Open Mic Songwriting Communities


Hello Good People who read this blog….

Here’s me sounding terribly posh with an Ethnomusicology documentary on how acoustic/folk clubs support and help develop new songs and performance. Sometimes, like other academic research, I might be stating the bloody obvious, or putting long words to simple ideas, but I hope you enjoy it anyway.

Part one

Part two

Part three

Now I have to concentrate on my own music for a bit along with studies and personal life.

So wishing you Love and Peace

Born2rant

Track Listings:

Please note: I recorded over forty different songwriters over two days. Most of them did not introduce their songs on stage and I neglected to ask each one for their song titles , if indeed they had named their songs yet. I have therefore omitted many of the song titles.

All tracks are recorded by myself on a hand-held Olympus Digital Voice recorder (DS-40)

except for track 14) recorded in 1995 by Simon Scardinelli.

Most of the tracks were recorded at The Green Note, 106 Parkway, in Camden ,on Sunday 29th of March 2009 between 1 and 5 pm. The clips from the Virtually Acoustic Open Mic, were recorded at The Perseverance, 11 Shrotton Street, in Marylebone on Monday 30th of March 2009 between 7.30 pm and 11 pm.

1)Benjamin Thomas recorded at the Green Note Open Mic on 29/3/2009 -59 sec..

2)Interview : Dave Russell recorded 18/3/2009 in my home-56 sec..

3)John Peacock playing his song “Iodine”

Recorded at The Perseverance 30/3/2009 at the Virtually Acoustic Open Mic – 1 min. 2 sec..

4)Siobhan Watts introducing Open Mic rules.

Recorded at The Green Note Open Mic 29/3/2009.- 18 sec..

5)David Sherwood introducing his Open Mic

Recorded at The Perseverance 30/3/2009-23 sec..

6) Tom Poslett playing at the Virtually Acoustic Club recorded 30/3/2009-57 sec..

7)Interview: Alan Levy at the Green Note 29/3/2009- 52 seconds..

8)Alan Levy’s song about fridge and dancing on the table. Recorded at The Green Note Open Mic 29/3/2009-32 sec..

9)Interview :“George The Troubadour”

Recorded at The Perseverance 30/3/2009- 1 min. 9 sec..

10) Oka Vanga playing at The Green Note 29/3/2009-47 sec..

11)Alan’s Easter Song recorded at The Virtually Acoustic Club 30/3/2009-25 sec..

12) Clip of general social noise at The Green Note 29/3/2009- 14 sec..

13) Daniel O’Byrne at the Virtually Acoustic Club 30/3/2009- 52 sec..

14) John Gash playing “It’s Easy to be Terrified”recorded at Bunjies in 8/4/1995-

1 minute 9 seconds.

Recorded by Simon Scardinelli at Bunjies Coffee House and Folk Cellar 27 Litchfield street, London WC2 .

15) Tom Nancollas playing “Lady Jane” written by his friend Jan Yates.

Recorded at the Green Note 29/3/09-1 min. 3 sec..

16) Interview :Alan Levy on stage nerves.

Recorded at the Green Note 29/3/2009-21 seconds

17) Interview: Siobhan Watts on quiet and stage nerves.

Recorded at The Green Note 29/3/2009-23 sec..

18) Interview: David Sherwood talking about not playing his songs at his clubs.

Recorded at The Perseverance 30/3/2009-59 sec..

19) Gerry Scales stage talk and song at The Green Note 29/3/2009-56 sec..

20) Clip of Siobhan’s Stage talk: “Ham’s Travel” recorded at The Green Note 29/3/2009-

28 sec..

21) Mike Rosenberg playing “Carved in Stone” recorded at The Perseverance 30/3/2009- 1 min.

Bibliography

Bealle, John ( 1993) “Self-Involvement in Musical Performance: Stage Talk and Interpretive Control at a Bluegrass Festival” Ethnomusicology 37.1:63-86.

Cadle, Peter (1994) Nights in the cellar: A History by Peter Cadle with contributions from performers and audiences over the past 40 years. London:Bunjies pp.6-15

Hesselink, Nathan (1994), “Kouta and karaoke in modern Japan: a blurring of the distinction between Umgangsmusik and Darbietungmusik”,British Journal of Ethnomusicology 3:49-61.

Jang, Yeonok (2001) “P’ansori performance style: audience responses and singers’ perspectives.” British Journal of Ethnomusicology. 10.2:99-121

Kisliuk, Michelle (1988) “’A Special Kind of Courtesy’:Action at a Bluegrass Festival Jam Session”.TDR 32.3:141-155

Seeger, Charles (1977) Studies in Musicology 1935-1975. Berkeley and Los Angeles:University of California Press.

Stockman, Doris (1978) “Zum Problem einer Klassification der kommunikativen Prozesse.” in Philosophische und ethische Probleme der modernen Verhaltensforschung, edited by G.Tembrock et. al., Berlin:Akademie-Verlag. quoted in Hesselink, Nathan (1994), “Kouta and karaoke in modern Japan: a blurring of the distinction between Umgangsmusik and Darbietungmusik”,British Journal of Ethnomusicology 3:49.

– ( 1991) “Interdisciplinary Approaches to Musical Communication Structures.” in Nettl and Bohlman (eds) Comparative Musicology and Anthropology of Music,318-341. Chicago and London:University of Chicago Press.

Film References

Message to Love : The Isle of Wight Festival (1997) BBC documentary Directed and written by Murray Lerner.127 minutes.

Woman of Heart and Mind (2003) Directed by Susan Lacy. PBS Documentary.120 minutes.

I’ve been trapped in a big hole that went down to the centre of the earth


Hello good people who read this blog

I am so sorry that I haven’t been here. To tell you the truth (well metaphysically speaking -in real life it is just another bullshit excuse)…I was trapped in a big hole that went down to the centre of the earth. Have any of you seen the film “Journey to the Centre of the Earth”?

I don’t mean any recent versions but the one made in 1959 with James Masson and a duck called Gertrude plus all kinds of strangeness. According to the film site imdb.com the plot keywords to this film are as follows:Explosives / Concertina / Convent / Presumed Dead / Romance

That kind of covers probably where I’ve been the past month or so ( metaphysically speaking).

I had written a really “clever” analysis of Steve Hillage’s 1979 Canterbury concert DVD. But it wasn’t good , it was rubbish and then I had to research it and then I got lost in space and time, my ego smug-remarkness and in particular, ethnomusicology, apathy, panic resulting in an epic underworld journey involving explosives, concertinas, convents, gone missing and presumed dead by others actually I am still missing!

I am in hiding in a safe house in a London suburb with a dog called Oscar, and cats named Lucifer(true to his name), Ozzie, Riff, Magenta and Ebony plus an unnamed turtle . Only those who know these creatures by name will know where I am .

I’m sorry I have deserted you all.

I couldn’t make it to “Born to Go” in Hitchin. I hope those who went had a good time.

I just wanted to wish you all a Good Easter.

Got to go soon as they are showing “School of Rock” for the 30th time on TV and I must either watch it or go and switch it off immediately…I have not decided which would the better decision…

I am getting tired of having a multiple personality and concealing my multi-faceted roles . I have an insight into the elite personality, an anarchic one, a tragic acoustic singer-songwriter one, a comedy psychedelic experimental alien one, a music academic analytical one, one who likes Julie Andrews in “The Sound of Music” and well there’s probably a few more in there. I’m very contrary and contradicting myself on a daily basis.

Anyway some music!!!!! and I will be back soon writing about God-knows-what…

Video One

Gong but from a different dimension! One of the influences of Gong the band?(as well as French Cabaret Chanson and many more)

Anyway here’s Gamelan Gong Kebyar

Video two

a version of Om Namah Shivaya – Listen to Steve Hillage’s ..and Peter Hillage’s version on the album “L

I am enjoying trying to trace the various world music influences on some of my favourite musicians. Steve Hillage may have fused and synthesized different styles together but he must have listened to a lot of music from India, South East Asia, the Middle-East and Afro-American music ( well FUNK!). I enjoy picking out the threads of music to see what other musics they resemble. But I’m not very good at it yet there are so many different types of music in the world!

Anyway here’s some Indian music..Om Namah Shivaya

(this is a mantra to the God Shiva. There are many versions, I chose this one at random. As a mantra it is obviously very repetitive but later on it livens up a bit!)

and I’ll write some more nonsense soon.

I need to study some world musics a lot more and then I can write more about these things at the moment all I have are my ears to rely on but not a lot of knowledge. Apologies to Ethnomusicologists please feel free to add more information.

Take care everyone!

Love and Peace

Born2rant

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