The Quintessence of Ladbroke Grove, Glastonbury Fayre 1971, Meanwhile Gardens, Here & Now and alternative community spirit


Hello Good People who read this blog….

If you like this post please could you rate it with stars or add a nice comment, thanks!

My friend and mentor Brian R. Banks sent me a link to a wonderful piece about the band Quintessence  from the ezine It’s Psychedelic Baby, to celebrate the release of their complete Island Records recordings.  In his article Brian describes the vibe of creativity at the time in the Ladbroke Grove area. He also has a very interesting interview with former Quintessence band member Raja Ram a.k.a. Ronald Rothfield who also depicts ‘the Grove‘ or Ladbroke Grove area, filled with musicians, squatters, and people living alternative lifestyles. Please follow this link to read Brian’s excellent article: http://www.psychedelicbabymag.com/2017/06/raja-ram-quintessences-complete-island.html

If you are wondering what Quintessence sound like, below here there is a film of them playing at Glastonbury 46 years ago.

They sing :

‘If you want a life that is free

If you want a life full of happiness

You’ve got to turn your back on fear and shame

Leave it, Leave it all behind you

Have no fear,

You’ve got to turn your back on Fortune and Fame

You’ve got to leave it all behind you

You’ve got  to leave it all behind you, ever free.’

Of course the Glastonbury Fayre was free to ‘get into’ , or rather walk into, in 1971. Others performing at this festival included a young David Bowie, Gong, Hawkwind, Traffic, Melanie, and Fairport Convention.

If you don’t like the music of Glastonbury 2017 and like me, could not afford to go there anyway, you can watch a documentary about  the free festival of Glastonbury Fayre (1971) here. To listen to Quintessence, play this video from exactly one hour onwards:

Today I walked down Portobello Road market, I found tucked away under the Westway in Acklam Road  there were residents and friends of survivors of the Grenfell Tower fire, selling cakes, clothes and a variety of things where the money goes directly to those affected. It’s going on tomorrow (Sunday 25th) as well, a bit hard to find but worth going to. I gave them a small donation and wished them good luck, but they really appreciated my modest  contribution. I was glad they organised something, just wish it was in the middle on Portobello Road and took up the whole market and wished they’d opened up the little ampitheatre in Meanwhile Gardens where bands used to play Saturday evenings for free, they could have passed the hat around and done a great benefit gig. Today so many rules and regulations and they are ignored by companies in terms of fire protection but if a few people want to gather and have a free gig , is that allowed? I hope someone does run a free gig there for the community to remember and not let it be only a grand  Simon ‘Chimney Brush-head’ Cowell production.

If you are wondering what I am talking about here is a documentary about Meanwhile Gardens from 1981; Music performance @ 20-23 mins, and in view of recent events, a rather disturbing giant Guy Fawkes Bonfire (30mins in):

 

I went to many gigs at Meanwhile Gardens including probably this one:

I was going to write about other alternative lifestyle things in Notting Hill but have to go now. I will leave you with more wonderful Here & Now from 1978 (Careful with that effects pedal Steffe). On the youtube video below there are some great photos. I recognise people, marquees, The Tibetan Ukrainian Mountain Troupe, etc……I wish I could find my old photos…people at free festivals didn’t want to be photographed a lot of the time. There are also photos of alternative lifestyles in Latimer Road with tower blocks from the estate in the background, possibly Grenfell Tower or tower blocks still standing nearby.

 

 

‘You’ll plot and scheme to get your way,

but you haven’t the got guts to do it yourself,

so you make an alliance with somebody else,

A thousand years it’s been the same,

political parties in power again,

if you’re listening man, I’d like to say,

Floating Anarchy is a better way!’  (Here & Now ‘What You See….Is What You Are’ 1978).

This is really great music and spirited musical performance..Please listen to this before bed and/or play it to your children and grandchildren instead of a bedtime story.

So wishing you Love & Peace, sending good wishes and hugs to all those affected by the Grenfell Fire disaster, let us rebuild a free creative community spirit where and when we can.

 

 

 

 

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Too much partying: Hawkwind and onto Solfest…


Hello Good People who still read this blog…

Some music to start with….

Here is one of my favourite Hawkwind tracks , the apocalyptic “Angels of Death” ( always reminds me of Hell’s Angels)

I can’t embed the Porchester Hall version but you can find it here http://www.youtube.com/watch?v=dsnbxH0etbM

I have been trying to get my strange radio show up on youtube before writing this review but basically I haven’t been able to due to being temporarily enjoying  a second adolescence in the body of someone old enough to be my mother.

So I might as well write what I can remember of the last week or so, excluding some of the most decadent bits.

On Friday the 28th of August I went with a friend to the Hawkwind Party in Porchester Hall  ( W2) to celebrate their 40th anniversary. I had just come back from travelling and seeing friends as soon as I got back to London. I had already way overdone it before the onslaught of the weekend, and spent the morning under my duvet thinking how I was too tired to go anywhere and just wanted to sleep for a week.

At lunchtime a friend of mine arrived to go to the party with me , we listened to “Carl’s Hawkwind Cassette” as part of  getting in “the right frame of mind”. This is a compilation made for me by another friend 20 years ago of some the best Hawkwind tracks, apparently it’s been copied and circulated so much,that bikers totally unrelated to Carl also have a copy.

Hawkwind – “You Shouldn’t Do That

We arrived at about 3.30 pm, it was very strange for me as the location of the party was in the same building as my local library and being the middle of the day, it didn’t quite feel like a “party kind” of time or place. Our first pleasant surprise was getting a free commemorative bag containing a free CD featuring the sadly deceased keyboard player, Jason Stuart, a postcard signed by the entire band, a flyer for the tour, a ticket simulating that of  their first ever gig as “Group X” at the All Saints Hall , a “Planet Rock” sticker and a packet of popping candy.

In the red carpeted stairs up to the hall, some girls in sci-fi costumes on stilts asked us if we wanted to ask a question. We didn’t understand that this was for  a question and answer session later and so proceeded to the hall.We expected a long painful wait until Hawkwind took to the stage but as we entered the room they were already on the stage blasting away. There must have been about thirty people in the audience.  Dave Brock looked kind of surprised to see us coming in. In between songs we were told how we were the lucky ones for being there early we would see Hawkwind twice unlike those who turned up just for the evening.

As soon as we got in the hall, and as the afternoon progressed,the following became clear:

(I’ll be negative to start with and positive afterwards!)

a) Something had gone drastically wrong with the organisation, and as someone who has organised different types of gig over the years I was shocked at certain things especially the “lightshow” . I have seen powerpoint presentations that were more exciting. At one point my friend asked me if it was normal to keep seeing a projection of   drop-down menus projected at the back of the stage. He thought it might be some kind of “sci-fi effect” like H.A.L.,or some computer talking to us visually perhaps.  I said “No, it’s that they can’t operate the computer software. If a lighting engineer had done this at Megadog they would have been shot!” ( or retrospectively maybe they would have been “chilled out” of the organisation).

Also the sound was awful during the acoustic bits and not great,the rest of the time until Hawkwind came on. Sometimes this is a “trick” engineers do to make the main act sound better than the support, like a bride who forces the bridesmaids to wear ugly dresses to make them look better. However I really don’t think that this was the case here, I don’t think anything malicious was going on.

In terms of the café, when I ordered a very expensive egg roll,they told me it would take 30-40 minutes. So I dragged myself  to one of the many fast food places nearby instead.

Hawkwind – “Quark, Strangeness and Charm”

b) On the positive side, we had a great time and we found it very endearing and comical when things went wrong. It was like seeing a band who really was just starting out, maybe playing in a church hall .

I think I would have hated the party if it was all running smoothly like clockwork, with glamour and perfection. The spirit of Hawkwind is anarchy, rough and ready, improvisation, free festivals, beauty out of chaos and  breaking all the rules, all this was evident during the party.

The other acts it seemed, were either composed of members of Hawkwind or roadies .

I particularly enjoyed seeing Tim Blake playing the theremin with great expertise and gurning. It was quite funny when he announced that he was going to play “an acoustic number” for the first time ever with the band “The Elves of Silbury Hill” . He played the acoustic guitar and sang but the sound of his guitar was truly unamplified and his voice was faint too, Dave Brock and the others were pretty good at guessing what chords he was playing thank God. ( didn’t there used to be a free festival on Silbury Hill or am I confusing it with Sisbury Ring or was I at both? Don’t ask me! It was a long time ago when one festival blended into another).

Also playing a set was Huw Lloyd-Langton . He had chatted to us earlier in the audience, and was very friendly although I couldn’t really understand what he was saying to me. I don’t think I took enough drugs to understand what Huw was saying, he was communicating on another level. I recognised him as a familiar face from Portobello Road from  deep  in my past but didn’t realise who he was until he took to the stage. Unfortunately on Friday, anything acoustic was very quiet and muffled, except for the awful poet who was miles too loud. I am a fan of  performance poetry  but this guy’s material reminded me of Vogon poetry.

Here is a clip of Huw Lloyd-Langton jamming from the Saturday set when the sound was a lot better, still he managed to put a few extra beats in there to keep Dave  Brock (on harmonica) on his toes!

By the time Huw did his solo set I had gone out several times for a cigarette in Porchester Road. People walking around in the street in the rush hour were puzzled by what they saw, as the street was lined by the weirdest, most extreme looking hippies mostly dressed in black with long grey hair, many of whom were smoking such vast quantities of skunk that passers-by must have been affected by secondary smoking. Several people asked me what was going on and were surprised to hear that Hawkwind were playing upstairs from their library.

I couldn’t help but think that if this party had taken place in the late seventies , that the drug-squad would have been there,  certainly people would have been searched and arrested. But here we all were, in the middle of London,in the middle of the day, in a town which is half-way to being a chilling example of a police state, and yet one of the most political, anti-authoritarian bands ever, had escaped attention from the local coppers.

Hawkwind- “Urban Guerilla”

There were many comedic moments provided by the compere, although these were not planned. He kept telling us how Hawkwind had made it a true party and festival atmosphere by decorating the hall and all the stalls. Each time he said this, we all looked around at the completely bare hall and wondered what the hell he was talking about. I guess these things materialised on the Saturday but the more he referred to it , the more we chuckled.

Hawkwind – “Assault and Battery “( Porchester Hall on Saturday 29th August)

The compere read out a “timetable of events” from 4pm onwards, it was very informative and interesting, but totally inaccurate! Meanwhile, to be honest I got pretty “tired but happy” and a lot of the afternoon was a blur.

The only event that actually happened on time was Matthew Wright’s question time. It was just like Question Time on the BBC but instead of swarmy politicians trying to sidestep questions and make themselves look good, the questions were posed to a line of mostly totally incoherent members and ex-members of Hawkwind. The questions included ” Where’s Lemmy?” ( answer : on tour). No one dared ask “Where’s Nick Turner, Mick Slattery , Terry Ollis etc?”. Ah, how divorce is hard! Who gets the alimony, custody of the name and all the friends have to choose whose side they are on.

Matthew Wright was the most eloquent and seemingly organised person there, thank God. The most popular question was supplied by a  friend of mine: “What was the most acid you have ever taken before playing live on stage? ( and when and where)” The question made Matthew Wright laugh quite a lot and the panel who were initially reluctant to answer, eventually got involved in a long discussion.

Dave said it was at the Windsor Free Festival, Huw disagreed but I am not sure what he was saying.Then there was a lengthy and confusing debate which involved orange and apple juice. Everyone in the panel contributed enthusiastically, but I’m not sure they were all answering the same question.

By the time Hawkwind rounded off the evening, introduced I think by Bruce Dickinson of Iron Maiden, or maybe he introduced someone else.

Hawkwind started with Assault and Battery and ended with Farenheit 451, which I sang all the way down the stairs and down Westbourne Grove, occasionally punching the air.

“Farenheit 451” ( I would have prefered it with the Truffaut film as a visual)

In between the beginning and end the songs seemed go very fast from one to the other. It’s all a bit of a blur I’m afraid. Matthew Wright sang “Spirit of The Age”. I can’t put a clip up of that version,but here it is from the album.

The also did “Magnu” ( this is footage from the Friday…I will have been dancing like a maniac somewhere not far)

After the gig, I stayed up for a couple of hours and had a couple of hours sleep. I woke up a six a.m., I am usually moderate with my intake, but not this time. I realised I had to pack for a camping trip and catch a train leaving at King’s Cross at 7 a.m. to get to Solfest in Cumbria. I dawdled, writing emails instead of getting ready and then threw a few things in a suitcase. The tube got delayed at Edgware Road, my brain was in a total haze,and as I ran up the stairs to King’s Cross station carrying a heavy suitcase I thought :“I’m going to die of a heart attack running to get to a festival! How fitting!” then I thought of Lemmy and somehow I made it onto that train with one minute to spare , I arrived at Solfest ten hours later…

Leaving you with Hawkwind “Better Believe it”

and another jolly tune “Psi Power” ( Hawklords)

I got to go to bed now, going to bed early for the first time in a couple of months.Will try to get it together to do a brief review of Solfest and much more ranting soon.

Love and Peace

Born2rant

Green Slimy Politicians, clashing tour dates and Psychedelic Cinderella


Hello once again Good People Who Still Read This Blog

Hawkwind -“Space is Deep” a great song and a great little film (apologies for environmentally unfriendly rockets but they are cool)

How are you all? If there is a name for a really terrible blogger who has deserted their dedicated readers like an auntie they have guiltily abandoned since early adulthood even though they still get a yearly fiver tucked into their birthday card… then that must be me.

I am sorry, my life has changed and so has the world but even if my posts are rare I am still here somewhere in the known Universe.

I miss my blog oh yes I do! and I miss also doing my own music…

This morning started well, oh what a laugh! A smug capitalist politician being drenched in green custard, wonderful stuff! Even better was that the eloquent woman who did this actually got on the BBC news. She explained how “Mandy” had done some sleazy deal to get the third runway to Heathrow the go-ahead even though there was so much opposition and let’s face it our planet is slowly dying and if we don’t do as much as we can our children and grandchildren won’t have any food, water, air…very grim.

However the green custard episode really cheered me up. “Mandy” used to live right next to me and he used to throw some loud parties with really good psychedelic music so he has no excuse. If he can listen to sixties psychedelic music he ought to  be a hippie but alas as one can tell by endless prats wearing Led Zeppelin T-shirts  to look cool and trendy in an ironic-retro way, musical taste does not equate actual thinking in the brain as in the days of yore ( or “Yes!”  I wish there was a Roger Dean font then I could write “yes” and my entire blog with it…this one is levitating against my will) .

In case you didn’t catch the clip of the spectacular ” green Event”( n.b. that should read “Green Event” Steve Hillage has nothing to do with this event and is entirely blameless but I have temporarily invented my own “Logo of  70s Rock” font and will no doubt be sued by anyone who manages to find me using the new and wonderful totalitarian fascist terror digital surveillance services)

As I was saying if you didn’t catch it here is the wonderful clip..

BEFORE= “smug”     AFTER =” a bit humiliated and definitely greener”.

Please note my quote of the dayThe only Green thing about Peter Mandelson is the Green slime coursing through his veins” ( and dripping down his face.):

There’s a lot of cool psychedelic events coming up but some of them are clashing!

I hope they don’t mind me using their posters after all I am giving them free publicity.

First of all in March….

The clash of two events I want to go to, I definitely need a helicopter or maybe an old Star Trek style transporter room, or a Tardis with Jon Pertwee navigating would be even better.

On Saturday March 28th (2009 in case you are reading this some light years away from now from another planet that has internet access)

the truly lovely people from”Born To Go” (no relation) in Hitchin  are running their own fantastic psychedelic gig/club night. When I went before they certainly knew how to put on a lavish show, all they need is lots of  people!

Here’s their flyer:

born2go

Here’s some Nukli:( not much audience but festival gigs can be like that)


This is from the Born To Go myspace site :

NUKLI – veterans of the golden age of free festivals with full-on psychedelic grooves, and soaring guitar, they take you on a trip back to the Pyramid Stage, the Tibetan’s and Club Dog all rolled into one cosmic jam.SHOM play psychedelic dub space techno rock. Featuring blistering guitar and deep dub rhythms they never fail to get any audience dancing.PEYOTE GURU are a true jamming band, in fact the ‘band’ consists of 3 core members and whomever is willing to play along on the day. Loose jammed tracks emerge from the underlying synth textures to evoke the sounds of the festival scene of old.Alongside the very best of space, prog, kraut and all thing psychedelic spun by our DJ Kozmik Ken, psychedelic lights, videos, great vibe, happy smiling faces – all the usual you’ve come to expect from Born To Go!”

However I am torn between this and Steve Hillage and Miquette Giraudy doing a chill-out set as Mirror System on the very same night!

mirror-system

When I saw them at Solfest in 2007 , they did a fanstastic chill-out set including their first live performance of “Rainbow Dome Musik ” since its release in 1979.

What a terrible psychedelic dilemma!

If that wasn’t bad enough….

This Summer Solfest 2009

solfestmy definite favourite festival ( helped by the fact that I can be one of the crew backstage and mingle with some great people and have hung out with some of my favourite musicians of all Time and Space and Universe)  is also clashing with Hawkwind’s 40th Anniversary gig

hawkwind-gig

I am a bit puzzled by this because their 30th Anniversary was on the 21st of October 2000. I was extremely p***** off at the time as everyone I knew went but only told me afterwards because I had a gig to do and it was around my birthday too. However I was told by all those who didn’t tell me beforehand what an absolutely amazing gig it was and how even Terry Ollis and Mick Slattery were there and why wasn’t I there etc..etc..

Will there be a Hawkwind and old Hawkwind reunion this August? I hope so.


So  this time I am going to the ball, like some kind of psychedelic cinderella , but I’ll probably be in Morrocan sandals rather than glass slippers. But Solfest is also my key event to the year, it’s like my equivalent to Crufts  to strange people who breed dogs into weird shapes, or Ascot to posh ladies wearing silly hats (  I don’t know why they don’t go to one of the above gigs, I’m sure there will be odd hats there).

What will I do?

Well I guess I’ll take one day at a time… as they say at Narcotics Anonymous..”clean and serene

or “falling over in festival mud and fun” as I prefer to say.

I’ll go see Hawkwind and then see if there’s any way I can easily get to the middle nowhere in beautiful blue mountain and lake surrounded Solfest.

Lastly there is a gig or a series of gigs that is INCREDIBLY EXCITING!!!!!!!!!!!

“GONG” are  WITH SOME OF THE ORIGINAL MEMBERS ..including Hillage yey!!!!! They are touring the UK from the 19th to the 29th of  November 2009..

http://www.artistticket.com/link/?s=gong  )

The Hawkwind 40th Anniversary gig is sold out although there are other dates outside London

I want to leave my home and go on tour and write books about the entire history of all these people, bands and intersections via Ladbroke Grove in the 60s and 70s.

Well I have been interviewing  again  …if I get time and permission I’ll put some clips up here in the meantime here is the Gong Flyer

gong

Here’s them at them in June 2008 with Steve Hillage…another gig  I missed…please email me about these things!

Here’s another with dialogue from audience commenting on HUGE HEADS and the like:


Love and Peace

Born2rant

The Drug Dealers of Notting Hill


Hello good people who read this blog

For some reason I am writing this just before going to bed so there may be some errors that I will correct in the morning, plus I might add bits if I find further info I’d forgotten.

I thought I’d write some recollections by looking at some photos . I don’t have many photos left some seem to have disappeared somewhere.

Including this one. This morning I suddenly decided that I didn’t want my photo in a post called “Drug Dealers of Notting Hill” just in case I got myself into trouble, I am not a Drug dealer in Notting Hill.There are some people I know professionally in this area who I definitely don’t want recognising me from my blog although their pasts are either obscenely respectable or far more debauched than my own. I need to think about this one and it might go up again in the near future. For now just imagine a young woman in hippie clothing walking up the side of a foggy cold mountain, clutching a hot cup of tea and smiling with motorbikes, a truck and tents all parked behind her.

For me personally the strange thing is that I haven’t really changed. You wouldn’t recognise me physically but I still wear that very same hat, those very same boots and I still wear purple even as I write this I am wearing a purple T-shirt which flares out at the sleeves and hips and basically looks like it’s from 1973. This is good therapy for me, to realise I am still the same person somehow and that I am oblivious to passing fashions.

At that time I didn’t live in Notting Hill as I do now but we ( me and my ex-partner) had a stall in Portobello Road on a Saturday and I had an office job during the week. We hung around a lot in Notting Hill though, this was around 1979 to 1982 . I didn’t really know Notting Hill before then although I knew South Kensington and Chelsea well and they were only down the road, North Kensington was a totally different world ( then, not now). When desperate ( which was most of the time) we scored our dope in the All Saint’s Road from a kind and very mellow Jamaican drug-dealer/silversmith at a pub called ” The Apollo”. The place doesn’t exist anymore.

Memories of the Apollo! The loos were very dodgy that’s where the deals went on. Going down the All Saints Road was dodgy too especially if you were female, young and white. Everyone treated me like a prostitute if I went to the Apollo alone.

In spite of my referring to Kensington and Chelsea a few times I also lived in South London from the age of 12 onwards, I went to a state school, and lived on an estate. Both the school I attended and estate I lived on were not rough but my friends and others lived in fear of violence, rape and crime. This was around the time of the Brixton riots and there was a lot of racial tension. I moved out of home young due to family problems and lived in a house full of crazy people in Clapham and knew street criminals, night club hostesses and troubled people living on the edge. I never felt comfortable in South London and my personal experience of both the black community and the white youth of the Ladbroke Grove area was that they were far more creative, secure, laid back and safe to be around compared to some of the places I had known. For many reasons I had experienced some dangerous and distressing situations before , and even though I had virtually no self-confidence and was mild-mannered, my experiences had made me unusually daring and streetwise , I remember needing both of these qualities to go alone once to score down the Apollo. I wasn’t able to buy anything instead I was surrounded by black guys who either wanted to give me a £5 pound draw for free or one or two were trying to sell me parsley for £5.

I didn’t usually go to the Apollo alone but with my boyfriend and his friends. We weren’t ripped off too badly. The place was rough though and one time we were having drink there and I said to Michael ” Let’s go I don’t like the atmosphere I feel like something bad’s going to happen”. I think he was about to tell me to stop being paranoid when I was hit the face by a flying chair , shortly followed by the person who had previously been sitting on it. It was like something in a Western one second people were just drinking their rum and coke and the next everyone was fighting and breaking glasses, bottles, furniture flying, people wrestling with one another, blood, we were sheltering behind a table for a few seconds and we escaped through the door. The place was closed down and busted a few times and eventually we stopped going there.

Another one of our favourite pubs was what we and others called “ Hennerky’s” ( n.b. I have no idea how this is spelt) although its real name was and still is “The Earl of Londsdale“. The legendary pub was mentioned in the 1960’s version of “Alternative London“. I really need to do some more research and get hold of a copy.

I have a copy of Alternative London from 1982. I loved that book , I think we had to buy a couple of copies because people kept borrowing it and never giving it back, a common problem with hippie borrowers of good books and borrowers of Black Sabbath and Deep Purple albums although these tended to be borrowed by bikers and no one expected bikers to return things on time if ever.

Hennerky’s, like the Earl of Londsdale now, had a beer garden.In the summer it was full of stoned groups of hippies ,punks often with mohicans, with young children, dogs, groups of friends, guitarists and anyone who would grab a table and hang out there all day. Then indoors it had the front bar which was often dirty and a bit dingey and had tourists and locals and then there was THE BACK BAR!

Oh my God the back bar, a den of iniquity. The carpet was so sticky that going there in flip-flops was not recommended, in fact going there in any kind of clothing was not reccommended. The walls were black with dirt and everywhere else , in every spare space was a cramped crowd of mean-looking tattoed, denim-shredded, leather clad, smelly bikers , proper bikers with initiation ceremonies and “colours” , I seem to remember that these were special patches sewn on to their jackets when they had passed some terrible test to show membership. They also had sleeveless torn denim jackets that they wore over their worn out thick leather bikers jackets . I still have my biker jacket, I had to throw it down the stairs and sand paper it when I first bought it so it looked worn and not clean or new and uncool. But as well as being bikers or Hell’s Angels they were either drug-dealers or people wanting to score drugs, or people simply in the wrong place and unable to find their way out due to the tightly packed room and sticky carpet. Some of the punters there were acquaintances of ours but no close friends.The atmosphere was very heavy. We usually went in the beer garden but going into the back bar was quite an adventure but very uncomfortable I don’t remember seats just this hole really. It was the sort of place where Lemmy would have looked at home and where anyone looking like ” the Fonz” posing in a leather jacket and looking clean might have had their head kicked in. Actually Lemmy was much cleaner and neater and altogether pleasant and nicer than most of the blokes I saw in there, stacked up at the bar waiting to get served.

We never tried to score at Hennerky’s it was too risky, there were always raids. After our many Apollo experiences, through a female friend of mine we eventually discovered a place known locally simply as”The Sport’s Shop” or I think it was called “354” or was it “281”????? a high number anyway ,the number of the house( if anyone reading this lived there don’t worry I won’t use your real names). It was above or next to a sport’s shop in Harrow Road.

My friend had been walking past it one evening bored and looking for a good time and had heard music coming from inside. She rang their doorbell and asked them if she could come to their party, they weren’t having a party but they welcomed her in anyway. To her delight and surprise the house above the sport’s shop was a network of bedsits and in every bedsit was a different friendly drug-dealer, most of them were musicians too, all were decadent but smiling , many had jobs…..but I have to go to bed now and will tell you more next time.

In the back bar at Hennecky’s this would have been playing on the juke box

P.s. If the drug squad read this don’t bother coming round I don’t buy drugs anymore .

p.p.s. Sorry if I have offended any bikers…

or drug dealers

or Lemmy

or fans of Lemmy

Sorry I have to go to bed now . I am exhausted. I will write more soon. Anyone remember how to spell Hennerky’s and what you remember?

Sorry for saying sorry all the time.

Love and Peace

Born2rant

Freaky Coincidence?The Wright Stuff with Matthew Wright


Hello Good People who read this blog!

Something just happened that has freaked me out ( man!)

At 2.a.m. this morning I put up my last blog post about Frestonia, but also I asked if journalist and tv presenter Matthew Wright was a secret anarchist hippie ( although he is also an openly male chauvinist piggie!). -p.s. 16/6/08 I am regretting that last comment now but in the spirit of freely expressing opinions I will not edit it out as I thought it at the time even if I think now I may have been a bit harsh or even mistaken ( mistaken? but I am always right!)

Well The Wright Stuff is on Channel 5 as I speak ( or as I write) and he just shocked me by having quite along feature on alternative communities in the UK including Frestonia ( please look at my previous post called “Frestonia , Your Essential Entertainment & Lifestyle Guide” if you want to understand what I am on about), he mentioned that Here and Now was one of his favourite bands who he said lived in Frestonia and he said he’d been part of the free festival scene in the 80s .

Just now he had a call from a woman in Hastings who lived in Frestonia and she spoke with him for a long time about how great and creative the Frestonian scene was.

So now I wonder

Is this a freaky coincidence ( man) ? Did someone at Channel 5 read my blog and tell him to get hippies on ( seems unlikely but not 100% impossible), or is my stream of consciousness writing tapping into some kind of collective unconscious psychic weirdness? Did the woman who called in to talk about Frestonia see my blog?

I have watched The Wright Stuff many many times and it’s the first time they have ever mentioned Frestonia or Notting Hill in the 80s.

I was already freaked out by finding a photo of someone I recently got to know on Tony Sleep’s site of frestonian photos. I am obviously having some kind of strange coincidence day!

I already had pre-stage nerves now I’ll be wondering if some other weird coincidence will occur this evening!

I’ll finish with something a French hairdresser told me who cut my hair in a small seaside town last week. As we chatted it turned out that her brother in law and my mother came from the same tiny village in France.

“Il n’y a seulement les montagnes qui ne se rencontrent pas”

( only mountains don’t meet, i.e. people who move about all meet eachother sooner or later)

P.S. I JUST FOUND THIS WONDERFUL FOOTAGE! MATTHEW WRIGHT SINGING SPIRIT OF THE AGE WITH HAWKWIND!

My God what the hell is going on???????? ( am I imagining all of this and have finally gone totally bonkers?)

In the interests of “balanced reporting” here is Space Ritual playing under the Westway about 2 years ago.

<a href=”http://blogs.icerocket.com/tag/the-wright-stuff&#8221; rel=”tag”>the-wright-stuff</a>

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat


(Episode Four) Notting Hill 1967-1972: an interview with Dave Russell – More about the Crypt ( arts and community centre), The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

*I mention “Friends magazine” but it seems that they also spelt it “Frendz magazine”. For more info on the magazine including examples of articles go to this link: http://www.ibiblio.org/mal/MO/philm/friends/

Hello good people who read this blog. After an interlude of some time finally here we are …

Here is the final part of the Dave Russell interview about the Arts and Community Centre ( the Crypt) and beyond:

The Free School
In his interview I asked Dave about the Free School which is often associated with Pink Floyd ( who played at the Crypt too) . He said it had moved about a bit and referred me to another site. So I “borrowed” this map on Tom Vague’s site ( see links to “History Talk”). Dave said that he had done lots of archiving of materials and had helped Tom with the map so I am hoping it is ok to borrow it for my site. You will see on this map the location of the Free School changes as well as some of the other important sites ( and there were more not included on this map) double-click on the image to enlarge.

mapofportobello.jpg

from http://www.portobellofilmfestival.com/talkpics/talk-vague02.html

Destruction in Art
Dave mentions the destruction in Art Symposium who encouraged the smashing up of things. Here is another reference to it from Wikipedia complete with 1966 poster.

“The Destruction in Art Symposium (DIAS) was a gathering of a diverse group of international artists, poets, and scientists to London, from 9th11th September, 1966. Included in this number were representatives of the counter-cultural underground who were there to speak on the theme of destruction in art.”dias_poster.jpg

The Honorary Committee, led by Gustav Metzger, attracted the attention of both the international media and international art community to the symposium.

Michael Moorcock, Friends magazine, and Hawkwind

I asked Dave about these in the interview .Here is a second clip of the fantastic BBC4 Hawkwind documentary which was one of my main inspirations for writing this entire blog.It reminded me of a time long gone of artistic and creative revolution in London. The clip starts with sci-fi writer Michael Moorcock talking about happenings in Notting Hill ( or Ladbroke Grove) and documents further alternative strands in the area , plus Hawkwind and drugs.

Hawkwind Documentary

Flyers and Iain Jacobs

Iain Jacobs now an established photgrapher in Spain has contributed greatly to my research. He was one of the organisers of the Arts and Community Centre. He was 19 when he first joined their ranks. He also performed in The People Band and designed some of the flyers for the centre which migrated to various venues but was mostly at The Crypt , Lancaster Road.

He has very kindly sent me a quantity of flyers to help document this in my blog. I would very much have liked to have interviewed Carlyle Reedy , orginally from the U.S. ,who was the founder and main organiser of the Arts and Community Centre Notting Hill .At present she is not available but I am sure in time I will meet her and hopefully she can help me to document more.

Thanks again to Iain Jacobs for supplying me with the following documents:(click on them to enlarge)

accnh_brochure_cover.jpg

This is the brochure cover to the A.C.C.N.H.

accnh_brochure_inside.jpg Inside of Brochure

accnh_poster_01.jpg

The Continuous Music Ensemble poster

crypt_poster_01cardewamm.jpg

Cornelius Cardew Poster

crypt_poster_05third-ear-band-etc.jpg

The Third Ear Band

Some General Posters for the Arts and Community Centre Notting Hill:

crypt_poster_02general.jpgcrypt_poster_06.jpg

Poster for the Exploding Galaxy

crypt_poster_08cartoon.jpg

more info on The Exploding Galaxy
I found this on the “disinformation” website in relation to Genesis P-Orridge:
This would be around 1969

“After a near-death experience left him determined to follow his notion of becoming a beatnik writer, the young P-Orridge’s instinct for finding other “genetic terrorists” like himself led him to the psycho-therapeutic bootcamp of the Exploding Galaxy/Transmedia commune (which also included filmmaker Derek Jarman). Members were required to sleep in a different location every night, to take meals at different times during the day, and to act out assigned roles and attitudes, often in costume and with unerring earnestness, going so far as to have atypical sexual encounters (in character!) or risk getting badly beaten up if a situation warranted it.

The commune’s anarchistic spirit and insistence on life as art and art as life inspired the performance art events of COUM (pronounced “coom”) Transmissions. Staged primarily by P-Orridge and part time pin-up model Cosey Fanni Tutti (born Christine Carol Newby, 1951), COUM’s outrageous “happenings” were parallel to the work of Viennese Actionist Otto Muehl and Hermann Nitsch’s Orgies Mysteries Theater. COUM’s shamanic improvisations involving enemas, blood, roses, wire, feathers, sexual intercourse, milk, urine, licking up vomit, crucifixion, maggots and self-mutilation were often not conceptualized until the very moment of the performances, if at all. “Quoted from http://www.disinfo.com/archive/pages/article/id1246/pg1/index.html

It all sounds like an average Saturday night out to me! ( my attempt at humour) I don’t think anything quite that extreme went on at the Crypt in Notting Hill!

The Poetry Workshop

crypt_poster_04poetry-workshop.jpg

Jazz gigs at The Ladbroke Hotel

lh_poster_01.jpg lh_poster_00sounds.jpg

The People Band ( was in previous entry but I like this poster a lot!)

crypt_poster_07.jpg

Well that’s all for now….I hope to bring you more of something soon!

Have a good weekend and be creative without dollar/euro/pound signs in your cartoon eyes .

DAVE RUSSELL ( the man I interviewed and Notting Hill resident since the sixties)

Before I go one last vid. This is Dave Russell with ” Hades W10″ also known as “Nobody gets off at this bus stop” (The people in the background are quite interesting and entertaining …he usually gets a much better response than this!) after that he plays another one of his own songs “Crackdown Tribunal”. Dave is an intellectual creative rebel well-versed in folk, blues, jazz, punk and poetry. He has recorded countless albums of his songs as well as covering the rawest blues songs and setting music to William Blake and other  poetry. He has covered some Madonna songs which are so riotous that you’d think they were written by Dylan, Robert Johnson or John Lydon.

He revels in  words as well as music and has written two novels and a book of poetry. He plays all the acoustic clubs in London that are any good and avoids the soul-less ones looking for pretty pop stars.

At present he has no website or myspace although I hope one day this will happen.

(p.s. he is also a really nice bloke and my friend who has been very tolerant of me over the years)

see also

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


Carlyle ReedyCarlyle Reedy

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments.

Hello Good People who read and contribute to this blog!

Thanks for waiting, there have been technical problems galore which after complaining to TalkTalk and reformatting the computer are gradually clearing up.

I have finally uploaded the third installment of the Dave Russell interview about The Crypt in Notting Hill . He also tells us a bit about Frestonia and Release.

Episode Three of the Dave Russell interview about The Arts and Community Centre Notting Hill

At the start of this post I have put a photo of Carlyle Reedy who started up and ran the club from 1967 to 1972. She is fairly reclusive at present but I hope to meet her soon.

Dave talks about them charging half a crown which is 2/6 ( two and six) in predecimal money which is 12 and a half pence in today’s money . Here is a poster kindly sent to me by Iain Jacobs for the club which has the price and several other interesting points. If you point your cursor over the picture you can enlarge it and read the details. You will see several well known names in music.

Pete Brown’s Battered Ornaments Poster

Pete Brown who is best known for co-writing most of the hits for the band Cream was a performance poet.

Here is a bit I nicked from Wikkipedia:Pete Brown (born December 25, 1940 in Ashtead, Surrey, England) is a British performance poet, lyricist and musical producer, best known for his collaborations with Jack Bruce. He worked also with The Battered Ornaments, and formed his own group Piblokto!. He was part of the poetry scene in Liverpool during the 1960s and in 1964 was the first poet to perform at Morden Tower in Newcastle. In 2004 he formed Brown Waters, an award-winning British film production company[1], with Mark AJ Waters and Miran Hawke….

Brown was originally brought into the Cream fold as a writing partner for drummer Ginger Baker, but the group quickly discovered that he worked better with bassist Jack Bruce. Of the situation, Bruce later remarked “Ginger and Pete were at my flat trying to work on a song but it wasn’t happening. My wife Janet then got with Ginger and they wrote ‘Sweet Wine’ while I started working with Pete.”

Together, Brown and Bruce wrote the majority of Cream’s numbers, including the hits “I Feel Free“, “White Room” and (with Clapton) “Sunshine of Your Love“.

After the breakup of Cream, Bruce and Brown continued to write songs together for Bruce’s solo career. Brown wrote the lyrics for Bruce’s albums Songs For a Tailor, Harmony Row and Into the Storm.”

Chris Spedding is another well-known name who has worked with many people in the music business. Here is a bit taken from his website. It’s a very brief description of his career.

Guitarist/Singer/Songwriter Chris Spedding has been a mainstay of the British session scene since the late 60s, playing with just about everyone from Nucleus, Jack Bruce, John Cale, Elton John, Mike Batt, to Paul McCartney & The Bay City Rollers (anonymously!).
In 1975 Spedding had a hit record called “Motorbikin'”. In the late 70s he moved to the States and worked with Robert Gordon, Jerry Harrison, Dick Rivers and Johnny Hallyday.
Recently, Spedding played with Roxy Music/Bryan Ferry, in the summer of 2005 he released a solo album “CLICK CLACK”. And plays The War Of The World tour!”

Chris’ website is http://www.chrisspedding.com/

It’s funny that I had The Wombles on my Christmas blog because I think Chris may have known them well.

I used to think The Wombles were a very lame excuse for people in the music business to make lots of money out of little children. I still think that but now seeing them on youtube makes me smile and they are almost cool…in fact I’d like be one on stage and do the dances etc…ok I’m being really uncool and must carry on.

getting back to the poster..in brief (as it’s late now and I need to lie down) …Jamie Muir was a free form percussionist and later played in King Crimson and is now a painter.

Charlie Hart has also done 10 billion zillion things here is a short extract from the biography on his website featuring a picture of Pete Brown’s Battered Ornaments:

” As a student Charlie played organ in the psychedelic band 117. The group appeared frequently at the Middle Earth/UFO clubs and recorded at a legendary session with Mick Jagger and Andrew Oldham at Olympic Studios. By that point, Charlie was heavily into black music and the most sensible plan seemed to go to Africa, so he spent a year in Ghana. Highlife and traditional music became an obsession and the next year Charlie returned to sit in with highlife bands and study marimba.

After college he was asked to join Pete Brown’s Battered Ornaments with Chris Spedding, Dick Hextall-Smith and George Khan and he was introduced to the delights of the M1 and the Blue Boar. At that time he also started playing double bass with the People BandTerry Day, Mel Davis, Lyn Dobson, Mike Figgis, Davey Payne and they toured with the People Show. With Davey Payne and Terry Day he formed OMMU and they toured Holland frequently.

OMMU then joined Ian Dury, the eccentric art-school lyricist and Kilburn and the Highroads were at the front of the early 70s Pub-rock boom, free jazz meets rock and roll. Wreckless Eric was in the same stable, and Charlie played keyboards on his first LP. “

His website is http://www.charliehart.com

George Khan was a tenor saxophonist and all of them I’m sure were great ..I just don’t know them and I have to go to bed now! This took longer than I thought.

Next time maybe a bit of ranting, maybe a bit of Frestonia maybe a bit about Steve Hillage maybe some more posters from the 60s and 70s and 80s that are not published anywhere else or nicked ! I will see ..for now

Thanks for reading and bedtime!

but music before bed

see also

Frestonia-Your essential entertainment & lifestyle guide