The Quintessence of Ladbroke Grove, Glastonbury Fayre 1971, Meanwhile Gardens, Here & Now and alternative community spirit


Hello Good People who read this blog….

If you like this post please could you rate it with stars or add a nice comment, thanks!

My friend and mentor Brian R. Banks sent me a link to a wonderful piece about the band Quintessence  from the ezine It’s Psychedelic Baby, to celebrate the release of their complete Island Records recordings.  In his article Brian describes the vibe of creativity at the time in the Ladbroke Grove area. He also has a very interesting interview with former Quintessence band member Raja Ram a.k.a. Ronald Rothfield who also depicts ‘the Grove‘ or Ladbroke Grove area, filled with musicians, squatters, and people living alternative lifestyles. Please follow this link to read Brian’s excellent article: http://www.psychedelicbabymag.com/2017/06/raja-ram-quintessences-complete-island.html

If you are wondering what Quintessence sound like, below here there is a film of them playing at Glastonbury 46 years ago.

They sing :

‘If you want a life that is free

If you want a life full of happiness

You’ve got to turn your back on fear and shame

Leave it, Leave it all behind you

Have no fear,

You’ve got to turn your back on Fortune and Fame

You’ve got to leave it all behind you

You’ve got  to leave it all behind you, ever free.’

Of course the Glastonbury Fayre was free to ‘get into’ , or rather walk into, in 1971. Others performing at this festival included a young David Bowie, Gong, Hawkwind, Traffic, Melanie, and Fairport Convention.

If you don’t like the music of Glastonbury 2017 and like me, could not afford to go there anyway, you can watch a documentary about  the free festival of Glastonbury Fayre (1971) here. To listen to Quintessence, play this video from exactly one hour onwards:

Today I walked down Portobello Road market, I found tucked away under the Westway in Acklam Road  there were residents and friends of survivors of the Grenfell Tower fire, selling cakes, clothes and a variety of things where the money goes directly to those affected. It’s going on tomorrow (Sunday 25th) as well, a bit hard to find but worth going to. I gave them a small donation and wished them good luck, but they really appreciated my modest  contribution. I was glad they organised something, just wish it was in the middle on Portobello Road and took up the whole market and wished they’d opened up the little ampitheatre in Meanwhile Gardens where bands used to play Saturday evenings for free, they could have passed the hat around and done a great benefit gig. Today so many rules and regulations and they are ignored by companies in terms of fire protection but if a few people want to gather and have a free gig , is that allowed? I hope someone does run a free gig there for the community to remember and not let it be only a grand  Simon ‘Chimney Brush-head’ Cowell production.

If you are wondering what I am talking about here is a documentary about Meanwhile Gardens from 1981; Music performance @ 20-23 mins, and in view of recent events, a rather disturbing giant Guy Fawkes Bonfire (30mins in):

 

I went to many gigs at Meanwhile Gardens including probably this one:

I was going to write about other alternative lifestyle things in Notting Hill but have to go now. I will leave you with more wonderful Here & Now from 1978 (Careful with that effects pedal Steffe). On the youtube video below there are some great photos. I recognise people, marquees, The Tibetan Ukrainian Mountain Troupe, etc……I wish I could find my old photos…people at free festivals didn’t want to be photographed a lot of the time. There are also photos of alternative lifestyles in Latimer Road with tower blocks from the estate in the background, possibly Grenfell Tower or tower blocks still standing nearby.

 

 

‘You’ll plot and scheme to get your way,

but you haven’t the got guts to do it yourself,

so you make an alliance with somebody else,

A thousand years it’s been the same,

political parties in power again,

if you’re listening man, I’d like to say,

Floating Anarchy is a better way!’  (Here & Now ‘What You See….Is What You Are’ 1978).

This is really great music and spirited musical performance..Please listen to this before bed and/or play it to your children and grandchildren instead of a bedtime story.

So wishing you Love & Peace, sending good wishes and hugs to all those affected by the Grenfell Fire disaster, let us rebuild a free creative community spirit where and when we can.

 

 

 

 

Advertisements

An Invitation to my school disco circa 1973-1976 ( you must be 13-18 in your head to attend)


Hello Good people and Tiger Feet who still read this blog…

  THIS IS MY MOST AMBITIOUS BLOG ENTRY TO DATE. THIS POST MAY TAKE SEVERAL SECONDS TO DOWNLOAD FULLY.  IN THE MEANTIME READ MY PRE-AMBLE AND THEN JOIN ME AT THE DISCO!

Last entry I made comments on the dreary songs of Mumford & Sons and Ed Sheeran, this post follows on from that. As many of my readers will know, before he was convicted for murder, Phil Spector was a legendary music producer. He multi-tracked many instruments playing simultaneously, until it created his notorious “Wall of Sound”. Now UK bands have many instruments playing simultaneously but end up with a “Wall of Bland”.

As an alternative, I am sending you a warm invitation to join me for a historical recreation of a 1970s school disco. This has little relation to “hippie counterculture” and is purely done for my pleasure and hopefully yours. 

Are you feeling down? If you come to my disco you will feel 100 times happier and perhaps 4 decades younger. (Bring friends!)

An explanation of what I am doing:

I am recreating an authentic playlist of music, that I remember dancing to at a variety of school discos in South London between 1973 and the beginning of 1977. The schools employed professional disk jokeys who supplied music and sometimes lighting. Later when the punk, reggae and other underground music scenes exploded, I was going to punk gigs, heavy dub reggae clubs, and then moved north of the Thames to become part of an alternative music scene, leaving my school disco days behind.

Setting the scene: School discos were of course free of charge. We as pupils thought it was very funny that the teachers attended. They sat at a table at the back of the school assembly hall, where the discos took place. We were amused to see the female teachers with their glasses removed, exposing lashings of bright blue eyeshadow and mascara, wearing flowing evening gowns and giggling. The male school teachers stood around in their flash 70s leisure suits, a bottle of beer in hand, getting drunk. They were vastly outnumbered by the women.

Normally our teachers were strict and angry with us, and loudly condemning all sexual activities outside a loving marriage. If we exposed the slightest bit of flesh, we were seriously reprimanded. But at the school disco, the teachers were now giggling and flirting with one another in a very scary way.

It was the teacher’s night off and so we also got the night off, to dance to sexy tunes, but we were pretty well behaved. The general age group was around 13 to 19 years old. Strangely I don’t remember being accompanied by parents to or from any discos or parties in my early teens. I seem to remember that we were allowed alcohol in a weak punch (mostly lemonade). No one got actually drunk, a few girls my age went outside to have cigarettes (usually forbidden at school). There was no sex or drugs that I knew of. Occasionally couples “snogged” on the dance floor or outside.

I went to discos at different schools in South London but they were pretty much all the same.

The lighting was simply done by turning most of the lights off! Some DJs supplied lighting, such as a strobe, which would be used during the final set of rock numbers. How I loved to dance in the strobe light, all self-consciousness gone! Occasionally the DJ would have a tiny lighting rig, which looked like a miniscule set of traffic lights, with four or five dim lights of different colours. This was set up in front of his decks which were on a table. Occasionally there was a glitter ball attached to the ceiling which made the school hall sparkle during the disco numbers. Sometimes there was a smoke machine used during slow romantic numbers.

I have little recollection of the DJs, anonymous young men with hundreds of 7 inch singles in cardboard boxes. If you went to ask them for a request, they usually told you to shove off.

There would be EXCELLENT sound quality, this was everything in the 1970s. Big speakers, loud music. The “cartridge” attached to the stylus, was usually incredibly rare and expensive. When music lovers handled their records and put them back in their sleeves, they did this with the same care and expertise that a Catholic would treat the ancient relics of some saint’s fingers or other revered body parts. I also remember being dragged to a massive “Hi-Fi” show spread across several posh hotels, where people would buy the latest stereo, or sometimes quadrophonic, hi-fi equipment. It all had to be perfect and newly developed, it had to be the right brand, and the sound of the music had to be perfect.

Dancing: generally speaking the boys didn’t dance. It was deeply uncool for boys to dance. If they did dance it was usually to their favourite rock tune. When self-conscious long-haired teenage boys heard their favourite band being played at the disco, they felt compelled to get on the dance floor to pay tribute to their most hallowed musicians. They would do this kind of Neanderthal adolescent swaying, sometimes with a sort of “hopping” movement, whilst trying to head bang at the same time. It was rarely in time to the beat. They managed to make their long hair cover their faces enough to hide their self-consciousness. I think this kind of dancing evolved into punk pogoing and rock “moshing”.

But there were also many boys with short-hair who liked dancing and were fearless in doing so, they danced like the girls mostly.

Other more “square” and timid boys, whose own clothes resembled school uniforms, hung around in the shadows like patient fishermen angling under the full moon. They were only here in the hope of enticing a girl to dance with them during the smooching songs near the finish.

The girls danced together usually in pairs or groups of friends. I recall several main types of dance although you could just about get away with anything, in fact I had invented a “finger dance” for when I was tired.

The main “girl’s dance” was swinging hips from side to side with slight stepping left to right, in time to the music. Hands and arms were not used much. I still use this dance technique today and get away with it.

Then there was the “funky chicken”, which was basically pretending to be a chicken.

Then the “bump” which was great fun. Usually a friend would interrupt your chicken movements by suddenly “bumping” into your bottom with their bottom or hip.

Then there were more sophisticated dances that accompanied “Jive Talking” and “the Hustle” and any songs mentioning the twist. They usually involved doing something with your arms and hands and legs at the same time and were hard to maintain.

Also there was the wild head banging which I was very good at especially as I had long hair and loved rock music.

Apart from that there was the “slow dance” ritual. The DJ would play several slow songs in a sequence. The start of each song could be the cause of some fear and trepidation.

Those boys who had been waiting around patiently for the chance to dance up close with a girl, would emerge from the shadows. They asked the girls and were mostly rejected. The girls weren’t expected to ask who we wanted to dance with, that would be controlling, unfeminine and totally unacceptable. Mostly the boys who asked us to dance were just not the ones we wanted to dance close to, let alone kiss, so we rejected them. Often girls danced with each other to avoid the whole embarrassment of it.

Others who paired up to dance to the slow tracks would often end up “snogging” and dribbling all over each other while the rest of us looked on. During these slow dances, the boys often suffered from what we called WHD or “wandering hands disease”. Things didn’t usually go too far at the school disco though, but some new romances developed between the older teenagers.

The music that was played was often the stuff I vowed NEVER to have in my own record collection. For a start they were all singles, I collected and listened to albums by dozens of “serious” artists such as Genesis, Yes, Led Zeppelin, Hendrix and others. I hated to listen to “soul” music and disco songs but conversely I loved to dance to them with my friends. Now when I hear these same tunes I feel totally invigorated.

Now I can hear the musicianship in these songs. I can understand why and how I resent bland music that is produced now (I am also guilty of this in my own song writing). Perhaps the rock journalist in the film “Almost Famous” was right, maybe pop music should be “dumb”. Maybe once pop music gets too clever, it’s just no fun anymore for anyone.

This is escapist music but it isn’t stupid, there’s a lot of skill in the arrangements, orchestration, dynamics, and in the playing and singing techniques.

Some of these tracks are much older than 1973 but were obviously favourites of DJs and dancers at that time.

As we danced we thought that the music of the future would be so incredibly superior to the songs we danced to at our school disco. We thought these songs were a “flash in the pan”, a passing trend, of disposable songs for “teenyboppers” that would be dead and forgotten within 6 months. Sometimes it’s probably better that we don’t know the future…

So make yourself some weak shandy, get your best dance moves ready, and join me for this authentic 1973-1976 school disco playlist and I guarantee that you will feel life is better!

N.B. please play this through the best speakers you can find, and LOUD!

Once you’ve danced to all of these, it will be like taking acid and going to the moon, you’ll never be the same again.

Oh and I forgot to say… it is usually in fancy dress. I used to just wear my every day clothes, add a head band and paint flowers on my face, and declare myself a hippie, which I was anyway! Others made an effort. At one school disco, a boy in my class was wearing full scuba diving gear, complete with flippers, a black whole body frog suit, snorkel and goggles. I spoke to him for some time and he just nodded back. I thought it was probably difficult for him to speak. Then he turned away and I watched him walk off, slowly raising his big flippers and slapping them onto the floor. I kind of felt sorry for him, as it wasn’t ideal footwear for a disco, or walking, or speaking. I then turned round to look at the others, and saw the guy I thought I’d been speaking to, standing next to me, not in fancy dress. I’ve no idea who the bloke in the frog suit was!

This is an epic playlist. I chose a total of 58 songs from over 170, so there are quite a few I had to leave out. I wanted the timing to fit the length of an evening. The disco starts at 7 pm and closes at 11pm because otherwise your parents would worry!

It’s a mixture of soul, rock, early disco, pop, early reggae and novelty records. Some sections are for fast dancing, others for less vigorous dancing, one section for “headbanging”, and one for smooching and bringing the evening to a close.

I’ve put these songs in an order so that it more or less flows, this was before DJs did proper “mixing”. They just tried to get the mood to flow from one track to another rather than try to match bpm.

***************************************************************************************************

FINALLY THE DISCO STARTS HERE, THANKS FOR YOUR PATIENCE:

  1. Crocodile Rock – Elton John (3.53   )

  1. Cum on feel the noize- Slade (3.21)

  1. I can help- Billy Swan (3.57) fade before end

  1. My coo ca choo- Alvin Stardust (2.44)

  1. Tiger Feet- Mud (3.50)

  1. 25 or 6 to 4 – Chicago (4.59)

  1. Kung Fu Fighting (3.11)

  1. Who’s that lady- Isley Bros (5.36)

  1. Layla- Derek and the Dominos (7.04)

  1. Wishing Well- Free (3.31)

  1. Feel Like Making Love – Bad Company (5.05)

  1. Nutbush City Limits- Ike & Tina Turner (2.59)

  1. Boogie Nights- Heatwave (3.11)

  1. That’s the way- K.C. and the Sunshine Band (3.07)

  1. Love is the Drug- Roxy Music (2.41)

  1. Monster Mash- Bobby Picket (3.15)

17. The Leader of the pack- the Shangri-las (2.38)

  1. Seasons in the sun-Terry Jacks (3.26)

  1. Make me smile – Cockney Rebel (3.55)

  1. The Jean Genie – David Bowie (4.38)

  1. Now I’m Here- Queen (4.14)

  1. Hocus Pocus- Focus (3.20)

  1. Pick up the pieces – Average White Band (4.00)

  1. Boogie Wonderland- Earth, Wind and Fire (4.52)

  1. The Hustle – Van McCoy (3.49)

  1. You Sexy Thing- Hot Chocolate (4.04)

  1. Heaven must be missing an angel – Tavares (3.31)

  1. Sugar, Honey, Honey- The Archies (2.45)

  1. The Isrealites – Desmond Dekker (2.35)

  1. Hey Fattie Bum Bum- Carl Malcom (2.08)

  1. Uptown top ranking – Althea and Donna (3.55)

  1. Superstition – Stevie Wonder (4.27)

  1. Lady Marmalade- Labelle (3.58)

  1. Green Onions- Booker T & the MG’s (2.58)

  1. Saturday Night’s Alright for Fighting- Elton John (4.57)

  1. Blockbuster- The Sweet (3.11)

  1. Remember you’re a Womble –The Wombles (3.46)

  1. Sugar Baby Love- The Rubettes (3.30)

  1. Money, Money, Money – Abba (3.07)

  1. This Town Ain’t Big Enough for the Both of Us – Sparks (3.01)

  1. Black Night- Deep Purple (3.26)

  1. Silver Machine- Hawkwind (4.38)

  1. Hi-Ho Silver Lining- Jeff Beck (2.51)

  1. You really got me – The Kinks (2.14)

  1. Whiskey in the Jar – Thin Lizzie (3.52)

  1. Pinball Wizard- The Who (3.02)

  1. Easy Livin’ – Uriah Heep (2.36)

  1. Radar Love- Golden Earring (5.03)

  1. Born to be Wild – Steppenwolf (3.30)

  1. All the Young Dudes- Mott the Hoople (3.27)

  1. A Whiter Shade of Pale- Procul Harum (4.00)

  1. Killing me softly- Roberta Flack (4.50)

  1. Air that I breathe – The Hollies (4.08)

  1. Without You- Harry Nilsson (3.28)

  1. Sailing – Rod Stewart (4.51)

  1. Bridge Over troubled Water – Simon and Garfunkel (4.51)

  1. Samba Pa Ti – Santana (4.52)

 

Goodnight all you “Tiger Feet” out there.

Love and Peace

Born2rant

  • Calendar

    • December 2017
      M T W T F S S
      « Jun    
       123
      45678910
      11121314151617
      18192021222324
      25262728293031
  • Search