I’ll be back!

Here’s some music to brighten your day.

Steve Hillage from the Live Herald album ( 1977-1978) a track fusing musical styles well before its time “Searching for the Spark

Remember these are all live musicians, playing together through various changes in unison.

Love and Peace

Born2rant

P.S. I’ve felt for the past 5 years, or maybe even 8  years, that there should be a sign at every tube station saying “Please leave all your human rights at street level and abandon all sense of self before entering the tube station”,  ear-plugs are recommended if you don’t want to be deafened  by daft announcements that kill your soul . So I was very glad to find this little film, I defy you to watch it all the way through and not smile!

AWOL


Hello Good People who read this blog, I just wanted to say that I am sorry I haven’t managed to put my little radio prog up here yet. It means a few hours work putting it up on youtube with photos and captions and I am just too busy to do it at the mo.

To all those at The Big Chill I hope you have a great time time and that the weather holds up. Enjoy Gong on my behalf!

I have many people to see and many travels to make but will bring you my rant on the London Open Mic scene soon.

I wish you all in the meantime: Peace, Freedom to be an individual and do things differently without harassment, Understanding,and don’t forget what makes the world go round…LOVE!

A clip from my favourite Steve Hillage album “Green” (1978) -way ahead of its time like so  much creative “hippie” music. This is “Ether Ships”.

(more) Love and Peace

Born2rant


The Police harasses some terribly nice middle-class white English people in possession of terrorist crayons.


Hello Good People who read this blog ( this is a revised version of earlier entries. I do this sometimes when I think of extra things…sorry if it is irritating)

To begin some more meditative music to generate peace in the world

I forgot how completely amazing this piece of music was until  I just listened to it again:

Yes it’s got to be Steve Hillage “the Glorious Om Riff” from the “Green” album ( 1978) , quite appropriate for this post. (If you listen to this wearing headphones you get the full ping-pong  synth effect .)

Om!

My son sent me this film ( below this little rant) showing the police trying to disrupt an environmental climate camp which is organised totally legally.

I don’t think the police should meddle in politics. I think they should just be there if the public needs them in an emergency, when they are being violated, robbed, burgled etc..

Who is instructing the police to violate, rob, burgle and occasionally kill the public?

Once the police start to harrass people for their politics isn’t that what a police state is?

This is how Wikipedia defines a police state:

“The term police state describes a state in which the government exercises rigid and repressive controls over the social, economic and political life of the population. A police state typically exhibits elements of totalitarianism and social control, and there is usually little or no distinction between the law and the exercise of political power by the executive.

The inhabitants of a police state experience restrictions on their mobility, and on their freedom to express or communicate political or other views, which are subject to police monitoring or enforcement. Political control may be exerted by means of a secret police force which operates outside the boundaries normally imposed by a constitutional state.[1]”

Here is the little film my son sent me :  “Investigating the Police” from the Kingsnorth Climate Camp last August. Crayons, felt-tip pens and chalk sticks are confiscated as dangerous weapons that could be used for writing political messages on banners.You may find some of the images of police violence in the second half of this film disturbing.

In many way it is reminiscent of the Battle of the Beanfield and other incidents of police violence. I heard many accounts of police violence over the years from friends being taken in the back of the van and given a “good kicking” for being alternative .

All the private “kickings” were illegal but now there is legalised harassment and violence against the public evident in this film. (if you can’t see this film and you have “No Script” on your computer, enable “blip.tv”)

[blip.tv ?posts_id=1878593&dest=-1]

They have given the police way too much power and surprise, surprise,  they are abusing it. In this film the police can legally force someone to be searched who is not wearing anything suspicious or behaving in a suspicious or agressive way.

If you refuse to be physically searched then they can legally, make you lie on the ground and set seven police officers on top of you and legally press your pressure points to inflict pain.

Some of the scenes in this film are of innocent people being violated legally by the police. Can you honestly say that the nice protesters in this film were a threat to anyone?

If the actions of the police were illegal then at least we could put a stop to it.

Compare and Contrast the wikipedia definition and the film clip!

What do you think?..Do you think? or do you just party?

A musical interlude:

Here & Now another band from the Gong rock family tree. I saw this band 10 trillion times in the late seventies and throughout the eighties. The first time I saw them was at Meanwhile Gardens with “Blank Space”and possibly  “The Androids of Mü”, Grant Showbiz was doing the desk.

Here is Here & Now with “Floating Anarchy Radio”

Here’s Here & Now playing in 2005. In the foreground on synth, Joie Hinton ( ex-Eat Static/Ozrics/O’Roonies etc…I was once told that he played for Steve Hillage as a teenager..not sure about this).

Today I am also a bit concerned about the police deciding about whether or not MPs should be arrested for fiddling their expenses.

Of course I think the MPs should pay back the money they fiddled and made to live on a council estate for a year with only income support and housing benefit to live on.

However I don’t agree with the principle that the police can arrest the democratically elected government. That really would make us  a police state.

It would be better for democracy if the government itself forced every single dodgy MP to resign and pay back the money and be fined.

I don’t see that happening because the ones at the top are the dodgy ones!

Some more excellent music. I love Egg.

Weird difficult and complex music is never boring or pretentious as long  as you can either tap your foot to it or sing a bit of the tune in the bath.

This track is one of my favourites and  has some of those appetizing complex bits!

According to Wikipedia ( my font of all knowledge for today) Steve Hillage plays on this track:

“Wring out the Ground” from “Civil Surface” by Egg (1974) …yep a couple of minutes in, that’s got to be Steve Hillage!

Love and Peace

Born2rant ( voting Green in European Elections ..will stop editing and revising this post now promise! 16/5/09)




Our shallow superficial culture and talented people


Hello Good people who read this blog…

Some anti-tv vitriol….

I am changing the tone today just for a brief comment on our culture.

I have been watching a bit of TV this week and heard about some exceptionally talented singer on some reality TV programme. I thought I would check out what all the fuss is about. I cannot  post a nauseous clip as the music biz has made sure their protégé cannot be embedded….they’re selling her as an old maid, spinster, too ugly to ( I am modifying my swearing here) “kiss” virgin in need of our approval. What a load of ****ing ******s ( I don’t think I put enough stars on this to replace the letters but I’m sure you can fill in the blanks and realise how much this annoys me!) .

Don’t get me wrong I wish Susan Boyle all the best of luck and hope her career spans longer than a couple of months. But it’s the way the programme is made. Mr. Loo brush head with his dyed fake teeth, hair and skin is trying to portray himself as altruistic putting a talented ugly middle-aged  woman on the stage and prove he isn’t that shallow ( AND SO BOOST RATINGS ) .

The token pretty woman in the middle of the panel ( can’t even be bothered to find out her name) is poised and primed to cry ( I think you can get these glycerine drops for actors to cry, she must have just put them in her eyes at the start and they were beginning to dissolve), that Piers Earnest-Smug-Face person, who also can attribute a new career to fake tan and pretending to be nice , is looking on also near to tears as SHOCK HORROR the UGLY WOMAN HAS TALENT.

The audience has obviously been told to sneer at her and make fun of her when she first goes on the stage ( unless they are really just the average ageist, sexist,looks-obsessed advertising fashion trained public – which unfortunately maybe they are) . then they have obviously been told to cheer lots when she starts to sing. Because SHOCK HORROR someone average looking can sing well.

Why do people assume you have to be beautiful to have talent???? because of the TV and magazines and our very shallow idiotic culture.We’re turning into the stupidest of the stupid Americans! Do you really want that to happen? ( p.s. I have some really nice American friends so I feel a bit bad for writing that…but I guess I am referring to the mainstream American tv culture and ideas rather than individual people)

This next item is totally unrelated to Susan Boyle but is about talent.

There is so much unrecognised musical talent about …I guess only a very small minority of talented musicians will enjoy fame and fortune because the logistics of how many human beings there are on the planet and how few manoeuvre themselves into the media or are thrown into the limelight .I don’t think many people become famous without seriously trying very hard .  The thing is for singer-songwriters, that unless you are famous you can’t earn a living that way. I guess it’s the same in many of the arts but the amount of gigging musicians who are unpaid or pay to play never seems to diminish in London Town.

Here’s one of the many talented songwriters from the London acoustic scene: Benjamin Thomas ( a Bob Dylan fan but I prefer Ben’s music)

This next track is a bit unfortunately named for an oldy like me but I forgive him!

“Growing old is just an easy way of dying”

“The stains on my heart are solitude”

http://www.myspace.com/benjaminthomas1

Love and peace

Born2rant

p.s. Question if they removed all the smug or shallow people off the TV would there be many programmes left?

( sorry there is no Marmite in this entry I was just being silly, but there was a meerkat later edited, plus vampires)

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