The Quintessence of Ladbroke Grove, Glastonbury Fayre 1971, Meanwhile Gardens, Here & Now and alternative community spirit


Hello Good People who read this blog….

If you like this post please could you rate it with stars or add a nice comment, thanks!

My friend and mentor Brian R. Banks sent me a link to a wonderful piece about the band Quintessence  from the ezine It’s Psychedelic Baby, to celebrate the release of their complete Island Records recordings.  In his article Brian describes the vibe of creativity at the time in the Ladbroke Grove area. He also has a very interesting interview with former Quintessence band member Raja Ram a.k.a. Ronald Rothfield who also depicts ‘the Grove‘ or Ladbroke Grove area, filled with musicians, squatters, and people living alternative lifestyles. Please follow this link to read Brian’s excellent article: http://www.psychedelicbabymag.com/2017/06/raja-ram-quintessences-complete-island.html

If you are wondering what Quintessence sound like, below here there is a film of them playing at Glastonbury 46 years ago.

They sing :

‘If you want a life that is free

If you want a life full of happiness

You’ve got to turn your back on fear and shame

Leave it, Leave it all behind you

Have no fear,

You’ve got to turn your back on Fortune and Fame

You’ve got to leave it all behind you

You’ve got  to leave it all behind you, ever free.’

Of course the Glastonbury Fayre was free to ‘get into’ , or rather walk into, in 1971. Others performing at this festival included a young David Bowie, Gong, Hawkwind, Traffic, Melanie, and Fairport Convention.

If you don’t like the music of Glastonbury 2017 and like me, could not afford to go there anyway, you can watch a documentary about  the free festival of Glastonbury Fayre (1971) here. To listen to Quintessence, play this video from exactly one hour onwards:

Today I walked down Portobello Road market, I found tucked away under the Westway in Acklam Road  there were residents and friends of survivors of the Grenfell Tower fire, selling cakes, clothes and a variety of things where the money goes directly to those affected. It’s going on tomorrow (Sunday 25th) as well, a bit hard to find but worth going to. I gave them a small donation and wished them good luck, but they really appreciated my modest  contribution. I was glad they organised something, just wish it was in the middle on Portobello Road and took up the whole market and wished they’d opened up the little ampitheatre in Meanwhile Gardens where bands used to play Saturday evenings for free, they could have passed the hat around and done a great benefit gig. Today so many rules and regulations and they are ignored by companies in terms of fire protection but if a few people want to gather and have a free gig , is that allowed? I hope someone does run a free gig there for the community to remember and not let it be only a grand  Simon ‘Chimney Brush-head’ Cowell production.

If you are wondering what I am talking about here is a documentary about Meanwhile Gardens from 1981; Music performance @ 20-23 mins, and in view of recent events, a rather disturbing giant Guy Fawkes Bonfire (30mins in):

 

I went to many gigs at Meanwhile Gardens including probably this one:

I was going to write about other alternative lifestyle things in Notting Hill but have to go now. I will leave you with more wonderful Here & Now from 1978 (Careful with that effects pedal Steffe). On the youtube video below there are some great photos. I recognise people, marquees, The Tibetan Ukrainian Mountain Troupe, etc……I wish I could find my old photos…people at free festivals didn’t want to be photographed a lot of the time. There are also photos of alternative lifestyles in Latimer Road with tower blocks from the estate in the background, possibly Grenfell Tower or tower blocks still standing nearby.

 

 

‘You’ll plot and scheme to get your way,

but you haven’t the got guts to do it yourself,

so you make an alliance with somebody else,

A thousand years it’s been the same,

political parties in power again,

if you’re listening man, I’d like to say,

Floating Anarchy is a better way!’  (Here & Now ‘What You See….Is What You Are’ 1978).

This is really great music and spirited musical performance..Please listen to this before bed and/or play it to your children and grandchildren instead of a bedtime story.

So wishing you Love & Peace, sending good wishes and hugs to all those affected by the Grenfell Fire disaster, let us rebuild a free creative community spirit where and when we can.

 

 

 

 

Acid Mothers Temple,Stearica, Chambers of the Heart (Oxford 30/05/2010)


Hello Good People who still sometimes read this blog…

I return briefly to give a highly subjective account of a gig I went to at the weekend, that blew my mind and which has deafened me although I hope to regain my hearing gradually over the week (wear earplugs kids and don’t do as I did).

I decided on the spur of the moment to go to Oxford on Sunday to see Acid Mothers Temple.

I bought my ticket online, but shortly afterwards realised I was ill with a stomach bug and had a bit of a temperature, but decided to go anyway, these difficulties were  compounded by missing not one but two Oxford Tube coaches ( long stupid story). However I live with the philosophy that if something has many obstacles in the way, then the rewards at the end of it all are bound to be amazing so I forged my way to Oxford from London eventually.

The Bullingdon Arms venue was a bit grim but OK. Many posters about sniffer dogs and a ban on drug dealing, made me realise that I was probably not hanging out in the poshest part of Oxford but the low down and dirty experimental rock part, as it should be for such a gig.

The first act on were a young local band called Chambers of The Heart. I think they were a 5 piece band, it was hard to tell as they were playing in the dark, with only a film projection behind to illuminate them. Sounding like early Hawkwind, they were very loud and jammed continuously well, but in line with the age of the musicians, they sounded too well rehearsed and polished to actually be mistaken for a group who were creating sounds out of the air after taking a strange combination of far too many drugs ( i.e. early Hawkwind or any of the other 70s jam bands crawling out of the squats and back streets of Ladbroke Grove).

Chambers of the Heart had no vocalist but was fronted by a truly excellent female theremin player, who made this contraption her own by making it sing like a drunken but earnest Clanger. They sounded somehow slower  than Hawkwind, but compensated for this by having great swells of  loud energy and contrasting quiet peaceful bits.

I couldn’t find any youtube clips for this band but instead here’s their myspace:

chambers of the heart
http://www.myspace.com/chambersoftheheartgroup

Motorhead may have claimed to have “Everything Louder Than Everything Else“, but that’s only because Stearica was not playing live at the time. Italian band Stearica, have several pleasant-sounding melodic clips of themselves online however at this gig they were loud, forceful, speedy and raucous like this clip but much louder and somewhat faster:

Stearica 14/4/2008 ( in the spirit that I saw them play in)

Again there was no singer, but the drummer was the front man. He was the most manic drummer since Keith Moon , although this reference may now be outmoded. He asked the audience standing a few feet back from the stage,to come in closer, in a strong Italian accent. So I moved right to the front, but I had already become so engrossed in the music than I forgot to put in earplugs. Thereby injuring both brain and ears and experiencing the music in the same way as gorging a curry full of chillies and not much in the way of other ingredients.

The bassist played from a wheelchair, with energy and originality. A third member of the band played synth and guitar through two rows of pedal effects, but I was not able to hear him until the rhythm section stopped playing, and even  then, I wasn’t sure if what I was listening too was him playing high-pitched sounds or my internal screaming tinnitus.

However here he is on an occasion where he can be heard:

There was nothing subtle about this band, but also no boring moments,high-speed all the way through. At one point, in mid-song,the drummer got up and the whole band halted in suspended animation, which was surreal. They kept this up for some time until the crowds cheered enough for the drummer to start back up again and the others joined in perfectly in time. Pretty impressive. If I was running a psychedelic club I’d book them just for their sheer attitude and contagious enthusiasm.

By the time Acid Mothers Temple got on stage , I was already a bit deaf and had headbanged several thousand brain-cells out of existence ( now living in headbanger’s heaven). I was a bit worried that I would not be able to hear the next band or have any energy left to dance with. I needn’t have worried as they cranked up the volume of the Marshall amps even further, and the two guitarists standing in front of me, moved about as they played ,so that somehow I became possessed by a need to dance even more frenetically. I didn’t need drink or drugs, the music was enough to temporarily cure my stomach malaise and send me into a psychedelic trance.

The entire band was Japanese except for the bass player who had broken his arm and was replaced by a white guy with a poney tail and a moustache . He was a dead-ringer for a guy I used to know who was both a devout Catholic and a devout drug dealer with gangster connections.  This phased me initially, wondering if people who look just like other people, have similar personalities and lifestyles, but I digress. He was just a good bass player.

The lead guitarist was an artist. I don’t know his background but I could imagine him starting by learning to play Chopin from an early age and practising this for 5 hours a day and then graduating to Hawkwind, Hendrix, Pink Floyd and Steve Hillage in adolescence.

The front man with long grey hair, on guitar and synth, seemed also to have studied the greats. You note that I do not name them.I  know little about Acid Mothers Temple.

Of course I had heard of this band for some years , and knew that they had a connection with Gong, but the reason why I was at this concert was after a conversation in a London restaurant with some music students.

One girl, who is an excellent musician herself and generally a nice person, was taking the piss out of hippies as most people do. She was telling us about an Acid Mothers Temple gig she’d been to. She described them as being total hippies, who jammed for hours on stage, with a lead guitarist who did twenty-minute long solos, how everyone there was on acid and how there were hundreds of long-haired hippies in the audience either swaying or dancing crazily for hours on end to the loud psychedelic mayhem happening on stage. At which point I had to say “That sounds great!” even though she was criticising them. A music lecturer then helpfully told me that they were on tour and about to gig in Oxford.

I had heard some Japanese “noise” bands from clips on youtube, and this is what I was expecting, but Acid Mothers Temple was not only “noise”, it was bloody good music. It was not “original” music in Western terms, but blatantly imitating early Pink Floyd and Hawkwind jams, Hendrix , Steve Hillage, or other psychedelic artists, re-hashed (pardon the pun) and re-assembled into beautiful musical forms, sublimely executed by these crazed rebellious musicians. The riffs could be  a bit laboured and repetitive, but this had the effect of sending everyone into some kind of  trance. At one point I got slightly bored with the repeated riff  but then the bass player launched into the most amazing bass line in the style of Yes bassist Chris Squire.

But you can hear this for yourselves. A clip of  Acid Mothers Temple, this is one of their famous tracks ,Pink Lady Lemonade..wait for the bass to come in…followed a minute or so later by guitar solo (27 th march 2010 Vancouver)

Here is a little taster of them during a manic more disjointed phase of their musical performance from 2006:

The drummer was tucked away in the back but still drove the ever-changing speed and volume.There were phases in the music of light and dark, the pretty and melodic contrasted with piercing chaos. Feedback was used throughout as an extra dimension as well as prolific stage antics.

On several occasions, I expected the guitarist to smash his guitar to pieces in front of me and was ready to duck or catch it, if it landed in my direction. There were attempts at singing but due to the volume of the instruments it was impossible for either the audience, or the musicians to hear any vocals. At times,even the drum kit , which was being hit as hard as humanly possible, barely registered against the storm of surrounding feedback and electronic overdrive.

But hey, why have one drum-kit when you can have two?

Here is a clip of  Acid Mothers Temple ( with two drummers), doing a cover of a Steve Hillage track :The Glorious Om Riff Somehow they manage to shout the lyrics in a totally different key to the music, I don’t know if this is intentional , or just because they were deafened. Luckily they did not play this at the excellent Oxford gig I attended,as it is a bit painful to a  Steve Hillage fan, and yet it’s still brilliantly rebellious and entertaining. I assure you that they are much more “polished ” in 2010…if polished is the best word to describe them. Anyway Steve Hillage fans should play this clip from around 5 minutes in and see what you think of their cover version. Even later on in the clip, the band gets a tad nihilistic.

Acid Mother’s Temple with glissando guitar ( beautiful!)
14th April 2010 Kentucky

The final 30 minutes of the gig had virtually non-stop strobes. The lead guitarist threw his guitar around and then hung it up on the lighting rig, letting it ring out the feedback before leaving the stage.

Love ’em or hate ’em, the hurricane of electronic sounds and the dedication of the musicians to blow your mind into the ultimate psychedelic experience makes an “Acid Mothers Temple” concert an unmissable cathartic event.

It’s been three days and I still have some tinnitus in my ears, but all in all, that was the craziest psychedelic rock gig I have been to in 30 years.

There were no lyrics, no elaborate lightshows, no on stage choreography, but f*** me it was good.

Go see Acid Mothers Temple before you die, or they do (and bring earplugs).

Love and Peace

Born2rant

Steve Hillage and Gong at The Forum (27th November 2009)-A Review


Hello Good People who read this blog


I am recovering from my evening out at the Forum last night in Kentish Town ( in London for anyone who might be reading this in Estonia) to see Steve Hillage and Gong.

Our little troupe of Hillage/Gong fans started our  journey to the gig after lots of cups of tea and a supper of winter foods including of course our green vegetables. We trailed up the road happily like well-fed hobbits, ready to face the bright lights and commuters, but had to make a detour after a rather alarming  encounter with Orcs dressed in blue accompanied by their hounds of hell.

By the time we got to The Forum , The Steve Hillage Band was already on stage, playing “Love Guitar” ,one of my favourite soppy songs.  The audience didn’t seem quite warmed up at that point and so we reckon we must have arrived pretty much close to the start of the proceedings.

(double-click on the photos to see them in full-screen)

Steve Hillage Band-The Forum-27/11/2009

Left to right

Miquette Giraudy Keyboards-Synth-Backing -Vocals-Air Guitar and fun

Steve Hillage –Genius Electric Guitarist, Vocals.

Chris Taylor (I think! at least it’s him on the 2032 new album by Gong) – Drums with a zillion tempo changes

Mike Howlett-Bass-player extra-ordinaire

I know that Steve Hillage and Gong have played The Forum before in 2008, and that they have toured quite a bit in the past 18 months or so,but this is the first time I have seen the “Steve Hillage Band”. The last time I saw Steve Hillage  playing live in a “rock” band,must have been around 1979  or 1980 at The Hammersmith Odeon. Also to my embarrassment, I had never seen Gong live until  last night. Although I know their early albums and the fantastic Japanese import  “Gong Live etc.” (Virgin,1977 ) back to front. If you do not have this double album, try to get one.I got mine on vinyl as a Japanese import around twenty-nine years ago now, but still love it.

Steve Hillage and Gong fans are very difficult to get rid of, as we could tell from the average age of the audience, although there was a minority of teenagers looking blissful while cuddling with their significant others.

We didn’t go there to take photos or film, but we took a few pictures and short clips,like the two above . We went to  have a good time in the audience, not to film, and we did have a great time, my sore  feet, sore neck and sore throat (from singing and dancing along) are testimony to this, so I’ll stop writing now and put up some photos and clips enshrined in a couple of comments.

After the first couple of songs, the audience were warmed up and the crowd had swelled, in fact the place was packed out. They had made an early start and this had obviously caught some by surprise. Steve Hillage and his band were on form. Occasionally Hillage seemed to lose confidence with his vocals, as many singers do as they get older, especially if they have not been singing for a decade or two. If you listen to Joni Mitchell in the sixties and now in her sixties, her voice is totally different but it’s good, she has had to change her singing range and vocal style to keep it up.

In terms of guitar playing and performing, Steve Hillage is still at the top of his league. As the evening wore on, he just got better and better ( and better) playing complicated solos, with key changes, tempo changes, etc..

Here is a short clip Intro to Hurdy-Gurdy Man

He played some fast and furious guitar too and the band were great, but we were too busy dancing to film it! No doubt more footage will appear on youtube. Also Mike  Howlett’s excellent bass playing was mixed in a way that was not beefy enough , we wanted to hear it louder,and yet it obliterated a bit of the rest of the band’s sound, not sure how! I guess that’s what live music is about, it depends where you stand (and the taste and/or ability of the engineer).

The set was amazing and the crowd were ecstatic, a great lightshow too with inventive animations adding to the whole performance.

My only complaint about The Steve Hillage Band was that their set was so short. I would have been happy to see them play their first five albums from start to end and would have not got bored for a second or judged them if they had missed a few bits and improvised instead.

Personally I would have been happier to see the evening split equally between Gong and Steve Hillage.

An Interval of Rainbow Dome Musick , while we got our “healing” beer would have been ideal! ( I am joking…kind of)

However,when we saw the long set that Gong played with the same instrumentalists , we realised perhaps why Steve Hillage’s set was short but quality rather than quantity. When we arrived at 7.45 pm, The Steve Hillage Band was already playing and by the time Gong had left the stage it was past 11 pm.

Miquette and Steve ( Forum 27/11/2009)

There was a long break for drinks, just as well as it seemed impossible to get served ( hence the request for Rainbow Dome Musick at this point to keep us all calm). Only two bars on the ground floor, for thousands of people, the bar we queued up at only had one person serving, although after half an hour or so ,he was joined by two others.

The mood was jolly, lots of blokes, average age 50, many still with long hair or bald.But there were also a few women of all ages and also there were young, some very young ,teenage boys occasionally with young,very young,girlfriends in tow.

There is always a new crop of hippies germinating from any background. They emerge at around the age of 13 and by 16 they are either in a band or leading some form of alternative lifestyle with individual image to boot.These budding hippies who appear from nowhere decade after decade, will always gravitate towards the music of Gong and Steve Hillage.

Gong appeared on stage at around 9.15pm. They consisted of the members of  The Steve Hillage Band , plus Daevid Allen ( vocals and  guitar, and much leaping around), Gilli Smyth ( Vocals, “Space Whispers”, Goddess/Witch) and Theo Travis ( playing some rather excellent flute and sax).

Gong at The Forum 27/11/2009 ( minus Miquette)

We couldn’t help but notice that Gilli seemed older than the kind of woman you’d expect onstage with a rock band.We have been conditioned to expect only young people onstage doing weird rock music,  especially when it comes to women in a non-acoustic band.We are super-conditioned that only certain types of sexualised young women or alternatively young teenage rebel girls who shave their heads or dye it some extreme colour, will  be there. But I believe in breaking boundaries, most of the best classic bands are older, too old to rock and roll and too young to die? No! Get on stage, I say!

According to Wikipedia, Gilli Smyth, is 76 years old and used to be in academia, lecturing at the Sorbonne before deciding to do something all the more intellectual by forming Gong with her partner Daevid Allen.

Here is Gilli being a Witch on stage along to a free-form jazz jam from other members of Gong.

The Witch’s Song Performed at The Forum 27/11/2009  originally released 1973 on “Radio Gnome Invisible.Part One”

Daevid Allen is 71. But he bounces around the stage like a kangaroo on acid (and speed). Daevid has such a stage presence  that I can’t help but wonder what on earth he would do if he didn’t go on stage and dispel that energy. He is a jester with apparently boundless tigger-like energy. He definitely needs a stage to bounce on!

Gong- You Can’t Kill Me

Unfortunately the camera ran out of memory before being able to film Daevid in his special silver-white silk catsuit, embellished by CDs, or his “No one Knows I’m a Lesbian” T-Shirt, or when he chased Miquette around the stage, or was she chasing him, either way his energy was impressive.


Daevid Allen at The Forum 27/11/2009

Miquette having fun playing air guitar along to Steve (27/11/09-Forum)

There were times when Gong shouted and repeated the same line over like a cross between a sergeant major barking orders and the rat-rat-rat of a self-loading machine gun, which reminded me of war , riots and abrupt change. At other times, Gong intoned half-sung and half-spoken poems with themes of the collective unconscious and mythical archetypes in a free-from jazz jam, then planting  a strong melodic chorus , wherever and whenever it seemed the least expected. There were times when the music became ultra-psychedelic, the same repeated riff and beat, getting faster and louder with glissando guitars and excessive strobes, it went on in a cyclic fashion until it induced the brain into resistance or acceptance. I could not help but close my eyes to take it in. I felt like I was at some spiritual ceremony and that certain harmonious energies were being purposefully raised. I was pelted with rays of  white light and the sound of repeated musical mantras ,until I felt transported from the middle of winter, to a bright dance tent at some summer festival. People didn’t dance as much as they would in a dance tent though, but then we are older and we were tired by the end of the evening.

However there seemed to be some incredibly strong positive force present within the music. ..and I couldn’t help but notice that at the end of the evening, after a long encore and a very long gig,  Daevid Allen seemed to do a little ceremony to seal off each one of his chakra points, starting at his head and working his way down before leaving the stage.

Aha! I thought to myself , that’s where Daevid gets his energy from: rituals and chakras!

I am somewhat cynical about anything too religious, but they must be getting their energy from somewhere!

Love and Peace ( off to do yoga,meditation and find my chakras now!)

Born2rant

p.s. for more of a spiritual explanation click on Pete’s comment on the upper part of the left hand column of this blog or follow this link  to hear Daevid Allen’s spiritual vision for Gong( thanks again Pete).

http://vimeo.com/1626328

new readers to this blog  might be interested in this entry as well…

Steve Hillage always looking to the future: Part one from Hyde Park to Solfest


The Police harasses some terribly nice middle-class white English people in possession of terrorist crayons.


Hello Good People who read this blog ( this is a revised version of earlier entries. I do this sometimes when I think of extra things…sorry if it is irritating)

To begin some more meditative music to generate peace in the world

I forgot how completely amazing this piece of music was until  I just listened to it again:

Yes it’s got to be Steve Hillage “the Glorious Om Riff” from the “Green” album ( 1978) , quite appropriate for this post. (If you listen to this wearing headphones you get the full ping-pong  synth effect .)

Om!

My son sent me this film ( below this little rant) showing the police trying to disrupt an environmental climate camp which is organised totally legally.

I don’t think the police should meddle in politics. I think they should just be there if the public needs them in an emergency, when they are being violated, robbed, burgled etc..

Who is instructing the police to violate, rob, burgle and occasionally kill the public?

Once the police start to harrass people for their politics isn’t that what a police state is?

This is how Wikipedia defines a police state:

“The term police state describes a state in which the government exercises rigid and repressive controls over the social, economic and political life of the population. A police state typically exhibits elements of totalitarianism and social control, and there is usually little or no distinction between the law and the exercise of political power by the executive.

The inhabitants of a police state experience restrictions on their mobility, and on their freedom to express or communicate political or other views, which are subject to police monitoring or enforcement. Political control may be exerted by means of a secret police force which operates outside the boundaries normally imposed by a constitutional state.[1]”

Here is the little film my son sent me :  “Investigating the Police” from the Kingsnorth Climate Camp last August. Crayons, felt-tip pens and chalk sticks are confiscated as dangerous weapons that could be used for writing political messages on banners.You may find some of the images of police violence in the second half of this film disturbing.

In many way it is reminiscent of the Battle of the Beanfield and other incidents of police violence. I heard many accounts of police violence over the years from friends being taken in the back of the van and given a “good kicking” for being alternative .

All the private “kickings” were illegal but now there is legalised harassment and violence against the public evident in this film. (if you can’t see this film and you have “No Script” on your computer, enable “blip.tv”)

[blip.tv ?posts_id=1878593&dest=-1]

They have given the police way too much power and surprise, surprise,  they are abusing it. In this film the police can legally force someone to be searched who is not wearing anything suspicious or behaving in a suspicious or agressive way.

If you refuse to be physically searched then they can legally, make you lie on the ground and set seven police officers on top of you and legally press your pressure points to inflict pain.

Some of the scenes in this film are of innocent people being violated legally by the police. Can you honestly say that the nice protesters in this film were a threat to anyone?

If the actions of the police were illegal then at least we could put a stop to it.

Compare and Contrast the wikipedia definition and the film clip!

What do you think?..Do you think? or do you just party?

A musical interlude:

Here & Now another band from the Gong rock family tree. I saw this band 10 trillion times in the late seventies and throughout the eighties. The first time I saw them was at Meanwhile Gardens with “Blank Space”and possibly  “The Androids of Mü”, Grant Showbiz was doing the desk.

Here is Here & Now with “Floating Anarchy Radio”

Here’s Here & Now playing in 2005. In the foreground on synth, Joie Hinton ( ex-Eat Static/Ozrics/O’Roonies etc…I was once told that he played for Steve Hillage as a teenager..not sure about this).

Today I am also a bit concerned about the police deciding about whether or not MPs should be arrested for fiddling their expenses.

Of course I think the MPs should pay back the money they fiddled and made to live on a council estate for a year with only income support and housing benefit to live on.

However I don’t agree with the principle that the police can arrest the democratically elected government. That really would make us  a police state.

It would be better for democracy if the government itself forced every single dodgy MP to resign and pay back the money and be fined.

I don’t see that happening because the ones at the top are the dodgy ones!

Some more excellent music. I love Egg.

Weird difficult and complex music is never boring or pretentious as long  as you can either tap your foot to it or sing a bit of the tune in the bath.

This track is one of my favourites and  has some of those appetizing complex bits!

According to Wikipedia ( my font of all knowledge for today) Steve Hillage plays on this track:

“Wring out the Ground” from “Civil Surface” by Egg (1974) …yep a couple of minutes in, that’s got to be Steve Hillage!

Love and Peace

Born2rant ( voting Green in European Elections ..will stop editing and revising this post now promise! 16/5/09)




Green Slimy Politicians, clashing tour dates and Psychedelic Cinderella


Hello once again Good People Who Still Read This Blog

Hawkwind -“Space is Deep” a great song and a great little film (apologies for environmentally unfriendly rockets but they are cool)

How are you all? If there is a name for a really terrible blogger who has deserted their dedicated readers like an auntie they have guiltily abandoned since early adulthood even though they still get a yearly fiver tucked into their birthday card… then that must be me.

I am sorry, my life has changed and so has the world but even if my posts are rare I am still here somewhere in the known Universe.

I miss my blog oh yes I do! and I miss also doing my own music…

This morning started well, oh what a laugh! A smug capitalist politician being drenched in green custard, wonderful stuff! Even better was that the eloquent woman who did this actually got on the BBC news. She explained how “Mandy” had done some sleazy deal to get the third runway to Heathrow the go-ahead even though there was so much opposition and let’s face it our planet is slowly dying and if we don’t do as much as we can our children and grandchildren won’t have any food, water, air…very grim.

However the green custard episode really cheered me up. “Mandy” used to live right next to me and he used to throw some loud parties with really good psychedelic music so he has no excuse. If he can listen to sixties psychedelic music he ought to  be a hippie but alas as one can tell by endless prats wearing Led Zeppelin T-shirts  to look cool and trendy in an ironic-retro way, musical taste does not equate actual thinking in the brain as in the days of yore ( or “Yes!”  I wish there was a Roger Dean font then I could write “yes” and my entire blog with it…this one is levitating against my will) .

In case you didn’t catch the clip of the spectacular ” green Event”( n.b. that should read “Green Event” Steve Hillage has nothing to do with this event and is entirely blameless but I have temporarily invented my own “Logo of  70s Rock” font and will no doubt be sued by anyone who manages to find me using the new and wonderful totalitarian fascist terror digital surveillance services)

As I was saying if you didn’t catch it here is the wonderful clip..

BEFORE= “smug”     AFTER =” a bit humiliated and definitely greener”.

Please note my quote of the dayThe only Green thing about Peter Mandelson is the Green slime coursing through his veins” ( and dripping down his face.):

There’s a lot of cool psychedelic events coming up but some of them are clashing!

I hope they don’t mind me using their posters after all I am giving them free publicity.

First of all in March….

The clash of two events I want to go to, I definitely need a helicopter or maybe an old Star Trek style transporter room, or a Tardis with Jon Pertwee navigating would be even better.

On Saturday March 28th (2009 in case you are reading this some light years away from now from another planet that has internet access)

the truly lovely people from”Born To Go” (no relation) in Hitchin  are running their own fantastic psychedelic gig/club night. When I went before they certainly knew how to put on a lavish show, all they need is lots of  people!

Here’s their flyer:

born2go

Here’s some Nukli:( not much audience but festival gigs can be like that)


This is from the Born To Go myspace site :

NUKLI – veterans of the golden age of free festivals with full-on psychedelic grooves, and soaring guitar, they take you on a trip back to the Pyramid Stage, the Tibetan’s and Club Dog all rolled into one cosmic jam.SHOM play psychedelic dub space techno rock. Featuring blistering guitar and deep dub rhythms they never fail to get any audience dancing.PEYOTE GURU are a true jamming band, in fact the ‘band’ consists of 3 core members and whomever is willing to play along on the day. Loose jammed tracks emerge from the underlying synth textures to evoke the sounds of the festival scene of old.Alongside the very best of space, prog, kraut and all thing psychedelic spun by our DJ Kozmik Ken, psychedelic lights, videos, great vibe, happy smiling faces – all the usual you’ve come to expect from Born To Go!”

However I am torn between this and Steve Hillage and Miquette Giraudy doing a chill-out set as Mirror System on the very same night!

mirror-system

When I saw them at Solfest in 2007 , they did a fanstastic chill-out set including their first live performance of “Rainbow Dome Musik ” since its release in 1979.

What a terrible psychedelic dilemma!

If that wasn’t bad enough….

This Summer Solfest 2009

solfestmy definite favourite festival ( helped by the fact that I can be one of the crew backstage and mingle with some great people and have hung out with some of my favourite musicians of all Time and Space and Universe)  is also clashing with Hawkwind’s 40th Anniversary gig

hawkwind-gig

I am a bit puzzled by this because their 30th Anniversary was on the 21st of October 2000. I was extremely p***** off at the time as everyone I knew went but only told me afterwards because I had a gig to do and it was around my birthday too. However I was told by all those who didn’t tell me beforehand what an absolutely amazing gig it was and how even Terry Ollis and Mick Slattery were there and why wasn’t I there etc..etc..

Will there be a Hawkwind and old Hawkwind reunion this August? I hope so.


So  this time I am going to the ball, like some kind of psychedelic cinderella , but I’ll probably be in Morrocan sandals rather than glass slippers. But Solfest is also my key event to the year, it’s like my equivalent to Crufts  to strange people who breed dogs into weird shapes, or Ascot to posh ladies wearing silly hats (  I don’t know why they don’t go to one of the above gigs, I’m sure there will be odd hats there).

What will I do?

Well I guess I’ll take one day at a time… as they say at Narcotics Anonymous..”clean and serene

or “falling over in festival mud and fun” as I prefer to say.

I’ll go see Hawkwind and then see if there’s any way I can easily get to the middle nowhere in beautiful blue mountain and lake surrounded Solfest.

Lastly there is a gig or a series of gigs that is INCREDIBLY EXCITING!!!!!!!!!!!

“GONG” are  WITH SOME OF THE ORIGINAL MEMBERS ..including Hillage yey!!!!! They are touring the UK from the 19th to the 29th of  November 2009..

http://www.artistticket.com/link/?s=gong  )

The Hawkwind 40th Anniversary gig is sold out although there are other dates outside London

I want to leave my home and go on tour and write books about the entire history of all these people, bands and intersections via Ladbroke Grove in the 60s and 70s.

Well I have been interviewing  again  …if I get time and permission I’ll put some clips up here in the meantime here is the Gong Flyer

gong

Here’s them at them in June 2008 with Steve Hillage…another gig  I missed…please email me about these things!

Here’s another with dialogue from audience commenting on HUGE HEADS and the like:


Love and Peace

Born2rant

Rick Wright..Pink Floyd..another flame goes out


Hello good people who read this blog

More sad news

I don’t mean to be morbid and wasn’t ready to write another entry just yet but just to say Rick Wright keyboard player of Pink Floyd has died of cancer aged 65 although it’s probably just been on the evening news I just  found out on line by accident again and felt  that as a big Pink Floyd fan I had to mention it.

He was a self-taught musician , one of the founding members of Pink Floyd. I tend to let the music speak for itself so excuse me if I just let you hear and see this man in action:

from Pink Floyd live at Pompeii

Echoes Part 1

Saucerful of Secrets

Against The Odds

Against the Odds
(R. Wright/J. Wright) 3:59

Each time we return to this crazy place
We break the promise made face to face.
Easy to make, easy to break
Somethings here we don’t understand.

I don’t know why we go on so
I don’t want to fight no more tonight.
Every time’s the same, both of us to blame
I don’t want to talk no more tonight

We’ve come through before, now we ask for more
Seems to me we can’t escape at all.
Words have no meaning, but oh, such a feeling
Can there be a way out of here?

I don’t know why we go on so
I don’t want to fight no more tonight.
Every time’s the same, both of us to blame
I don’t want to talk no more tonight

it sounds like this:

Here is one of his pieces from the score of Zabriskie Point

Again I send love and respect to his spirit, his family, his close friends, the musicians he worked with and other members of Pink Floyd, now excuse me while I shed a tear or two.

Love and Peace

Born2rant

(next time I hope not to have to announce another death).

Steve Hillage Part 3 :Gone to Heaven and Found System 7


Steve Hillage Part 3 :Gone to Heaven and Found System 7
(something old , something new, something borrowed,something Green)


Hello Good People who read this blog! (sorry about typos I am still editing this!)

Apologies for the delay since my last entry.
Yesterday
I went to Heaven last night and saw System 7.

launchparties2c.gif
Preamble….
I have to say that I wasn’t in the mood to go to the album launch party. This was for a totally different reason. Recently I’ve been thinking of learning to play Congolese music on the guitar from a guy I met at a folk club ( The Green Note) in Camden called Nick Mulvey whose guitar playing is stunning. Yesterday afternoon, impressed by the Congolese style of guitar playing I’d heard Nick playing , I went online to find out a bit more about the Congo which is now split into 2 countries .
I read some deeply disturbing facts about “the war against women” in The Democratic Republic of Congo and it had put me in a mood of feeling just so naive about what is really going on in this world and how cut off and priviledged we are in this country.
I phoned up my son in Germany for some some encouragement to go to the gig knowing he would be very envious of my seeing System 7, Eat Static, and Alex Patterson and Slack Baba .

He told me that I must go and to wear something “funky” so I did! I wore something funky and totally untrendy that suited my hippie roots and I went.

I got there just in time as System 7 were already on stage. Steve Hillage was wearing glasses but they suited him ( I am being so shallow but honest! I wish I could think of a witty joke including the phrase ” should have gone to specsavers” but I can’t).

dragon-and-phoenix

I was feeling self-conscious at first alone in a rather over-the-top outfit at Heaven and decided that I would not and could not dance. However the music was infectious and I started to move and then once dancing I could not stop.
I recognised the beautiful “Hinotori” and “Song for the Phoenix” from the youtube excerpts .Others of my too-old-to-be-dancing-to-techno generation surrounded me going berserk in time to the music , including a guy who danced with me who looked exactly like Howard Marks I still don’t know if it was him.

Some of the crowd were young and alternative, others young and gay and not really familiar with System 7 et al, and mostly people in their thirties who probably used to go to Megadog but no one I knew apart from those on stage. I was half expecting to see Mixmaster Morris dancing there or some significant others but even surrounded by strangers I felt at home and sharing a common need to dance and celebrate life there and then.
Miquette as usual seemed to be enjoying herself smiling at the audience and making synth sounds. Steve Hillage played a lot of guitar and at times I just wanted them to take out all the sequenced drum beats ( sorry I know I am using uncool music terminology because I am a 60s and 70s music person) because I just wanted to hear the live guitar on its own.
There was a good lightshow with some interesting video clips but the music was the main thing for me.
There was a contrast of old and new. Some bits of rock guitar and psychedelic ” analog” sounding synth, some ambient phases and then the hardcore techno. But no matter what style and twists and turns the music made it was always colourful and multidimentional and never once got boring .

I confess that a lot of techno bores me senseless when too repetitive but this was not in that category. Furthermore rather than trying to be too cool/trendy to make an effort to relate to their audience Steve and Miquette frequently made eye contact with the crowd and smiled warmly.


Here is a bit from the album courtesy of System7 on Youtube “Hinotori

They played their new “Phoenix“album which has samples of old and new. “Hinotori” has bits of rock guitar riffs, with ambient keyboards and the “thumping bass”.

I’ll pause this assessment of the new System 7 album with a little rant about where I am coming from

In case you hadn’t guessed by now, I am not a “clubber” although I’ve been to a lot of club nights over the years. I’d so much like to hear a live bassist and drummer and percussionist with this music, but I guess then the bass-player would inevitably want to play something more complex and less trance-like than the simple one note on one beat and it would alter the experience. There is something about “repetitive beats” that switches off the endless chatter of the mind and waves of emotions and takes you into wanting to move and to feel the rhythm connecting in your body like a kind of physical euphoric meditation . However I still prefer a live band and emotions and the chatter of the mind over dancing .The experience of dancing to ambient/trance/techno music in a friendly atmosphere I can enjoy from time to time, it has its plus points, I can get on a physical and mental high without the use of toxic substances and sometimes make new friends, get fit but there’s no denying that I prefer live bands with songs, emotions, controversy, mayhem.

Now back to the gig/Phoenix Album…..

The celestial and very beautiful”Song for the Phoenix” (which you can hear on my previous entry or on youtube) starts with Tibetan bells and has guitar that sounds almost acoustic through reverb, there are many familiar sounds here and there and I wonder if samples for Steve’s works from the seventies were used in places. I wish I was more of an anorak and could tell you.
The dancing crowd went completely crazy as samples of Gong’s “Pot-Head Pixies” singing ” I am , you are , we are crAAAZEEE!”
were blended with industrial beats ( if they are not industrial then I was just guessing! I need my son to help me with the right lingo)

The atmosphere was fantastic and wildly energetic and there was room enough dance madly without injuring others too badly . I did not see any big fish or little fish just individuals inventing their own crAAAAZEEE dances to this Gong sample track called “Strange Beings“.
During other pieces there were episodes of glissando guitar and sometimes just mayhem but it was all good.
Towards the end of their set they were joined by Slack Baba and Alex Paterson creating interesting and at times maybe conflicting mixtures which seemed to be due to a short technical setback but no one minded as it was still good enough to dance to…and let’s face it … once you start dancing to this kind of music it is impossible to stop if the good vibe is still there.

Lastly Merv ( Eat Static) joined them on an electronic pad drums and played in his usual forceful way in control and master of any rhythm . He is really is an astounding live drummer.

I wish the 5 of them had gone on for longer but it had to end. There was a lot of cheering and shouting and handshaking, even minor stage-invasion at one point.
The last time I had seen System 7 was in the dance tent at Solfest this summer but the atmosphere was totally different here. In the huge dance tent it had been very loud, very heavy, very crowded and I had felt alienated in the noise , the stage seemed remote and I was surrounded with people dancing with a bit of an aggressive and drunken edge to it that time. Last night the venue was cosier, the crowd was smiling, joyful and the volume was not deafening and so the more melodic aspects of the music could be more freely enjoyed without distortion.
Afterwards Alex Paterson ( The Orb) did a set and the bass was cranked way up . Later still after 1 a.m. Merv on his own started a Joie-less set for Eat Static I would have loved to have stayed but this time everything was cranked way up on trebble and bass and all the middle frequencies too! and my ears without earplugs just had to be taken home, plus I’d danced solidly for two hours and considering I have just shed wearing a neckbrace after having an agonising neck I thought it wise to leave and stop dancing before I risked further pain and inflammation. ( I’m so boring I know but I did enough excessive headbanging next to bass drum speakers when younger and lost a little of hearing and braincells).

I had a sore neck this morning but it was worth it. Last night I felt euphoric without alcohol of drugs, or even friends, just from the music, the never-ending dancing and the friendly atmosphere. I’ll see Merv in Eat Static or the Ozrics another time.
I was so impressed with System 7′s gig that I bought the new album on the way home which is playing happy vibe music on my computer as I tap my little blog here.

I love “Makimura -Space Pilot“( track 8).

If you like the old Steve Hillage guitar playing but not keen on pounding techno BUY THIS ALBUM ! and then we can try to persuade them to do it on “Later” on BBC2
( with Merv on drums) .

Jools Holland would be perplexed by something that actually is innovative and vibrant and not like so many hyped up acts I’ve seen on that show. Steve Hillage could teach them a thing or two!

This is the cover of “Green” from 30 years ago definitely one of my desert island discs.Cover of “Green” 1978

Some of the elements of this new album remind me of Green are they samples or is it the spirit?
Now I am listening to “Wolf-Head“(track 9) which is written in collaboration with Eat Static it’s great too. It’s like rock and deeply chaotic synth weirdness , clever passages of dark, light and a guest appearance of R2D2.

They probably use samples from Eat Static tracks . If you happen to know where from tell us in a comment.
Go to this link to hear these tracks now

http://www.a-wave.com/system7/
then click on the title that says
PHOENIX New album released Jan 28th 2008 – MP3 page
and you can listen to all the tracks!
then support System 7 by buying their album.

Yes I am biased and any other reviews of any other bands will no doubt be far more critical.
I wish I’d had a camera or phone to take pictures but I didn’t think of it but there were plenty of people filming .

Next time a review of Steve Hillage’s live in 1979 DVD and rant on about Steve Hillage some more.

( at some point I will do a little thing about Cantlin Stone ..but not yet!)

Here is a sample of System 7 at Glastonbury 2007

If you are having trouble watching this press pause until it has fully downloaded.
P.S. I was so upset about what I read about the ongoing war in Congo that I joined Amnesty International today…long overdue. I hope in the future to do something more to help rebuild peace and the welfare of people in this country, the DRC or Democratic Republic of Congo. If you want to know a bit more even though it is harrowing to read then please go to these sites. I cannot believe this stuff is not in our mainstream news more often.
Article in The Guardian

http://www.guardian.co.uk/world/2007/nov/12/congo.international

BBC report in 2002
http://news.bbc.co.uk/1/hi/world/africa/2405563.stm

Amnesty International Article
http://www.amnesty.org/en/region/africa/central-africa/dr-congo