From the Sixties to the End of the Noughties..did it match up to expectations?


Hello Good People who read this blog

I am listening to music over the headphones while I write this, to keep me focussed and calm,so I might as well start by sharing what I am listening to. Some English sixties folk, Sandy Denny with an acoustic home recorded demo version of Who Knows Where the Time Goes?

Across the purple sky, all the birds are leaving…

Well everyone on TV and radio seems to be reviewing the noughties. I can’t believe a decade has gone by.

I feel a sense of foreboding in broaching the subject of the “noughties” as I think for me it was a decade that started with high hopes and ends in doubt, fear and disappointment. In my personal life that is not the case but in terms of an alternative type of person living in London, it has not been a great decade.

************************************************************************************************************

I guess for me this decade started in the sixties. As a child, the year 2000 seemed like an impossibly long time away. I wondered if I actually would live to be that old.

In 1968 , this is what we thought could be happening in 2001:

At school in the sixties,one of the favourite essay topics of teachers, was to ask us write about how the world would be in the year 2000. We all wrote about world peace, wearing silver suits, having robots to do all our housework, going for holidays in outer space, an absence of disease, poverty and famine and extraordinary futuristic and sophisticated pop music,together with the occasional time machine and transporter room ( in the style of Star Trek). It is hardly surprising that we were so optimistic, the sixties was an amazing time of progress, with the peace movement, breaking down of many prejudices,new fashions made of new synthetic materials, amazing ground-breaking pop music, advances in medicine and the proliferation of science fiction which speculated on how new technology would affect us all in the future.

Some of the predictions made by scientists were very misguided.

Tomorrow’s World (BBC)  in the late 60s

At other times the predictions were petty spot on. Here is a clip I found called Britain of the Future . It features mobile phones, CCTV in banks, luxury short plane journeys to Sydney, computers and the internet, how we will select our children for mathematical ability, flatscreen TVs  and more.If you play it 5 minutes in, you will find some predictions for 2000. The population figures quoted must be for Britain only. In fact according to the National Statistics office the UK population in 2008 was 61 million and not quite the 65 million that they anticipated for 2000.

It is hardly surprising that in the sixties, a time of great creativity, invention and hope, that we looked to the future with great excitement. Could we say the same now? How do we see the future in these fearful times where every TV programme seems to warn us about some threat : climate change,  terrorist attack, or timeless pleasures that are a danger to our health, as well as the possibility of financial ruin or new diseases that will wipe us all out unless we wash our hands 20 times a day.

Do you know any teachers who ask their class to write an essay about how exciting life will be in the year 2050?

Poor kids today!

In 1969, western consciousness was full of hope. Everyone with access to a TV,remembers the day when Apollo 11 landed on the moon.  The music of The Beatles, Hendrix and others was so new, young and exciting , we hoped that with new technology  we would be creating the most amazing music ever by 2010…OOPS! We didn’t account for those forces that kill creativity: trying to make money by trying to appeal to all, trying to look perfect, marketing, advertising, selling your soul to Satan Cowell etc..

I remember sitting with some friends back in the eighties, after listening to all four “sides” of  Electric Ladyland and saying:  “Just imagine what music Hendrix would make if he’d survived until the year 2000 , with all that technology!” and others agreeing and imagining this amazing music with  new synthesizers and effects and even computers.

Now I think:”Yep…if Hendrix had survived, I bet his record company would be re-issuing all his old stuff. Maybe having gone through a brief “Unplugged” tour during the nineties.” Cynical me…

But technology has brought some interesting new music, even if it is sometimes rehashed old music from the sixties. Recently this was recommended to me by two people in their twenties. DJ Shadow’s “Endtroducing” ,first released in 1996 and re-issued in 2005.This album is created entirely out of samples. D.J Shadow combines these skillfully to make a totally new, and some would say,genius, classic album.

Is this the future of music?

Building Steam with a Grain of Salt  by  DJ Shadow.

I like it, but I prefer Dark Side of The Moon which uses samples of speech but where  the music is less repetitive and  the lyrics have a message.( Or do I have a case of middle-aged “They just don’t write tunes like they used to and don’t police officers look young”etc.?)P.S. 3/1/2010 However this track has definitely “grown on me” in the past few days. I find a lot of good music plays that trick.

Another PS!!!!

I recently interviewed Andy Leung for another  little radio documentary, he is the keyboard player from the band “Introducing” a nine piece band who play “Endtroducing” live at gigs and festivals. Now  this has become one of my fav tracks , here they are playing “Building Steam with a Grain of Salt” and other tracks for the album at the Skylarkin, Carling Academy Oxford in December 2008. What do you think?

I hope that the future of music in 2010 and beyond goes back to live performance, more thought-provoking contents, and originality. Unlike in previous decades, the music business is no longer the only way for independent minded musicians to get their music aired. The internet has liberated us and trapped us at the same time.

As far as file sharing goes, my feelings are mixed. The musicians I know,mostly don’t mind file sharing, they also like using open source materials and all the free things on the internet to help them, from myspace, to music lessons on youtube. But the musicians I know don’t make a whole lot of money. Internet file sharing is nothing new, ever heard of cassette recorders and photocopying machines? As a child/teenager I had very little pocket money. We used to record the entire chart show on Radio One on an old reel to reel recorder. I still have the tapes!

Here is Kraftwerk being futuristic in 1978.Will music in the coming decade be progressive or retrogressive? It all depends on what our collective consciousness or fashion dictate.

The Robots ( nevermind playing synthesizers, will they design robots to do the bloody housework next decade?)

**********************************************************************************************************

Like the Apollo 11 Moon Landing, there have been some moments in life, commonly shared with others, where I remember where I was and who I was with, and every feeling and thought impressed  up there in my memory.Preceeding the beginning of the nougthies, there was the eclipse which I saw on Hampstead Heath in London, together with several hundred others.Each one of us forwarned eternally by the media not to look straight up at the sun. It was a special and spiritual moment, I spoke to many Londoners who I didn’t know there, and strangely I bumped into all sorts of music people I knew,but who were equally surprised to see me there. The eclipse reminded us that day, that we were only on a small, rather vulnerable planet, I felt united with others, but for some reason it made me feel sad too.

New Year’s Eve 2000 itself was also a strange time for me personally,  I remember having ventured alone into Central London around the Thames surrounded by thousands of others.I have never felt so lonely! London can be like that. Luckily I went to a friend’s place later.

I guess the main events from the Noughties that affected everything else in our daily lives in London, was September the 11th 2001 followed by the invasion of Iraq in 2003. Both events completely changed the London I knew into a place where CCTV and police apparently took over. I also remember the bus and tube bombings of July 2005 and the further aborted bombings a couple of weeks later. My entire neighbourhood was cordoned off that day, and a friend had to stay at my place because the police wouldn’t let him go home.

Immediately after September the 11th , I was very interested to hear all the “ins and outs” of why the “plane crashes”  could have  happened.

I knew both Americans and Lebanese people at that time, who knew a lot about politics. Before the full story broke out in the news, it was pretty obvious from my conversations with them, that it was bound to be a group from the middle-east over Palestine.

The protest march against the invasion of Iraq in February 2003 was another day I will never forget. I have been on a quite a few protest marches, but this was exceptional. The political apathy of the British public was dispelled for once and to take part in the march was amazing. It was freezing cold and slow, but I was so pleased to see others of all ages and backgrounds united in not wanting a war.

I had written a detailed letter to my MP at the time, Michael Portilo, a month or two beforehand, giving him five well-thought out reasons why we should not invade Iraq. One of my main points was that London would become a target for terrorists if we got involved in America’s attack. I stated that we were still regarded as neutral until we committed to invading Iraq. I wrote that I thought that central London would become a less friendly, and more dangerous place with armed police, and that there would be a threat of terrorist attacks on the tubes.

To my surprise, and to his credit, Portilo wrote back me ( or maybe someone in his office wrote it for him) . It was a long letter, replying to each one of my five points in detail. The letter is somewhere up in my attic I think, I could not find it to quote here unfortunately ( I may add it later).

Portilo assured me that if we did not invade Iraq, that London would become a terrorist target and a dangerous place to live. Although a conservative MP, he  fully supported the labour government’s actions. I might have sounded hysterical in my letter,but I was right.  Our tubes were bombed and London did become a far more paranoid and fearful place, with new detention laws and the police, at times taking over tube stations with an aggressive and intimidating presence,compounded by stories of police torture at Scotland Yard, police brutality at recent climate change protests etc…

I have subsequently met Kurdish refugees from Iraq and Turkey, living here in London, who were extremely happy to see Saddam go. One guy I knew lost not only his family, but all his friends,school teachers and everyone he ever met in his entire life, through one of Saddam’s mass gas attacks of the Kurds.

I am still a pacifist and think we were wrong to invade Iraq, but these things are never entirely black and white.

*************************************************************************************************************

I guess my main worry for the next decade is the impact of climate change, I do think life for people will have to change whether we plan for it or not.

On a positive note, I am a great believer in Mother Earth. Before all the patriarchal religions ( and yes I know I will upset many by writing this!) there were religions in most parts of the world based on the concept of the great mother, the giver of life. The planet and all living things , and sometimes non-living things such land,rocks and hills etc. were sacred and respected.

If we don’t adopt a better attitude, then the forces of nature which are stronger than the forces of man, will take over.I believe the planet will be self-regulating. This is a very harsh image and of course I don’t want anyone to die or suffer. If we think of the planet as a kind of living being under threat (from billions of  little human parasites), then I believe that it could rebel and kill enough people so that it can restore itself back to health.

Well let’s see if we can prevent any great tragedy from happening by using  less, and thinking more about the way we treat our planet within this gigantic, wonderful and mysterious Universe. We must choose to either plunder or to care for this beautiful, delicate, live-giving planet Earth.

Happy New Year 2010,

May the next decade bring us Wisdom and Peace

Born2rant

Advertisements

Peaceful Protest (we hope) G20 London


This morning it’s time to prove hippies still want to change the world.

“On 28th March thousands will march through London as part of a global campaign to challenge the G20, ahead of their 2nd April summit on the global financial crisis.
Even before the banking collapse, the world suffered poverty, inequality and the threat of climate chaos. The world has followed a financial model that has created an economy fuelled by ever-increasing debt, both financial and environmental.
Our future depends on creating an economy based on fair distribution of wealth, decent jobs for all and a low carbon future.
There can be no going back to business as usual.
People from all over the country will join the march on March 28.
Be one of them.”

from “Put People First” website  http://www.putpeoplefirst.org.uk/

On the BBC News Website they have  helpfully put a map and more details.
(http://news.bbc.co.uk/1/hi/uk/7968721.stm)

It starts at Midday ( in two hours).

“The assembly point for the march is now confirmed. People should gather from 11am on Victoria Embankment by Temple tube station on March 28th. The postcode is WC2R 2 PP.” ( from Put People First Website)

The march will start on Victoria Embankment and move past Trafalgar Square and Green Park to Hyde Park, where there will be a mass rally.

If you don’t read this in time for the march then do go to Hyde Park for the rally in the afternoon.

I’d like to wish the lovely people at “Born to Go” in Hitchin a great  psychedelic evening tonight and also to Steve Hillage and Miquette who are playing this evening in London.

However I may not be there as I am going on the march in a second.

The media is speculating that there will all kinds of violence and anarchic nastiness at this march but let’s prove them wrong. Let’s keep our dignity

and protest peacefully and also keep away from any charging policemen.

We are the people of this country, we are entitled to a voice and the police are meant to serve us and the government is elected by us so we need to make a peaceful noise and

also if the police DO attack us it would be good if someone could take some footage of it and hand it in to sympathetic  media people!
Love and Peace

Born2rant
Here is a clip of Woodstock to get me out the door and marching:

The Dave Russell Interviews reborn ( Notting Hill Arts- 1967-72)


Hello Good People who read this blog

If you go back in time to my earlier entries you will find some interesting stories about Notting Hill in the 60s and 70s and also Anti-Media activities in the 80s , bits about the gigs before Club Dog etc….

However I have been having problems with technology and the Dave Russell interviews being repeatedly deleted .

Therefore I have re-issued part one of this interview on Youtube. It’s the first time I have ever done anything like this so don’t expect miracles!

Enjoy ! and to read onthe background to the things mentioned in this interview go back to my previous post called

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

This was written back in the winter of 2007 and the weather today is about the same.

here is part two of the interview for more information go to my previous post

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

Part two

Part Three

of the interview below please see this post for more details:

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments

The final part

read more on

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

Love and peace

Born2rant

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat


(Episode Four) Notting Hill 1967-1972: an interview with Dave Russell – More about the Crypt ( arts and community centre), The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

*I mention “Friends magazine” but it seems that they also spelt it “Frendz magazine”. For more info on the magazine including examples of articles go to this link: http://www.ibiblio.org/mal/MO/philm/friends/

Hello good people who read this blog. After an interlude of some time finally here we are …

Here is the final part of the Dave Russell interview about the Arts and Community Centre ( the Crypt) and beyond:

The Free School
In his interview I asked Dave about the Free School which is often associated with Pink Floyd ( who played at the Crypt too) . He said it had moved about a bit and referred me to another site. So I “borrowed” this map on Tom Vague’s site ( see links to “History Talk”). Dave said that he had done lots of archiving of materials and had helped Tom with the map so I am hoping it is ok to borrow it for my site. You will see on this map the location of the Free School changes as well as some of the other important sites ( and there were more not included on this map) double-click on the image to enlarge.

mapofportobello.jpg

from http://www.portobellofilmfestival.com/talkpics/talk-vague02.html

Destruction in Art
Dave mentions the destruction in Art Symposium who encouraged the smashing up of things. Here is another reference to it from Wikipedia complete with 1966 poster.

“The Destruction in Art Symposium (DIAS) was a gathering of a diverse group of international artists, poets, and scientists to London, from 9th11th September, 1966. Included in this number were representatives of the counter-cultural underground who were there to speak on the theme of destruction in art.”dias_poster.jpg

The Honorary Committee, led by Gustav Metzger, attracted the attention of both the international media and international art community to the symposium.

Michael Moorcock, Friends magazine, and Hawkwind

I asked Dave about these in the interview .Here is a second clip of the fantastic BBC4 Hawkwind documentary which was one of my main inspirations for writing this entire blog.It reminded me of a time long gone of artistic and creative revolution in London. The clip starts with sci-fi writer Michael Moorcock talking about happenings in Notting Hill ( or Ladbroke Grove) and documents further alternative strands in the area , plus Hawkwind and drugs.

Hawkwind Documentary

Flyers and Iain Jacobs

Iain Jacobs now an established photgrapher in Spain has contributed greatly to my research. He was one of the organisers of the Arts and Community Centre. He was 19 when he first joined their ranks. He also performed in The People Band and designed some of the flyers for the centre which migrated to various venues but was mostly at The Crypt , Lancaster Road.

He has very kindly sent me a quantity of flyers to help document this in my blog. I would very much have liked to have interviewed Carlyle Reedy , orginally from the U.S. ,who was the founder and main organiser of the Arts and Community Centre Notting Hill .At present she is not available but I am sure in time I will meet her and hopefully she can help me to document more.

Thanks again to Iain Jacobs for supplying me with the following documents:(click on them to enlarge)

accnh_brochure_cover.jpg

This is the brochure cover to the A.C.C.N.H.

accnh_brochure_inside.jpg Inside of Brochure

accnh_poster_01.jpg

The Continuous Music Ensemble poster

crypt_poster_01cardewamm.jpg

Cornelius Cardew Poster

crypt_poster_05third-ear-band-etc.jpg

The Third Ear Band

Some General Posters for the Arts and Community Centre Notting Hill:

crypt_poster_02general.jpgcrypt_poster_06.jpg

Poster for the Exploding Galaxy

crypt_poster_08cartoon.jpg

more info on The Exploding Galaxy
I found this on the “disinformation” website in relation to Genesis P-Orridge:
This would be around 1969

“After a near-death experience left him determined to follow his notion of becoming a beatnik writer, the young P-Orridge’s instinct for finding other “genetic terrorists” like himself led him to the psycho-therapeutic bootcamp of the Exploding Galaxy/Transmedia commune (which also included filmmaker Derek Jarman). Members were required to sleep in a different location every night, to take meals at different times during the day, and to act out assigned roles and attitudes, often in costume and with unerring earnestness, going so far as to have atypical sexual encounters (in character!) or risk getting badly beaten up if a situation warranted it.

The commune’s anarchistic spirit and insistence on life as art and art as life inspired the performance art events of COUM (pronounced “coom”) Transmissions. Staged primarily by P-Orridge and part time pin-up model Cosey Fanni Tutti (born Christine Carol Newby, 1951), COUM’s outrageous “happenings” were parallel to the work of Viennese Actionist Otto Muehl and Hermann Nitsch’s Orgies Mysteries Theater. COUM’s shamanic improvisations involving enemas, blood, roses, wire, feathers, sexual intercourse, milk, urine, licking up vomit, crucifixion, maggots and self-mutilation were often not conceptualized until the very moment of the performances, if at all. “Quoted from http://www.disinfo.com/archive/pages/article/id1246/pg1/index.html

It all sounds like an average Saturday night out to me! ( my attempt at humour) I don’t think anything quite that extreme went on at the Crypt in Notting Hill!

The Poetry Workshop

crypt_poster_04poetry-workshop.jpg

Jazz gigs at The Ladbroke Hotel

lh_poster_01.jpg lh_poster_00sounds.jpg

The People Band ( was in previous entry but I like this poster a lot!)

crypt_poster_07.jpg

Well that’s all for now….I hope to bring you more of something soon!

Have a good weekend and be creative without dollar/euro/pound signs in your cartoon eyes .

DAVE RUSSELL ( the man I interviewed and Notting Hill resident since the sixties)

Before I go one last vid. This is Dave Russell with ” Hades W10″ also known as “Nobody gets off at this bus stop” (The people in the background are quite interesting and entertaining …he usually gets a much better response than this!) after that he plays another one of his own songs “Crackdown Tribunal”. Dave is an intellectual creative rebel well-versed in folk, blues, jazz, punk and poetry. He has recorded countless albums of his songs as well as covering the rawest blues songs and setting music to William Blake and other  poetry. He has covered some Madonna songs which are so riotous that you’d think they were written by Dylan, Robert Johnson or John Lydon.

He revels in  words as well as music and has written two novels and a book of poetry. He plays all the acoustic clubs in London that are any good and avoids the soul-less ones looking for pretty pop stars.

At present he has no website or myspace although I hope one day this will happen.

(p.s. he is also a really nice bloke and my friend who has been very tolerant of me over the years)

see also

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


Coming Soon..more of the Crypt in Notting Hill


Hello Good people who read this blog.

Happy New Year

I am still wrestling with my internet connection but I hope to bring you the next part of the Dave Russell interview and more stories of The Arts and Community Centre Notting Hill otherwise known as “The Crypt” of the Methodist Church in Lancaster Road and other tales of Notting Hill in the late sixties early seventies very soon.

I also have been put in touch with Iain Jacobs who also helped to run the Crypt and was in the “ People Band“(see poster below) which from hearing their album sound similar to bits of jazz from Gong who played in the same venues. As Dave put it ” There was a lot of intermingling!”.

I have received flyers today both from Iain Jacobs and from Michael Dog for my blog . Thank you!

They will appear keep coming back!

Here’s a taster a poster for The People Band at the Crypt in Notting Hill ( not to be confused with the one nearly 20 years later in Deptford!) It’s so nice that people are getting in touch and volunteering their stories. I am still trying to understand various types of computer/internet technology however if you put your cursor over this poster a tool should appear to let you enlarge it and see it in detail. Just click on the poster when it appears in a separate box and then when it goes to a full screen window click again to enlarge further. Some of my other pictures and posters also have this facility.

crypt_poster_07.jpg

Poster courtesy of Iain Jacobs.

Hope to be able to bring you all this soon…

In the Meantime…

Some “Pot Head Pixies ” Genius from Gong!

If you enjoyed that go see my updated post called

“Gong Live Now and Then”

See you soon

Love and Peace

Born2rant

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt


Interview with Dave Russell on the Arts and Community Centre Notting Hill in the 60s and 70s( Part Two)

Following on from my previous post here is episode 2 of my interview with Dave Russell from a couple of weeks ago. Here he continues to tell us of the gigs and wild arts happenings in Notting Hill 1967-1972 occurring first at The Ecumenical Centre in Denbigh Road Notting Hill which later moved to the bigger venue in the crypt of the Methodist Church in Lancaster Road otherwise known as “The Arts and Community Centre Notting Hill” where psychedelic bands such as Gong, Pink Floyd, Hawkwind performed, here he also tells us of acoustic musicians, poets and drug use on church premises.

Dave Russell interview episode 2

I’ll edit and upload the next episode of this interview in a couple of days time.

This is Ron Geesin with “Spiky Diving Bells”

Now I’m cheating by using a documentary of Hawkwind in the early Notting Hill years
(for those of you from outside the UK :Ladbroke Grove is a road and an area in the North End of Notting Hill where it was a bit rougher than than the south, Notting Hill is in the London borough of Kensington and Chelsea but was a much poorer area)

I apologise for name-dropping but I just cannot post that Hawkwind clip without saying that I used to know both Mick Slattery and Terry Ollis who both feature in that clip and have casually played music with both of them..although I’m not sure what they think of me! I’ve also met Lemmy and Nik Turner but they won’t remember me and I don’t remember a lot about them!

This is the Amazing Davy Graham who is still gigging and very influential to British Folk musicians in the 60s

…..and here is Dave Russell himself performing

Back in a couple of days with episode three
Love and Peace
Born2rant

Apologies to anyone who doesn’t have broadband!

I’ll write some more stories soon but unfortunately some of the craziest ones I could write I won’t because I respect my old friends too much not just the ones in this post!

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)


Quintessence FlyerInterview with Dave Russell on the Arts and Community Centre Notting Hill in the 60s and 70s( Part One)

I first met my good friend Dave Russell in 1993 at “Bunjies” in Litchfield Street, off Charing Cross Road.
We both used to perform there regularly in their legendary folk cellar.
When I ran my own acoustic and poetry club I once billed Dave in the press as “The Godfather of Acoustic Punk” and the name has stuck. As well as being a singer-songwriter, poet and novellist, he is as you will hear an intellectual with a wide knowledge of the arts. Dave has been living in Notting Hill since 1964 and was friends with people who ran various arts events at the time.
I interviewed him to ask him about a particular club in Notting Hill in the crypt of a Methodist Church where bands like Pink Floyd, Hawkwind, Gong and many more performed as well as being a place for anarchic artists, poets, writers, actors, dancers and people with radical new ideas.
I have edited the 37 minute interview for obvious reasons !
For technical reasons you will be able to hear the interview in little episodes ( I hope!)
So this should be episode one of my interview with Dave Russell
(it all sounds a bit like Radio 4!) I hope this works or I’ll have to annoy people in the wordpress forums once again!

Dave Russell interview -Episode One

Here is The People Show 1967 related to The People Band as described by Dave ( at the end is a teeny bit of Pink Floyd)

Pink Floyd in 1967 (introduced by a “square” with no imagination and definitely only smoking tobacco)

This is Quintessence in 1971 playing at Glastonbury


For those of you outside the UK and only know “Notting Hill” the film . In the Post-War years Notting Hill was a run down area of West London known for cheap housing and where imigrants settled mainly from the Caribbean. Notting Hill used to be full of slums back in the fifties, sixties, seventies and that is how all the musicians, writers, artists and intellectuals got to live here mostly by squatting or living in Housing Co-ops etc….

Love and peace Born2rant

For more stuff than the little bit I am writing about please visit the Terrascope Link I added in the side-bar

see also

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat