Too busy living to blog or watch TV, plus a teeny bit about Solfest 2010


Hello Good People who evidently still read this blog…

I keep trying to give up this blog for good but it’s up there in cyberspace without me, just like the millions of  photographs of teenagers on Facebook,  who may at some time, rue the day they allowed photos of, and  information about themselves, to be handed over to various companies and intelligence agencies who rule the net. My blog will outlive my initial enthusiasm for bi-weekly blogging ,and like many a dead rock star’s music, will probably outlive me.

I did go to Solfest this year , and I guess that by the number of hits on the day it ended, many will have to checked in to see if I have done a review like I have done the three previous years.

In a word  “no”, and I’m not really going to. It is still the greatest UK hippie festival that I have experienced this millennium,although a few less punters this year and slightly more zealous security. Well actually, I mean specifically one guy. A young security steward who wore large sunglasses day or night , wore a “security hat”, and obviously took his job extremely seriously. He questioned and scrutinised people at the gates of Solfest as if they were non-EU citizens of “Asian” origin trying to get through passport control at Heathrow. It was only one enthusiastic Nazi  in the whole organisation, but one too many, plus he never seemed to go off duty. Maybe he dreams of being head of all security services one day…in which case, don’t work at a hippie festival, run by hippies.

Backstage the air of hippiedom was also occasionally marred by the odd territorial argument over which loo one could use .One group of people in particular, got hysterical if other members of crew used “their” portaloo and shouted to me “don’t fill our loo up or we can’t use it”, which I found mildly insulting. There was also by the end of the weekend, a row over who could have access to my nearest water supply. Various people started to attach their own personal pipes,to the general standpipe going directly to their tent or caravan, leaving no access to water for the humble camper without extra water-pipe fixtures, and a trickle of water to all trying to get their direct private supply, due to low pressure. It was exemplary of the follies and injustices of  Capitalism, which I hoped to get away from completely during my stay at Solfest. I am hoping that the hippie spirit of sharing resources over and above stupid claims to exclusive access to basic amenities will return next year in the backstage area.

I have not written a review of Solfest, why ? Because I am not often here.

I’ve turned my back on blogging, Myspace, Facebook, hotmail, Googlemail, all mainstream TV news, most TV programmes, and most Radio programmes. I do still use youtube quite a lot, especially if I want to hear music from the other side of the world. I mainly watch TV if I have visitors who want to watch it or if I am just too tired or ill to think of anything else I can do. I read newspapers if I find them lying on the tube, and yet without the internet or the media intruding in my life as much, I am not suffering from any withdrawal symptoms. Quite the opposite, I actually talk to real people face-to-face,  go to real places, and don’t feel like my life is over because my hair is dull or I don’t have a car, or I don’t know what David deCameron said today, and I haven’t suffered any more patriotic military propaganda passing for news on a daily basis.

However I will entwine this rant against second hand communication and experiences with a bit of music from Solfest.

In spite of my previous negative comments, Solfest  is still friendly, creative, and the happiest weekend of the year for me. I always meet great people, have long rambling conversations, dance to loud music even though I feel I am too old to do so, laugh at the inventiveness of fancy dress costumes, discover new  music, see amazing landscapes, feel hopeful that there is a little bit of the year that is not cynical and under surveillance but is creative and flourishing. I love going up north, can’t cope with southern festivals ever since my first Solfest. Ironically it has now become a yearly gathering point for people I know from London, Brighton and South Wales.

Every ageing hippie seems to have their favourite yearly festival, the one where they will see their old friends again and maybe have a little smoke even if they gave up on New Year’s day 2000, laugh like teenagers again, and show their kids how to power generators by pedalling like crazy, how to make things out of wood, and basically introduce them to various degrees of alternative living.

Some of my favourite musicians at Solfest 2010.

Here is John Fairhurst playing sitar music on the guitar. I saw him on the main stage on Saturday, strumming hard and fast, blending slide guitar with flamenco and ragas, very impressive. Unfortunately there is no footage of him playing at Solfest, so here he is playing in 2008 at an album launch party.

John Fairhurst , a sublime creative guitarist. Here he  starts quietly and gradually builds up momentum, then later explodes into a raucous manifestation of  many guitar genres peeping out from one another to say a brief  hello. Are you following me? Good, if not, don’t read any more, have a cup of tea instead.

My favourite Drystone stage act at Solfest was Richard Barry and The Chaps from Manchester. Maybe I am biased, I met Richard at a residential songwriting workshop in 1999. His sense of humour, charm and excellent musicianship make him always worth catching. Yet again, there is no Solfest footage his performance. It was pouring down with rain when he started but he still gathered a crowd, and then the sun came out!

Richard Barry and The Chaps – Please Don’t Ration My Fags.

I spent a lot more time in the Dance Tent than I intended to, especially on Saturday night where I danced to Eat Static, now a solo act, but still doing “his”/ “their” thing, and this guy DJ Adsorb who did an interesting set. Well I enjoyed it but I am frankly not an expert in dance music at all!  I’m more of an acoustic guitar person myself. I just liked Adsorb’s set because there was plenty of variety.

Now maybe it’s because I have never taken the right drugs , or possibly because I haven’t taken the correct amount of drugs, or more likely because I don’t even know by what  acronyms the drugs I’d have to take, and ask for,  from someone  two decades or more younger than me, leads me to find the brain-shaking tones of “doofff-doofff-doofff-da-da-dooff-dooff-doofff etc…” looped for an hour, and somehow so loud that they obliterate any other sounds in the mix…..B.O.R.I.N.G..

However this Solfest having spent much time talking to DJs in the Chill-Out tent who had taken the correct drugs, with their abbreviated names, in the right amounts, to like every type of  Dance Music,  I was  re-assured  that what I was referring to, was music that was  “relentless”.

You can actually pretend to like it, then when in the company of those you truly trust, complain that in fact it was “relentless” possibly shaking your head to demonstrate just how relentless it was.

So now I can blend in with people who know and appreciate all types of dance music by saying  ” God, that was  relentless!” and show the punishment I endured with a little  downwards shake of the head.

But as you can tell I don’t pretend to be anyone but the anonymous person I am pretending to be.

I cannot find much footage of Solfest 2010 itself!

But here is some footage from the Dance tent, I don’t know which DJ this is but I am sure someone will tell me, it could very well be DJ Adsorb, this is then contrasted with the Dogs in Space ( Chill-Out) tent, where you will see a few seconds of an amazing trio driven by the jazz beats of the Van Der Graaf Generator drummer: Guy Evans, along with psychedelic guitarist, Nigel Mazlyn Jones and flautist/guitarist Jim Nield. I caught the end of their set and they created a sound as colourful and ambient as the décor and lightshow of the Dogs in Space tent itself, shame there are only a few seconds of this available to show. I thoroughly enjoyed their mesmerizing set of jazz drumming and psychedelia.

The Damned played but I didn’t go to see them, the youtube clips are pretty poor quality soundwise.

Another act who played twice in the Dogs in Space tent and performed in cafés all over the site were the excellent Marley Chingus, from Liverpool,played rich bebop jazz covers as well as their own compositions, their long-haired and bearded trumpet player was particularly outstanding although all of them are very highly skilled musicians. Again no footage of them at Solfest but here they are with one of their own compositions, no trumpet player but a great sax player instead.

Marley Chingus -Neolithic Chant.

Well I’m off now to make some tea and maybe listen to some music. In the meantime I asked a DJ who came to visit my place last night what his favourite Gong tune was. He told me this one because of the electronics in it, the synths were played  by Tim Blake. It’s a fantabulous track beginning with synths, echo and tabla and building up nicely into a freeform jazz jam with psychedelic lead guitar, slide “glissando” guitar, with other sounds and many instruments thrown in for good measure.

So, I’ll leave you with the brilliant and mind-awakening : Gong – A Sprinkling of Clouds (1974)


Love and Peace to all of you

and remember hippies are cool, superficial people are… well …superficial

Born2rant

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Acid Mothers Temple,Stearica, Chambers of the Heart (Oxford 30/05/2010)


Hello Good People who still sometimes read this blog…

I return briefly to give a highly subjective account of a gig I went to at the weekend, that blew my mind and which has deafened me although I hope to regain my hearing gradually over the week (wear earplugs kids and don’t do as I did).

I decided on the spur of the moment to go to Oxford on Sunday to see Acid Mothers Temple.

I bought my ticket online, but shortly afterwards realised I was ill with a stomach bug and had a bit of a temperature, but decided to go anyway, these difficulties were  compounded by missing not one but two Oxford Tube coaches ( long stupid story). However I live with the philosophy that if something has many obstacles in the way, then the rewards at the end of it all are bound to be amazing so I forged my way to Oxford from London eventually.

The Bullingdon Arms venue was a bit grim but OK. Many posters about sniffer dogs and a ban on drug dealing, made me realise that I was probably not hanging out in the poshest part of Oxford but the low down and dirty experimental rock part, as it should be for such a gig.

The first act on were a young local band called Chambers of The Heart. I think they were a 5 piece band, it was hard to tell as they were playing in the dark, with only a film projection behind to illuminate them. Sounding like early Hawkwind, they were very loud and jammed continuously well, but in line with the age of the musicians, they sounded too well rehearsed and polished to actually be mistaken for a group who were creating sounds out of the air after taking a strange combination of far too many drugs ( i.e. early Hawkwind or any of the other 70s jam bands crawling out of the squats and back streets of Ladbroke Grove).

Chambers of the Heart had no vocalist but was fronted by a truly excellent female theremin player, who made this contraption her own by making it sing like a drunken but earnest Clanger. They sounded somehow slower  than Hawkwind, but compensated for this by having great swells of  loud energy and contrasting quiet peaceful bits.

I couldn’t find any youtube clips for this band but instead here’s their myspace:

chambers of the heart
http://www.myspace.com/chambersoftheheartgroup

Motorhead may have claimed to have “Everything Louder Than Everything Else“, but that’s only because Stearica was not playing live at the time. Italian band Stearica, have several pleasant-sounding melodic clips of themselves online however at this gig they were loud, forceful, speedy and raucous like this clip but much louder and somewhat faster:

Stearica 14/4/2008 ( in the spirit that I saw them play in)

Again there was no singer, but the drummer was the front man. He was the most manic drummer since Keith Moon , although this reference may now be outmoded. He asked the audience standing a few feet back from the stage,to come in closer, in a strong Italian accent. So I moved right to the front, but I had already become so engrossed in the music than I forgot to put in earplugs. Thereby injuring both brain and ears and experiencing the music in the same way as gorging a curry full of chillies and not much in the way of other ingredients.

The bassist played from a wheelchair, with energy and originality. A third member of the band played synth and guitar through two rows of pedal effects, but I was not able to hear him until the rhythm section stopped playing, and even  then, I wasn’t sure if what I was listening too was him playing high-pitched sounds or my internal screaming tinnitus.

However here he is on an occasion where he can be heard:

There was nothing subtle about this band, but also no boring moments,high-speed all the way through. At one point, in mid-song,the drummer got up and the whole band halted in suspended animation, which was surreal. They kept this up for some time until the crowds cheered enough for the drummer to start back up again and the others joined in perfectly in time. Pretty impressive. If I was running a psychedelic club I’d book them just for their sheer attitude and contagious enthusiasm.

By the time Acid Mothers Temple got on stage , I was already a bit deaf and had headbanged several thousand brain-cells out of existence ( now living in headbanger’s heaven). I was a bit worried that I would not be able to hear the next band or have any energy left to dance with. I needn’t have worried as they cranked up the volume of the Marshall amps even further, and the two guitarists standing in front of me, moved about as they played ,so that somehow I became possessed by a need to dance even more frenetically. I didn’t need drink or drugs, the music was enough to temporarily cure my stomach malaise and send me into a psychedelic trance.

The entire band was Japanese except for the bass player who had broken his arm and was replaced by a white guy with a poney tail and a moustache . He was a dead-ringer for a guy I used to know who was both a devout Catholic and a devout drug dealer with gangster connections.  This phased me initially, wondering if people who look just like other people, have similar personalities and lifestyles, but I digress. He was just a good bass player.

The lead guitarist was an artist. I don’t know his background but I could imagine him starting by learning to play Chopin from an early age and practising this for 5 hours a day and then graduating to Hawkwind, Hendrix, Pink Floyd and Steve Hillage in adolescence.

The front man with long grey hair, on guitar and synth, seemed also to have studied the greats. You note that I do not name them.I  know little about Acid Mothers Temple.

Of course I had heard of this band for some years , and knew that they had a connection with Gong, but the reason why I was at this concert was after a conversation in a London restaurant with some music students.

One girl, who is an excellent musician herself and generally a nice person, was taking the piss out of hippies as most people do. She was telling us about an Acid Mothers Temple gig she’d been to. She described them as being total hippies, who jammed for hours on stage, with a lead guitarist who did twenty-minute long solos, how everyone there was on acid and how there were hundreds of long-haired hippies in the audience either swaying or dancing crazily for hours on end to the loud psychedelic mayhem happening on stage. At which point I had to say “That sounds great!” even though she was criticising them. A music lecturer then helpfully told me that they were on tour and about to gig in Oxford.

I had heard some Japanese “noise” bands from clips on youtube, and this is what I was expecting, but Acid Mothers Temple was not only “noise”, it was bloody good music. It was not “original” music in Western terms, but blatantly imitating early Pink Floyd and Hawkwind jams, Hendrix , Steve Hillage, or other psychedelic artists, re-hashed (pardon the pun) and re-assembled into beautiful musical forms, sublimely executed by these crazed rebellious musicians. The riffs could be  a bit laboured and repetitive, but this had the effect of sending everyone into some kind of  trance. At one point I got slightly bored with the repeated riff  but then the bass player launched into the most amazing bass line in the style of Yes bassist Chris Squire.

But you can hear this for yourselves. A clip of  Acid Mothers Temple, this is one of their famous tracks ,Pink Lady Lemonade..wait for the bass to come in…followed a minute or so later by guitar solo (27 th march 2010 Vancouver)

Here is a little taster of them during a manic more disjointed phase of their musical performance from 2006:

The drummer was tucked away in the back but still drove the ever-changing speed and volume.There were phases in the music of light and dark, the pretty and melodic contrasted with piercing chaos. Feedback was used throughout as an extra dimension as well as prolific stage antics.

On several occasions, I expected the guitarist to smash his guitar to pieces in front of me and was ready to duck or catch it, if it landed in my direction. There were attempts at singing but due to the volume of the instruments it was impossible for either the audience, or the musicians to hear any vocals. At times,even the drum kit , which was being hit as hard as humanly possible, barely registered against the storm of surrounding feedback and electronic overdrive.

But hey, why have one drum-kit when you can have two?

Here is a clip of  Acid Mothers Temple ( with two drummers), doing a cover of a Steve Hillage track :The Glorious Om Riff Somehow they manage to shout the lyrics in a totally different key to the music, I don’t know if this is intentional , or just because they were deafened. Luckily they did not play this at the excellent Oxford gig I attended,as it is a bit painful to a  Steve Hillage fan, and yet it’s still brilliantly rebellious and entertaining. I assure you that they are much more “polished ” in 2010…if polished is the best word to describe them. Anyway Steve Hillage fans should play this clip from around 5 minutes in and see what you think of their cover version. Even later on in the clip, the band gets a tad nihilistic.

Acid Mother’s Temple with glissando guitar ( beautiful!)
14th April 2010 Kentucky

The final 30 minutes of the gig had virtually non-stop strobes. The lead guitarist threw his guitar around and then hung it up on the lighting rig, letting it ring out the feedback before leaving the stage.

Love ’em or hate ’em, the hurricane of electronic sounds and the dedication of the musicians to blow your mind into the ultimate psychedelic experience makes an “Acid Mothers Temple” concert an unmissable cathartic event.

It’s been three days and I still have some tinnitus in my ears, but all in all, that was the craziest psychedelic rock gig I have been to in 30 years.

There were no lyrics, no elaborate lightshows, no on stage choreography, but f*** me it was good.

Go see Acid Mothers Temple before you die, or they do (and bring earplugs).

Love and Peace

Born2rant

Steve Hillage and Gong at The Forum (27th November 2009)-A Review


Hello Good People who read this blog


I am recovering from my evening out at the Forum last night in Kentish Town ( in London for anyone who might be reading this in Estonia) to see Steve Hillage and Gong.

Our little troupe of Hillage/Gong fans started our  journey to the gig after lots of cups of tea and a supper of winter foods including of course our green vegetables. We trailed up the road happily like well-fed hobbits, ready to face the bright lights and commuters, but had to make a detour after a rather alarming  encounter with Orcs dressed in blue accompanied by their hounds of hell.

By the time we got to The Forum , The Steve Hillage Band was already on stage, playing “Love Guitar” ,one of my favourite soppy songs.  The audience didn’t seem quite warmed up at that point and so we reckon we must have arrived pretty much close to the start of the proceedings.

(double-click on the photos to see them in full-screen)

Steve Hillage Band-The Forum-27/11/2009

Left to right

Miquette Giraudy Keyboards-Synth-Backing -Vocals-Air Guitar and fun

Steve Hillage –Genius Electric Guitarist, Vocals.

Chris Taylor (I think! at least it’s him on the 2032 new album by Gong) – Drums with a zillion tempo changes

Mike Howlett-Bass-player extra-ordinaire

I know that Steve Hillage and Gong have played The Forum before in 2008, and that they have toured quite a bit in the past 18 months or so,but this is the first time I have seen the “Steve Hillage Band”. The last time I saw Steve Hillage  playing live in a “rock” band,must have been around 1979  or 1980 at The Hammersmith Odeon. Also to my embarrassment, I had never seen Gong live until  last night. Although I know their early albums and the fantastic Japanese import  “Gong Live etc.” (Virgin,1977 ) back to front. If you do not have this double album, try to get one.I got mine on vinyl as a Japanese import around twenty-nine years ago now, but still love it.

Steve Hillage and Gong fans are very difficult to get rid of, as we could tell from the average age of the audience, although there was a minority of teenagers looking blissful while cuddling with their significant others.

We didn’t go there to take photos or film, but we took a few pictures and short clips,like the two above . We went to  have a good time in the audience, not to film, and we did have a great time, my sore  feet, sore neck and sore throat (from singing and dancing along) are testimony to this, so I’ll stop writing now and put up some photos and clips enshrined in a couple of comments.

After the first couple of songs, the audience were warmed up and the crowd had swelled, in fact the place was packed out. They had made an early start and this had obviously caught some by surprise. Steve Hillage and his band were on form. Occasionally Hillage seemed to lose confidence with his vocals, as many singers do as they get older, especially if they have not been singing for a decade or two. If you listen to Joni Mitchell in the sixties and now in her sixties, her voice is totally different but it’s good, she has had to change her singing range and vocal style to keep it up.

In terms of guitar playing and performing, Steve Hillage is still at the top of his league. As the evening wore on, he just got better and better ( and better) playing complicated solos, with key changes, tempo changes, etc..

Here is a short clip Intro to Hurdy-Gurdy Man

He played some fast and furious guitar too and the band were great, but we were too busy dancing to film it! No doubt more footage will appear on youtube. Also Mike  Howlett’s excellent bass playing was mixed in a way that was not beefy enough , we wanted to hear it louder,and yet it obliterated a bit of the rest of the band’s sound, not sure how! I guess that’s what live music is about, it depends where you stand (and the taste and/or ability of the engineer).

The set was amazing and the crowd were ecstatic, a great lightshow too with inventive animations adding to the whole performance.

My only complaint about The Steve Hillage Band was that their set was so short. I would have been happy to see them play their first five albums from start to end and would have not got bored for a second or judged them if they had missed a few bits and improvised instead.

Personally I would have been happier to see the evening split equally between Gong and Steve Hillage.

An Interval of Rainbow Dome Musick , while we got our “healing” beer would have been ideal! ( I am joking…kind of)

However,when we saw the long set that Gong played with the same instrumentalists , we realised perhaps why Steve Hillage’s set was short but quality rather than quantity. When we arrived at 7.45 pm, The Steve Hillage Band was already playing and by the time Gong had left the stage it was past 11 pm.

Miquette and Steve ( Forum 27/11/2009)

There was a long break for drinks, just as well as it seemed impossible to get served ( hence the request for Rainbow Dome Musick at this point to keep us all calm). Only two bars on the ground floor, for thousands of people, the bar we queued up at only had one person serving, although after half an hour or so ,he was joined by two others.

The mood was jolly, lots of blokes, average age 50, many still with long hair or bald.But there were also a few women of all ages and also there were young, some very young ,teenage boys occasionally with young,very young,girlfriends in tow.

There is always a new crop of hippies germinating from any background. They emerge at around the age of 13 and by 16 they are either in a band or leading some form of alternative lifestyle with individual image to boot.These budding hippies who appear from nowhere decade after decade, will always gravitate towards the music of Gong and Steve Hillage.

Gong appeared on stage at around 9.15pm. They consisted of the members of  The Steve Hillage Band , plus Daevid Allen ( vocals and  guitar, and much leaping around), Gilli Smyth ( Vocals, “Space Whispers”, Goddess/Witch) and Theo Travis ( playing some rather excellent flute and sax).

Gong at The Forum 27/11/2009 ( minus Miquette)

We couldn’t help but notice that Gilli seemed older than the kind of woman you’d expect onstage with a rock band.We have been conditioned to expect only young people onstage doing weird rock music,  especially when it comes to women in a non-acoustic band.We are super-conditioned that only certain types of sexualised young women or alternatively young teenage rebel girls who shave their heads or dye it some extreme colour, will  be there. But I believe in breaking boundaries, most of the best classic bands are older, too old to rock and roll and too young to die? No! Get on stage, I say!

According to Wikipedia, Gilli Smyth, is 76 years old and used to be in academia, lecturing at the Sorbonne before deciding to do something all the more intellectual by forming Gong with her partner Daevid Allen.

Here is Gilli being a Witch on stage along to a free-form jazz jam from other members of Gong.

The Witch’s Song Performed at The Forum 27/11/2009  originally released 1973 on “Radio Gnome Invisible.Part One”

Daevid Allen is 71. But he bounces around the stage like a kangaroo on acid (and speed). Daevid has such a stage presence  that I can’t help but wonder what on earth he would do if he didn’t go on stage and dispel that energy. He is a jester with apparently boundless tigger-like energy. He definitely needs a stage to bounce on!

Gong- You Can’t Kill Me

Unfortunately the camera ran out of memory before being able to film Daevid in his special silver-white silk catsuit, embellished by CDs, or his “No one Knows I’m a Lesbian” T-Shirt, or when he chased Miquette around the stage, or was she chasing him, either way his energy was impressive.


Daevid Allen at The Forum 27/11/2009

Miquette having fun playing air guitar along to Steve (27/11/09-Forum)

There were times when Gong shouted and repeated the same line over like a cross between a sergeant major barking orders and the rat-rat-rat of a self-loading machine gun, which reminded me of war , riots and abrupt change. At other times, Gong intoned half-sung and half-spoken poems with themes of the collective unconscious and mythical archetypes in a free-from jazz jam, then planting  a strong melodic chorus , wherever and whenever it seemed the least expected. There were times when the music became ultra-psychedelic, the same repeated riff and beat, getting faster and louder with glissando guitars and excessive strobes, it went on in a cyclic fashion until it induced the brain into resistance or acceptance. I could not help but close my eyes to take it in. I felt like I was at some spiritual ceremony and that certain harmonious energies were being purposefully raised. I was pelted with rays of  white light and the sound of repeated musical mantras ,until I felt transported from the middle of winter, to a bright dance tent at some summer festival. People didn’t dance as much as they would in a dance tent though, but then we are older and we were tired by the end of the evening.

However there seemed to be some incredibly strong positive force present within the music. ..and I couldn’t help but notice that at the end of the evening, after a long encore and a very long gig,  Daevid Allen seemed to do a little ceremony to seal off each one of his chakra points, starting at his head and working his way down before leaving the stage.

Aha! I thought to myself , that’s where Daevid gets his energy from: rituals and chakras!

I am somewhat cynical about anything too religious, but they must be getting their energy from somewhere!

Love and Peace ( off to do yoga,meditation and find my chakras now!)

Born2rant

p.s. for more of a spiritual explanation click on Pete’s comment on the upper part of the left hand column of this blog or follow this link  to hear Daevid Allen’s spiritual vision for Gong( thanks again Pete).

http://vimeo.com/1626328

new readers to this blog  might be interested in this entry as well…

Steve Hillage always looking to the future: Part one from Hyde Park to Solfest


Green Slimy Politicians, clashing tour dates and Psychedelic Cinderella


Hello once again Good People Who Still Read This Blog

Hawkwind -“Space is Deep” a great song and a great little film (apologies for environmentally unfriendly rockets but they are cool)

How are you all? If there is a name for a really terrible blogger who has deserted their dedicated readers like an auntie they have guiltily abandoned since early adulthood even though they still get a yearly fiver tucked into their birthday card… then that must be me.

I am sorry, my life has changed and so has the world but even if my posts are rare I am still here somewhere in the known Universe.

I miss my blog oh yes I do! and I miss also doing my own music…

This morning started well, oh what a laugh! A smug capitalist politician being drenched in green custard, wonderful stuff! Even better was that the eloquent woman who did this actually got on the BBC news. She explained how “Mandy” had done some sleazy deal to get the third runway to Heathrow the go-ahead even though there was so much opposition and let’s face it our planet is slowly dying and if we don’t do as much as we can our children and grandchildren won’t have any food, water, air…very grim.

However the green custard episode really cheered me up. “Mandy” used to live right next to me and he used to throw some loud parties with really good psychedelic music so he has no excuse. If he can listen to sixties psychedelic music he ought to  be a hippie but alas as one can tell by endless prats wearing Led Zeppelin T-shirts  to look cool and trendy in an ironic-retro way, musical taste does not equate actual thinking in the brain as in the days of yore ( or “Yes!”  I wish there was a Roger Dean font then I could write “yes” and my entire blog with it…this one is levitating against my will) .

In case you didn’t catch the clip of the spectacular ” green Event”( n.b. that should read “Green Event” Steve Hillage has nothing to do with this event and is entirely blameless but I have temporarily invented my own “Logo of  70s Rock” font and will no doubt be sued by anyone who manages to find me using the new and wonderful totalitarian fascist terror digital surveillance services)

As I was saying if you didn’t catch it here is the wonderful clip..

BEFORE= “smug”     AFTER =” a bit humiliated and definitely greener”.

Please note my quote of the dayThe only Green thing about Peter Mandelson is the Green slime coursing through his veins” ( and dripping down his face.):

There’s a lot of cool psychedelic events coming up but some of them are clashing!

I hope they don’t mind me using their posters after all I am giving them free publicity.

First of all in March….

The clash of two events I want to go to, I definitely need a helicopter or maybe an old Star Trek style transporter room, or a Tardis with Jon Pertwee navigating would be even better.

On Saturday March 28th (2009 in case you are reading this some light years away from now from another planet that has internet access)

the truly lovely people from”Born To Go” (no relation) in Hitchin  are running their own fantastic psychedelic gig/club night. When I went before they certainly knew how to put on a lavish show, all they need is lots of  people!

Here’s their flyer:

born2go

Here’s some Nukli:( not much audience but festival gigs can be like that)


This is from the Born To Go myspace site :

NUKLI – veterans of the golden age of free festivals with full-on psychedelic grooves, and soaring guitar, they take you on a trip back to the Pyramid Stage, the Tibetan’s and Club Dog all rolled into one cosmic jam.SHOM play psychedelic dub space techno rock. Featuring blistering guitar and deep dub rhythms they never fail to get any audience dancing.PEYOTE GURU are a true jamming band, in fact the ‘band’ consists of 3 core members and whomever is willing to play along on the day. Loose jammed tracks emerge from the underlying synth textures to evoke the sounds of the festival scene of old.Alongside the very best of space, prog, kraut and all thing psychedelic spun by our DJ Kozmik Ken, psychedelic lights, videos, great vibe, happy smiling faces – all the usual you’ve come to expect from Born To Go!”

However I am torn between this and Steve Hillage and Miquette Giraudy doing a chill-out set as Mirror System on the very same night!

mirror-system

When I saw them at Solfest in 2007 , they did a fanstastic chill-out set including their first live performance of “Rainbow Dome Musik ” since its release in 1979.

What a terrible psychedelic dilemma!

If that wasn’t bad enough….

This Summer Solfest 2009

solfestmy definite favourite festival ( helped by the fact that I can be one of the crew backstage and mingle with some great people and have hung out with some of my favourite musicians of all Time and Space and Universe)  is also clashing with Hawkwind’s 40th Anniversary gig

hawkwind-gig

I am a bit puzzled by this because their 30th Anniversary was on the 21st of October 2000. I was extremely p***** off at the time as everyone I knew went but only told me afterwards because I had a gig to do and it was around my birthday too. However I was told by all those who didn’t tell me beforehand what an absolutely amazing gig it was and how even Terry Ollis and Mick Slattery were there and why wasn’t I there etc..etc..

Will there be a Hawkwind and old Hawkwind reunion this August? I hope so.


So  this time I am going to the ball, like some kind of psychedelic cinderella , but I’ll probably be in Morrocan sandals rather than glass slippers. But Solfest is also my key event to the year, it’s like my equivalent to Crufts  to strange people who breed dogs into weird shapes, or Ascot to posh ladies wearing silly hats (  I don’t know why they don’t go to one of the above gigs, I’m sure there will be odd hats there).

What will I do?

Well I guess I’ll take one day at a time… as they say at Narcotics Anonymous..”clean and serene

or “falling over in festival mud and fun” as I prefer to say.

I’ll go see Hawkwind and then see if there’s any way I can easily get to the middle nowhere in beautiful blue mountain and lake surrounded Solfest.

Lastly there is a gig or a series of gigs that is INCREDIBLY EXCITING!!!!!!!!!!!

“GONG” are  WITH SOME OF THE ORIGINAL MEMBERS ..including Hillage yey!!!!! They are touring the UK from the 19th to the 29th of  November 2009..

http://www.artistticket.com/link/?s=gong  )

The Hawkwind 40th Anniversary gig is sold out although there are other dates outside London

I want to leave my home and go on tour and write books about the entire history of all these people, bands and intersections via Ladbroke Grove in the 60s and 70s.

Well I have been interviewing  again  …if I get time and permission I’ll put some clips up here in the meantime here is the Gong Flyer

gong

Here’s them at them in June 2008 with Steve Hillage…another gig  I missed…please email me about these things!

Here’s another with dialogue from audience commenting on HUGE HEADS and the like:


Love and Peace

Born2rant

The Dave Russell Interviews reborn ( Notting Hill Arts- 1967-72)


Hello Good People who read this blog

If you go back in time to my earlier entries you will find some interesting stories about Notting Hill in the 60s and 70s and also Anti-Media activities in the 80s , bits about the gigs before Club Dog etc….

However I have been having problems with technology and the Dave Russell interviews being repeatedly deleted .

Therefore I have re-issued part one of this interview on Youtube. It’s the first time I have ever done anything like this so don’t expect miracles!

Enjoy ! and to read onthe background to the things mentioned in this interview go back to my previous post called

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

This was written back in the winter of 2007 and the weather today is about the same.

here is part two of the interview for more information go to my previous post

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

Part two

Part Three

of the interview below please see this post for more details:

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments

The final part

read more on

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

Love and peace

Born2rant

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt


Interview with Dave Russell on the Arts and Community Centre Notting Hill in the 60s and 70s( Part Two)

Following on from my previous post here is episode 2 of my interview with Dave Russell from a couple of weeks ago. Here he continues to tell us of the gigs and wild arts happenings in Notting Hill 1967-1972 occurring first at The Ecumenical Centre in Denbigh Road Notting Hill which later moved to the bigger venue in the crypt of the Methodist Church in Lancaster Road otherwise known as “The Arts and Community Centre Notting Hill” where psychedelic bands such as Gong, Pink Floyd, Hawkwind performed, here he also tells us of acoustic musicians, poets and drug use on church premises.

Dave Russell interview episode 2

I’ll edit and upload the next episode of this interview in a couple of days time.

This is Ron Geesin with “Spiky Diving Bells”

Now I’m cheating by using a documentary of Hawkwind in the early Notting Hill years
(for those of you from outside the UK :Ladbroke Grove is a road and an area in the North End of Notting Hill where it was a bit rougher than than the south, Notting Hill is in the London borough of Kensington and Chelsea but was a much poorer area)

I apologise for name-dropping but I just cannot post that Hawkwind clip without saying that I used to know both Mick Slattery and Terry Ollis who both feature in that clip and have casually played music with both of them..although I’m not sure what they think of me! I’ve also met Lemmy and Nik Turner but they won’t remember me and I don’t remember a lot about them!

This is the Amazing Davy Graham who is still gigging and very influential to British Folk musicians in the 60s

…..and here is Dave Russell himself performing

Back in a couple of days with episode three
Love and Peace
Born2rant

Apologies to anyone who doesn’t have broadband!

I’ll write some more stories soon but unfortunately some of the craziest ones I could write I won’t because I respect my old friends too much not just the ones in this post!

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)


Quintessence FlyerInterview with Dave Russell on the Arts and Community Centre Notting Hill in the 60s and 70s( Part One)

I first met my good friend Dave Russell in 1993 at “Bunjies” in Litchfield Street, off Charing Cross Road.
We both used to perform there regularly in their legendary folk cellar.
When I ran my own acoustic and poetry club I once billed Dave in the press as “The Godfather of Acoustic Punk” and the name has stuck. As well as being a singer-songwriter, poet and novellist, he is as you will hear an intellectual with a wide knowledge of the arts. Dave has been living in Notting Hill since 1964 and was friends with people who ran various arts events at the time.
I interviewed him to ask him about a particular club in Notting Hill in the crypt of a Methodist Church where bands like Pink Floyd, Hawkwind, Gong and many more performed as well as being a place for anarchic artists, poets, writers, actors, dancers and people with radical new ideas.
I have edited the 37 minute interview for obvious reasons !
For technical reasons you will be able to hear the interview in little episodes ( I hope!)
So this should be episode one of my interview with Dave Russell
(it all sounds a bit like Radio 4!) I hope this works or I’ll have to annoy people in the wordpress forums once again!

Dave Russell interview -Episode One

Here is The People Show 1967 related to The People Band as described by Dave ( at the end is a teeny bit of Pink Floyd)

Pink Floyd in 1967 (introduced by a “square” with no imagination and definitely only smoking tobacco)

This is Quintessence in 1971 playing at Glastonbury


For those of you outside the UK and only know “Notting Hill” the film . In the Post-War years Notting Hill was a run down area of West London known for cheap housing and where imigrants settled mainly from the Caribbean. Notting Hill used to be full of slums back in the fifties, sixties, seventies and that is how all the musicians, writers, artists and intellectuals got to live here mostly by squatting or living in Housing Co-ops etc….

Love and peace Born2rant

For more stuff than the little bit I am writing about please visit the Terrascope Link I added in the side-bar

see also

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat