Too busy living to blog or watch TV, plus a teeny bit about Solfest 2010


Hello Good People who evidently still read this blog…

I keep trying to give up this blog for good but it’s up there in cyberspace without me, just like the millions of  photographs of teenagers on Facebook,  who may at some time, rue the day they allowed photos of, and  information about themselves, to be handed over to various companies and intelligence agencies who rule the net. My blog will outlive my initial enthusiasm for bi-weekly blogging ,and like many a dead rock star’s music, will probably outlive me.

I did go to Solfest this year , and I guess that by the number of hits on the day it ended, many will have to checked in to see if I have done a review like I have done the three previous years.

In a word  “no”, and I’m not really going to. It is still the greatest UK hippie festival that I have experienced this millennium,although a few less punters this year and slightly more zealous security. Well actually, I mean specifically one guy. A young security steward who wore large sunglasses day or night , wore a “security hat”, and obviously took his job extremely seriously. He questioned and scrutinised people at the gates of Solfest as if they were non-EU citizens of “Asian” origin trying to get through passport control at Heathrow. It was only one enthusiastic Nazi  in the whole organisation, but one too many, plus he never seemed to go off duty. Maybe he dreams of being head of all security services one day…in which case, don’t work at a hippie festival, run by hippies.

Backstage the air of hippiedom was also occasionally marred by the odd territorial argument over which loo one could use .One group of people in particular, got hysterical if other members of crew used “their” portaloo and shouted to me “don’t fill our loo up or we can’t use it”, which I found mildly insulting. There was also by the end of the weekend, a row over who could have access to my nearest water supply. Various people started to attach their own personal pipes,to the general standpipe going directly to their tent or caravan, leaving no access to water for the humble camper without extra water-pipe fixtures, and a trickle of water to all trying to get their direct private supply, due to low pressure. It was exemplary of the follies and injustices of  Capitalism, which I hoped to get away from completely during my stay at Solfest. I am hoping that the hippie spirit of sharing resources over and above stupid claims to exclusive access to basic amenities will return next year in the backstage area.

I have not written a review of Solfest, why ? Because I am not often here.

I’ve turned my back on blogging, Myspace, Facebook, hotmail, Googlemail, all mainstream TV news, most TV programmes, and most Radio programmes. I do still use youtube quite a lot, especially if I want to hear music from the other side of the world. I mainly watch TV if I have visitors who want to watch it or if I am just too tired or ill to think of anything else I can do. I read newspapers if I find them lying on the tube, and yet without the internet or the media intruding in my life as much, I am not suffering from any withdrawal symptoms. Quite the opposite, I actually talk to real people face-to-face,  go to real places, and don’t feel like my life is over because my hair is dull or I don’t have a car, or I don’t know what David deCameron said today, and I haven’t suffered any more patriotic military propaganda passing for news on a daily basis.

However I will entwine this rant against second hand communication and experiences with a bit of music from Solfest.

In spite of my previous negative comments, Solfest  is still friendly, creative, and the happiest weekend of the year for me. I always meet great people, have long rambling conversations, dance to loud music even though I feel I am too old to do so, laugh at the inventiveness of fancy dress costumes, discover new  music, see amazing landscapes, feel hopeful that there is a little bit of the year that is not cynical and under surveillance but is creative and flourishing. I love going up north, can’t cope with southern festivals ever since my first Solfest. Ironically it has now become a yearly gathering point for people I know from London, Brighton and South Wales.

Every ageing hippie seems to have their favourite yearly festival, the one where they will see their old friends again and maybe have a little smoke even if they gave up on New Year’s day 2000, laugh like teenagers again, and show their kids how to power generators by pedalling like crazy, how to make things out of wood, and basically introduce them to various degrees of alternative living.

Some of my favourite musicians at Solfest 2010.

Here is John Fairhurst playing sitar music on the guitar. I saw him on the main stage on Saturday, strumming hard and fast, blending slide guitar with flamenco and ragas, very impressive. Unfortunately there is no footage of him playing at Solfest, so here he is playing in 2008 at an album launch party.

John Fairhurst , a sublime creative guitarist. Here he  starts quietly and gradually builds up momentum, then later explodes into a raucous manifestation of  many guitar genres peeping out from one another to say a brief  hello. Are you following me? Good, if not, don’t read any more, have a cup of tea instead.

My favourite Drystone stage act at Solfest was Richard Barry and The Chaps from Manchester. Maybe I am biased, I met Richard at a residential songwriting workshop in 1999. His sense of humour, charm and excellent musicianship make him always worth catching. Yet again, there is no Solfest footage his performance. It was pouring down with rain when he started but he still gathered a crowd, and then the sun came out!

Richard Barry and The Chaps – Please Don’t Ration My Fags.

I spent a lot more time in the Dance Tent than I intended to, especially on Saturday night where I danced to Eat Static, now a solo act, but still doing “his”/ “their” thing, and this guy DJ Adsorb who did an interesting set. Well I enjoyed it but I am frankly not an expert in dance music at all!  I’m more of an acoustic guitar person myself. I just liked Adsorb’s set because there was plenty of variety.

Now maybe it’s because I have never taken the right drugs , or possibly because I haven’t taken the correct amount of drugs, or more likely because I don’t even know by what  acronyms the drugs I’d have to take, and ask for,  from someone  two decades or more younger than me, leads me to find the brain-shaking tones of “doofff-doofff-doofff-da-da-dooff-dooff-doofff etc…” looped for an hour, and somehow so loud that they obliterate any other sounds in the mix…..B.O.R.I.N.G..

However this Solfest having spent much time talking to DJs in the Chill-Out tent who had taken the correct drugs, with their abbreviated names, in the right amounts, to like every type of  Dance Music,  I was  re-assured  that what I was referring to, was music that was  “relentless”.

You can actually pretend to like it, then when in the company of those you truly trust, complain that in fact it was “relentless” possibly shaking your head to demonstrate just how relentless it was.

So now I can blend in with people who know and appreciate all types of dance music by saying  ” God, that was  relentless!” and show the punishment I endured with a little  downwards shake of the head.

But as you can tell I don’t pretend to be anyone but the anonymous person I am pretending to be.

I cannot find much footage of Solfest 2010 itself!

But here is some footage from the Dance tent, I don’t know which DJ this is but I am sure someone will tell me, it could very well be DJ Adsorb, this is then contrasted with the Dogs in Space ( Chill-Out) tent, where you will see a few seconds of an amazing trio driven by the jazz beats of the Van Der Graaf Generator drummer: Guy Evans, along with psychedelic guitarist, Nigel Mazlyn Jones and flautist/guitarist Jim Nield. I caught the end of their set and they created a sound as colourful and ambient as the décor and lightshow of the Dogs in Space tent itself, shame there are only a few seconds of this available to show. I thoroughly enjoyed their mesmerizing set of jazz drumming and psychedelia.

The Damned played but I didn’t go to see them, the youtube clips are pretty poor quality soundwise.

Another act who played twice in the Dogs in Space tent and performed in cafés all over the site were the excellent Marley Chingus, from Liverpool,played rich bebop jazz covers as well as their own compositions, their long-haired and bearded trumpet player was particularly outstanding although all of them are very highly skilled musicians. Again no footage of them at Solfest but here they are with one of their own compositions, no trumpet player but a great sax player instead.

Marley Chingus -Neolithic Chant.

Well I’m off now to make some tea and maybe listen to some music. In the meantime I asked a DJ who came to visit my place last night what his favourite Gong tune was. He told me this one because of the electronics in it, the synths were played  by Tim Blake. It’s a fantabulous track beginning with synths, echo and tabla and building up nicely into a freeform jazz jam with psychedelic lead guitar, slide “glissando” guitar, with other sounds and many instruments thrown in for good measure.

So, I’ll leave you with the brilliant and mind-awakening : Gong – A Sprinkling of Clouds (1974)


Love and Peace to all of you

and remember hippies are cool, superficial people are… well …superficial

Born2rant

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Solfest (Cumbria) and Perverto Rules


Hello Good People who still read this blog

Last year at the Solfest festival in Cumbria I had a fantastic time at the “Dogs in Space” Chill Out tent. Highlights included meeting Steve Hillage again, hanging out with the Ozrics and seeing Joie again, being kept up all night by virtue of Eat Static doing a full-set at about 4 a.m., Steve Hillage and Miquette Giraudy doing a chill out set including playing Rainbow Dome Musick live for the first time since the 70s under the name “Mirror System” , plus “Nodens Ictus” a.k.a. various members of the Ozrics and Eat Static doing an amazing chill out set and also watching proudly as my own offspring and his friend did a beautiful electronica multimedia performance attended by most of the aforementioned and his dad of course.

Here is a bit of “Rainbow Dome Musick” ( 1979) written to be played in the Rainbow Dome at  the  “Mind, Body and Spirit” festival in London it is the first ambient New Age album of its type subsequently imitated by thousands and played by many alternative therapists during healing , reflexology and other therapies:

Some footage of last year’s Solfest courtesy of Mike Cupcake who unfortunately won’t be with us this year. We’ll be thinking of him.

All the music there  was extremely creative and just made all mainstream music sound like a load of papier maché.

Here’s a clip of the Ozrics unforunately not at Solfest but still live

Other memories from Solfest last year include hitching back with Mixmaster Morris who is a walking talking psychedelic encyclopedia and meeting so many great musicians and many friendly local festival punters.

This year I’m performing my songs too and I have no idea who else will be performing apart from my son again.

It was such a great festival last year that I feel very excited about doing this gig even though I was recruited at the last minute ( thanks to Michael Dog and Len) and it’s all a bit of a rush to get ready.

Solfest is Sold Out unlike so many other festivals this summer. Last year was such a special occasion I dare not anticipate it could be as good in case I am disappointed. I will write a bit about the festival on my return.

I had to look for tents and other camping equipment in the dark dusty attic and found instead a bag containing the drug-dealing monopoly game “ Dealer McDope” which I wrote about in my previous post.

So here are some of the “Perverto Rules” ( there are also official rules these are the alternative ways to play the game).

These are excerpts of course if you want the whole “deal” then go to the “Last Gasp” website (www.lastgasp.com) and buy yourself  the  board game. (sorry these are totally insensitive and not at all kosher, Politically Correct or child friendly.)

PERVERTO RULES

“..these rules below are not to be played by those suffering from (a) LEPROSY,(b) MALIGNANT BRAIN TUMORS, or c) THE INFLUENCE OF NARCOTIC DRUGS. These people are dangerous!! Lock them in a closet and proceed to play as normal.”…

“All players must strip to facilitate breathing and blood movement….”

“..Those players being known as dealers must play with one eye blind-folded, one arm tied behind the back, and sit in the yogi position of the “Ruptured Duck”…

I can’t actually bring myself to quote a lot of these because they are just too offensive! so I’ll skip to the end..

Declaring a Winner

The “winner” is one of the following:

A.The first two players to make One Million $$$$, snort an ounce of coke, make love with their partner ( while screaming profanities and grunting obnoxiously), and sing “God Bless America” ten times.

B.The first player to leave the physical body, simultaneously destroying the entire game with a burst of pure energy.

C.The first two players to acheive orgasm through oral sex after obtaining One Million $$$$ apiece.”

Well I never played it with the Perverto Rules but all I can say is that using humour can be a good way of getting things out of your system and being creative…but yes,it is a bit offensive ( sorry) ..I just thought someone might be interested or amused by it.

Before I stop procrastinating and actually make preparations to go here is a little something from a festival 39 summers ago when young people felt it was important to be political through their music

Country Joe McDonald and the Fish

Love and Peace

Born2rant

For a spiffing review of Solfest go to

Solfest (Cumbria) 2008…a personal journey

Steve Hillage Part 3 :Gone to Heaven and Found System 7


Steve Hillage Part 3 :Gone to Heaven and Found System 7
(something old , something new, something borrowed,something Green)


Hello Good People who read this blog! (sorry about typos I am still editing this!)

Apologies for the delay since my last entry.
Yesterday
I went to Heaven last night and saw System 7.

launchparties2c.gif
Preamble….
I have to say that I wasn’t in the mood to go to the album launch party. This was for a totally different reason. Recently I’ve been thinking of learning to play Congolese music on the guitar from a guy I met at a folk club ( The Green Note) in Camden called Nick Mulvey whose guitar playing is stunning. Yesterday afternoon, impressed by the Congolese style of guitar playing I’d heard Nick playing , I went online to find out a bit more about the Congo which is now split into 2 countries .
I read some deeply disturbing facts about “the war against women” in The Democratic Republic of Congo and it had put me in a mood of feeling just so naive about what is really going on in this world and how cut off and priviledged we are in this country.
I phoned up my son in Germany for some some encouragement to go to the gig knowing he would be very envious of my seeing System 7, Eat Static, and Alex Patterson and Slack Baba .

He told me that I must go and to wear something “funky” so I did! I wore something funky and totally untrendy that suited my hippie roots and I went.

I got there just in time as System 7 were already on stage. Steve Hillage was wearing glasses but they suited him ( I am being so shallow but honest! I wish I could think of a witty joke including the phrase ” should have gone to specsavers” but I can’t).

dragon-and-phoenix

I was feeling self-conscious at first alone in a rather over-the-top outfit at Heaven and decided that I would not and could not dance. However the music was infectious and I started to move and then once dancing I could not stop.
I recognised the beautiful “Hinotori” and “Song for the Phoenix” from the youtube excerpts .Others of my too-old-to-be-dancing-to-techno generation surrounded me going berserk in time to the music , including a guy who danced with me who looked exactly like Howard Marks I still don’t know if it was him.

Some of the crowd were young and alternative, others young and gay and not really familiar with System 7 et al, and mostly people in their thirties who probably used to go to Megadog but no one I knew apart from those on stage. I was half expecting to see Mixmaster Morris dancing there or some significant others but even surrounded by strangers I felt at home and sharing a common need to dance and celebrate life there and then.
Miquette as usual seemed to be enjoying herself smiling at the audience and making synth sounds. Steve Hillage played a lot of guitar and at times I just wanted them to take out all the sequenced drum beats ( sorry I know I am using uncool music terminology because I am a 60s and 70s music person) because I just wanted to hear the live guitar on its own.
There was a good lightshow with some interesting video clips but the music was the main thing for me.
There was a contrast of old and new. Some bits of rock guitar and psychedelic ” analog” sounding synth, some ambient phases and then the hardcore techno. But no matter what style and twists and turns the music made it was always colourful and multidimentional and never once got boring .

I confess that a lot of techno bores me senseless when too repetitive but this was not in that category. Furthermore rather than trying to be too cool/trendy to make an effort to relate to their audience Steve and Miquette frequently made eye contact with the crowd and smiled warmly.


Here is a bit from the album courtesy of System7 on Youtube “Hinotori

They played their new “Phoenix“album which has samples of old and new. “Hinotori” has bits of rock guitar riffs, with ambient keyboards and the “thumping bass”.

I’ll pause this assessment of the new System 7 album with a little rant about where I am coming from

In case you hadn’t guessed by now, I am not a “clubber” although I’ve been to a lot of club nights over the years. I’d so much like to hear a live bassist and drummer and percussionist with this music, but I guess then the bass-player would inevitably want to play something more complex and less trance-like than the simple one note on one beat and it would alter the experience. There is something about “repetitive beats” that switches off the endless chatter of the mind and waves of emotions and takes you into wanting to move and to feel the rhythm connecting in your body like a kind of physical euphoric meditation . However I still prefer a live band and emotions and the chatter of the mind over dancing .The experience of dancing to ambient/trance/techno music in a friendly atmosphere I can enjoy from time to time, it has its plus points, I can get on a physical and mental high without the use of toxic substances and sometimes make new friends, get fit but there’s no denying that I prefer live bands with songs, emotions, controversy, mayhem.

Now back to the gig/Phoenix Album…..

The celestial and very beautiful”Song for the Phoenix” (which you can hear on my previous entry or on youtube) starts with Tibetan bells and has guitar that sounds almost acoustic through reverb, there are many familiar sounds here and there and I wonder if samples for Steve’s works from the seventies were used in places. I wish I was more of an anorak and could tell you.
The dancing crowd went completely crazy as samples of Gong’s “Pot-Head Pixies” singing ” I am , you are , we are crAAAZEEE!”
were blended with industrial beats ( if they are not industrial then I was just guessing! I need my son to help me with the right lingo)

The atmosphere was fantastic and wildly energetic and there was room enough dance madly without injuring others too badly . I did not see any big fish or little fish just individuals inventing their own crAAAAZEEE dances to this Gong sample track called “Strange Beings“.
During other pieces there were episodes of glissando guitar and sometimes just mayhem but it was all good.
Towards the end of their set they were joined by Slack Baba and Alex Paterson creating interesting and at times maybe conflicting mixtures which seemed to be due to a short technical setback but no one minded as it was still good enough to dance to…and let’s face it … once you start dancing to this kind of music it is impossible to stop if the good vibe is still there.

Lastly Merv ( Eat Static) joined them on an electronic pad drums and played in his usual forceful way in control and master of any rhythm . He is really is an astounding live drummer.

I wish the 5 of them had gone on for longer but it had to end. There was a lot of cheering and shouting and handshaking, even minor stage-invasion at one point.
The last time I had seen System 7 was in the dance tent at Solfest this summer but the atmosphere was totally different here. In the huge dance tent it had been very loud, very heavy, very crowded and I had felt alienated in the noise , the stage seemed remote and I was surrounded with people dancing with a bit of an aggressive and drunken edge to it that time. Last night the venue was cosier, the crowd was smiling, joyful and the volume was not deafening and so the more melodic aspects of the music could be more freely enjoyed without distortion.
Afterwards Alex Paterson ( The Orb) did a set and the bass was cranked way up . Later still after 1 a.m. Merv on his own started a Joie-less set for Eat Static I would have loved to have stayed but this time everything was cranked way up on trebble and bass and all the middle frequencies too! and my ears without earplugs just had to be taken home, plus I’d danced solidly for two hours and considering I have just shed wearing a neckbrace after having an agonising neck I thought it wise to leave and stop dancing before I risked further pain and inflammation. ( I’m so boring I know but I did enough excessive headbanging next to bass drum speakers when younger and lost a little of hearing and braincells).

I had a sore neck this morning but it was worth it. Last night I felt euphoric without alcohol of drugs, or even friends, just from the music, the never-ending dancing and the friendly atmosphere. I’ll see Merv in Eat Static or the Ozrics another time.
I was so impressed with System 7′s gig that I bought the new album on the way home which is playing happy vibe music on my computer as I tap my little blog here.

I love “Makimura -Space Pilot“( track 8).

If you like the old Steve Hillage guitar playing but not keen on pounding techno BUY THIS ALBUM ! and then we can try to persuade them to do it on “Later” on BBC2
( with Merv on drums) .

Jools Holland would be perplexed by something that actually is innovative and vibrant and not like so many hyped up acts I’ve seen on that show. Steve Hillage could teach them a thing or two!

This is the cover of “Green” from 30 years ago definitely one of my desert island discs.Cover of “Green” 1978

Some of the elements of this new album remind me of Green are they samples or is it the spirit?
Now I am listening to “Wolf-Head“(track 9) which is written in collaboration with Eat Static it’s great too. It’s like rock and deeply chaotic synth weirdness , clever passages of dark, light and a guest appearance of R2D2.

They probably use samples from Eat Static tracks . If you happen to know where from tell us in a comment.
Go to this link to hear these tracks now

http://www.a-wave.com/system7/
then click on the title that says
PHOENIX New album released Jan 28th 2008 – MP3 page
and you can listen to all the tracks!
then support System 7 by buying their album.

Yes I am biased and any other reviews of any other bands will no doubt be far more critical.
I wish I’d had a camera or phone to take pictures but I didn’t think of it but there were plenty of people filming .

Next time a review of Steve Hillage’s live in 1979 DVD and rant on about Steve Hillage some more.

( at some point I will do a little thing about Cantlin Stone ..but not yet!)

Here is a sample of System 7 at Glastonbury 2007

If you are having trouble watching this press pause until it has fully downloaded.
P.S. I was so upset about what I read about the ongoing war in Congo that I joined Amnesty International today…long overdue. I hope in the future to do something more to help rebuild peace and the welfare of people in this country, the DRC or Democratic Republic of Congo. If you want to know a bit more even though it is harrowing to read then please go to these sites. I cannot believe this stuff is not in our mainstream news more often.
Article in The Guardian

http://www.guardian.co.uk/world/2007/nov/12/congo.international

BBC report in 2002
http://news.bbc.co.uk/1/hi/world/africa/2405563.stm

Amnesty International Article
http://www.amnesty.org/en/region/africa/central-africa/dr-congo

Encrypted: psychedelic nights at the Deptford Crypt


Encrypted

This part is a bit about my involvement with The Crypt in Deptford. Although my memories are hazy I hope that it might spur others to write about their memories of this underground wild psychedelic club in the 1980s in the Crypt St Paul’s Church Deptford.St.Paul’s Church Deptford
(photo from Church website http://www.paulsdeptford.org.uk)

There were other nights run there including a gay night where I performed as Astragone Arglegargle. That experience and others involving The Crypt’s promoter and Club Dog would run into another few pages, also there were reggae sound systems and acid house music at a later date, but I will focus on just the 80s psychedelic club in this bit of writing.
The main band I went to see there was The Ozric Tentacles however some of the other bands included the following ( many of them start with “The” in their name!)
The Stone Roses, The Magic Mushroom Band, Treatment, The TV Personalities, The Invisible Band , The Cardiacs, Space Pirates, Wooden Baby, Nukli, and many many more……

thecryptdeptford.jpgPhoto from www.televisionpersonalities.co.uk

My first trip to the The Crypt must was around 1985 and was probably due to going to see my friends in the band “Treatment”. Through running gigs at Dead Dog promotions and playing in bands meant we were finding other people from the psychedelic scene in London or they were finding us.
For example I was in a band with Michael and some good friends (“Instant Istigkeit” you will never have heard of us, we only ever played at a couple of festivals), when we went up to Stonehenge in 1984. We played on a stage run by the Magic Mushroom band and we were supported by Dr and the Medics. Two of the girls in Dr. and the Medics hung out at our camp and told us how they had just got a manager and would soon be part of the music biz. I think it was through them that we got to know Christian and The Alice in Wonderland crew at Gossip’s in Soho. At a festival in Cambridge we met Rory from the Invisible Band who was running a stage and we played there. At the Norwich festival we met more London hippies doing interesting things and kept bumping into the same crowd. Since the Magic Mushroom Band and the others all played at the Crypt this was the link.
The guy who ran the club who I will call ” Kev” for legal reasons ( although his real name was Andy) was not a hippie at all .He was an ex-policeman and an entrepreneur who used his links with the local police to create a psychedelic club where you could get stoned all night and drink all night and know that you definitely would never get busted for either.
The Crypt was in the basement of St Paul’s church in Deptford. It’s still there now although no longer used as a club and the church website makes no mention of its history.
If you didn’t live in Deptford or in the area and didn’t have a car it was a very difficult place to travel to and back from. The club threw people out at around 4 a.m. or if you were lucky 6 a.m. and the first buses and trains did not start until 6.a.m.. There were night buses but only one every two hours or so, it was a question of having a car , hitching or begging a lift off someone home.
When the place was not full of punters before a show you could see it for what it really was.The place was a damp , mildewy, run down place with dirty walls and dirty floor and a dodgy loo without doors . But with the dope smoke , the fantastic lightshows, the colourlful drugged up crowd dancing like maniacs, and of course the amazing music , it became a magical place. There were very few public places in London you could smoke dope safely. All the hippies were cynical about the ex-copper but I never knew the place to get busted although maybe it did at a later date.
Since I was not living in South London in the eighties it was usually the trek there and back I remembered the most, like trying to find Shangri-La except unlike the Himalayas you could get mugged and the views weren’t as good( older hippies will understand the Shangri-La and “Lost Horizon” references).

A Night of Psychedelic Adventures circa 1986?

At that time the days of my every day life were quite mundane as a full-time single mum and socialising with other local parents living in Harlesden who had no connection with the psychedelic scene.
However I’ve always enjoyed a double life…
I think it might have been Halloween in 1986, I had the evening and night off.
I knew this biker couple called Jenny (a scouser) and Cedar ( not their real names). It’s so funny now because I thought Jenny was really much older than me at the time because she was thirty, I think Cedar was 25 the same as me.
Jenny and Cedar were bikers, they were an attractive couple and always dressed from head to toe in leather.
We planned( on the spur of the moment!) to go to The Marquee Club in Wardour Street to see The Cardiacs. I was going to try to get us in for free because they had seen me many times at Club Dog . We didn’t have much money on us but we went down there anyway. There were huge queues to get in to the place in Wardour Street and it sold out. We soon realised we wouldn’t get in as the place was exceeding the new fire regulations!
We decided to go to a pub nearby called “The Ship” just a couple of doors down. We went in there and at the bar next us I saw Lemmy. He was wearing a Motorhead Ace of Spades T-shirt and well..it was Lemmy!
I had seen Lemmy many times as he liked to walk up and down Portobello Road most Saturdays loudly in his boots when Michael and I used to run a stall there in the late 70s early 80s.Lemmy used to hang out in Notting Hill with a regular groups of bikers/headbangers who I knew vaguely but I’d never actually met Lemmy .
He was very famous at this time but I thought it was a safe bet to chat to him.
So while we were all lined up at the bar I nudged Jenny and whispered “Look who it is, we should say hello”, she nudged Cedar and in a macho blokey way Cedar took over the proceedings and talked to Lemmy while kind of keeping me and Jenny at bay.
Anyway we shook hands and eventually we went to sit down with him. He asked us all what we wanted to drink and bought us each a round and then he asked us what fags we smoked and he gave us each our favourite fags, for me it was rolling tobacco and rizzlas and he went out of his way to get some for me as there was none in the pub, but then he went to sit at another table and left us to it..
We sat there for a while and I suggested we should go to The Crypt because I knew the guy running it . I had performed at the Crypt as Astragone Arglegarle and Kev had messed me around over bookings and he knew he owed me a favour . So after that he always let me in for free ( you have to understand we had virtually no money on us).I knew the Ozrics were playing there as they’d told me.
But around that time the Ozrics told me something really weird….I had said to them that I’d seen them billed to be playing in 2 different venues in London on the same night. It might have been that night actually. Either Joie or Ed had told me they had 2 bands to cope with the amount of gigs they were doing. They had so many fans who wanted to play with them that they recruited people to play in 2 different Ozric Tentacles so the line up was different but then they could do two gigs in different places if necessary. In both bands there were some original members, actually now the members change at different gigs.
So anyway we were talking about this with Lemmy in the background at the next table waving to us from time to time…when this German guy started to talk to us . He was from Munich and very very tall and good looking he was also a musician. He said ” Do you know who just bought you drinks?” I said “Yes” and he joined us and said he would come with us to the Crypt although he didn’t have any money either! He sat with us and we talked and drank before leaving waving goodbye to Lemmy on the way out.
Anyway the funniest thing happened when we left the pub. You have to bear in mind that we chatted to Lemmy for about half an hour and told him how we liked his music etc…
Anyway as we left the pub Jenny said to me.
” Wow wasn’t that amazing meeting Ozzie!”
I told them them it wasn’t Ozzie Osbourne but Lemmy and they wouldn’t believe me at first and I kept saying ” But it was! He was even wearing a Motorhead t-shirt!” The German guy knew but not the bikers who spent most of their waking hours listening to Black Sabbath , AC/DC and Motorhead.
That was classic spending 30 minutes talking to Lemmy and them thinking it was Ozzie.
We set off for Deptford. We were trying to explain to the German guy that London was a very big place and that it might take us an hour or two to get there but he wouldn’t believe us. I remember showing him the A to Z to show him how big it was and him saying he knew every street in Munich how could I not know every street in London!
Anyway another thing I am very embarassed about on our journey there, this is not something I would do normally! We had no money and were a bit drunk and I was following what the others were doing. At Oxford Circus tube we jumped the barrier and then on our way to Deptford we got off at a station and Cedar started kicking a chocolate vending machine with great strength after losing his money when trying to buy a bar of chocolate…to our surprise all the money came out. I’m sure we frightened the life out of the other commuters waiting on the platform then we did this with other chocolate vending machines on the way. I can’t say I am proud of this however in the 80s if you were waiting for a train and tried to buy chocolate nine times out of ten the machine would eat your money and refuse to give you chocolate . I’d lost a few pounds before in those rip-off vending machines so had everyone else, in fact I think some commuters cheered when they saw what we were doing.
I was the only one who knew the way to the Crypt vaguely , I think I got us lost but we got there in the end. Kev let me in free but the others had to pay half price.

The Ozrics were playing and the vibe was amazing. All these girls were on stage and dancing with them, this had never happened at Club Dog. Some people I knew were doing the lightshow, the place was packed solid and everyone was doing mad psychedelic dancing and bumping into eachother under the strobes. Not all the original Ozrics were there but Joie was there and Rollie , Ed’s brother who played bass. Sadly he died at a later date but I don’t know what happened. The crowd were going mental and it was a young crowd of new hippies and I realised that night their career was going to take off . Before that they’d had a big following but it was more traveller and crusty types, now they had pretty young girls with beautiful hippie clothes dancing on stage with them.
I was all dressed up in some kind of hippie/goth evening dress that night and danced like a lunatic but not long after we arrived Jenny and Cedar and the German guy decided to go home to catch the last tube. I didn’t didn’t want to go..it was the middle of the bloody gig, we’d only been there for half an hour. So I stayed. As I sobered up I realised I would have to find a way home because the Crypt finished at 4 in the morning and although there were buses somewhere, they only ran once every two hours. I wasn’t prepared to hang around the streets of Deptford on my own waiting for a bus all night in the freezing cold…I didn’t feel safe.
Anyway I kept dancing and at the end of the gig I asked anyone I vaguely knew if they could give me a lift to Trafalgar Square where there would be night buses back home. No one I knew could help me as they lived in South London.
In the end I asked Joie who was packing up. He said I could come to his squat in south London but it would be crowded. I said it didn’t matter if I could make some tea and hang out there until 6 am. when the tubes started it would do me.
He drove to his place in Clapham and I met his new girlfriend from another psychedelic band. He told me that things had started to get stressful with a bit of fame and how these girls were beginning to get on stage with them. I’d assumed that they knew these girls and that they were part of the act but they weren’t, they just jumped on stage with them and made themselves look like they were with the band. I hung out at their place until the tubes started again. What a weird night!
( Erpland live at the Fridge, Brixton, May 19th 1991..)

Picture of Chill Out /Dogs in Space Tent Solfest 2007 thanks to Mike Cupcakedogsinspacetentsolfest1.jpg

All those years ago and so much water under the bridge but if you were part of that scene it was so special it stays with you forever. I had a very special time at Solfest this year and saw and met so many musicians I used to know and respect and recently seeing some my friends from Treatment and making new friends on myspace and at “Born to Go” a new psychedelic club in Hitchin. I am now meeting people I didn’t know from the same scene.
Anyway if anyone out there would like to write their memories or be interviewed for this blog please let me know.

Midweek expect a short blog and next Monday more stories of hippie counter culture/psychedelic music and/or my political ranting. Love and Peace.Born2rant!

Steve Hillage , Solfest 2007 and revivals


Is there a revival going on?

When I was at Solfest this year ( the one in Cumbria not in the US ) in the chill out tent there were some fantastic psychedelic, ambient and yes, trance live performances from Steve Hillage, Miquette Giraudy, Eat Static, various combinations of Ozric Tentacle members ( Nodens Ictus) and many more ( including my son, “the next generation” as they say in Star Trek with the 2.2 killaVolt Cables).

There were lots of great djs too but I’m more into live music personally and the dynamics and energy between performers and the excitement of the moment.

(Oh dear an apology to all the other people I haven’t mentioned who played or dj-ed in that tent, there were too many good ones to mention).

I really wish someone had filmed it I saw and danced to some of the best live music I heard in years and years and I go to a lot of gigs!

Steve and Miquette did a performance of ” Rainbow Dome Music” . I spoke to Steve the next day and he told me that they hadn’t performed it live before. I’m not sure if he meant ever or just since the late seventies.

He also told me that neither of them could listen to the track until it came out on CD. That’s because the vinyl version on clear vinyl has some kind of defect and crackled a lot.

I know ours did but I thought it was because we played it so much! I always cursed our copy but in fact the years of hearing some crackles at the start of the album were more than compensated for by seeing them play it live in the small chill out tent and so much other good music.

I’d heard that Steve Hillage had played some of his old stuff in Holland last year and managed to find this online, although it’s great to see it I think the sound could have been better but never mind. It seems to me that there’s a bit of a revival going on. Certainly at Solfest the Dogs in Space tent was heaven although a lot of people in the audience had no idea of who they were listening to and it was relaxed and informal. maybe that’s why it was so good. No pressure and not much ego! ( no egos or breadheads!)

Here’s Steve Hillage in 2006 then!( doing his old stuff) filmed live at the Gong UnConvention in Amsterdam, November 2006. With backing by Mike Howlett (bass), Chris Taylor (drums) and Miquette Giraudy (synths).

OM!

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