Twilight Interzone – a Poem about Notting Hill by Dave Russell


 Hello all good  people who read this blog

My old friend, musician and writer, Dave Russell sent me a poem he wrote about Notting Hill. He has been living there since the early sixties. I am re-posting his poem here. This is how Dave describes it:
“I wrote it in 1973; it was my vision of what I felt was the apocalypse of Hippie Notting Hill. I did a sung version of it, using the melody of Martin Carthy’s The Famous Flower of Serving Men.”

Twilight Interzone

They’ve got the damp, they’ve got the mice

In a crumbling, plastered paradise

Where boutiques sprout as fast

As anything you know.

The rich drift in their hardboard pads

Whilst some a cultivated sadness sport

In drooping sheepskin robes.

They’re gathered round to scream it free:

Ensconced in freedom’s poverty;

In cells they’re warmed, united –

Each in a crowd, each all alone

In the famous Twilight Interzone.

There shone some garish graffiti:

We are Gay: We are a Family –

Colville Terrace, number forty-two;

It left them wondering what to do

While Single Mums, with vocal fire

Challenge the Visitor’s desire

All morals above board to keep:

It is the boards whereon they sleep.

And some will play the acolyte,

In robes of yellow, robes of white;

They take their incense as they please

Black Afghan and Green Lebanese.

The groups will play their wah-wah vamps

And shred their eardrums on their amps;

“We’re gonna make it” – that’s their decree:

I wonder just what ‘it’ might be.

Scientologists exploit their plight,

Likewise do the Divine Light;

They hear the Rada Krishna sing;

They drop their trips, they do their thing.

Some preach of Lenin, Mao and Che

And reckon on the Judgement Day,

At their meetings they do not despair

Of the workers who are never there.

A cob of maize with leaves unfurled

Reveals to all the Seventh World;

We’ll contemplate a falling star

From our Mini-Minor Macro Car.

Beware the black alsatian’s roar,

Beware the rattling of your door,

Beware your rotten, creaking stair,

Your landlord did it fast repair.

The speculators have their dreams,

Their credit plans and paper schemes,

Their blatant lust, without disguise;

They rake the bread – they scrape the skies.

So if you think you’re going to be

A bulldozed, rootless refugee

Do not despair, for they do say

There’s space beneath the Motorway.

If you get fed up with this song,

It originates where you belong;

Go take your pills and make your moan

In the famous Twilight Interzone.

David Russell

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Green Slimy Politicians, clashing tour dates and Psychedelic Cinderella


Hello once again Good People Who Still Read This Blog

Hawkwind -“Space is Deep” a great song and a great little film (apologies for environmentally unfriendly rockets but they are cool)

How are you all? If there is a name for a really terrible blogger who has deserted their dedicated readers like an auntie they have guiltily abandoned since early adulthood even though they still get a yearly fiver tucked into their birthday card… then that must be me.

I am sorry, my life has changed and so has the world but even if my posts are rare I am still here somewhere in the known Universe.

I miss my blog oh yes I do! and I miss also doing my own music…

This morning started well, oh what a laugh! A smug capitalist politician being drenched in green custard, wonderful stuff! Even better was that the eloquent woman who did this actually got on the BBC news. She explained how “Mandy” had done some sleazy deal to get the third runway to Heathrow the go-ahead even though there was so much opposition and let’s face it our planet is slowly dying and if we don’t do as much as we can our children and grandchildren won’t have any food, water, air…very grim.

However the green custard episode really cheered me up. “Mandy” used to live right next to me and he used to throw some loud parties with really good psychedelic music so he has no excuse. If he can listen to sixties psychedelic music he ought to  be a hippie but alas as one can tell by endless prats wearing Led Zeppelin T-shirts  to look cool and trendy in an ironic-retro way, musical taste does not equate actual thinking in the brain as in the days of yore ( or “Yes!”  I wish there was a Roger Dean font then I could write “yes” and my entire blog with it…this one is levitating against my will) .

In case you didn’t catch the clip of the spectacular ” green Event”( n.b. that should read “Green Event” Steve Hillage has nothing to do with this event and is entirely blameless but I have temporarily invented my own “Logo of  70s Rock” font and will no doubt be sued by anyone who manages to find me using the new and wonderful totalitarian fascist terror digital surveillance services)

As I was saying if you didn’t catch it here is the wonderful clip..

BEFORE= “smug”     AFTER =” a bit humiliated and definitely greener”.

Please note my quote of the dayThe only Green thing about Peter Mandelson is the Green slime coursing through his veins” ( and dripping down his face.):

There’s a lot of cool psychedelic events coming up but some of them are clashing!

I hope they don’t mind me using their posters after all I am giving them free publicity.

First of all in March….

The clash of two events I want to go to, I definitely need a helicopter or maybe an old Star Trek style transporter room, or a Tardis with Jon Pertwee navigating would be even better.

On Saturday March 28th (2009 in case you are reading this some light years away from now from another planet that has internet access)

the truly lovely people from”Born To Go” (no relation) in Hitchin  are running their own fantastic psychedelic gig/club night. When I went before they certainly knew how to put on a lavish show, all they need is lots of  people!

Here’s their flyer:

born2go

Here’s some Nukli:( not much audience but festival gigs can be like that)


This is from the Born To Go myspace site :

NUKLI – veterans of the golden age of free festivals with full-on psychedelic grooves, and soaring guitar, they take you on a trip back to the Pyramid Stage, the Tibetan’s and Club Dog all rolled into one cosmic jam.SHOM play psychedelic dub space techno rock. Featuring blistering guitar and deep dub rhythms they never fail to get any audience dancing.PEYOTE GURU are a true jamming band, in fact the ‘band’ consists of 3 core members and whomever is willing to play along on the day. Loose jammed tracks emerge from the underlying synth textures to evoke the sounds of the festival scene of old.Alongside the very best of space, prog, kraut and all thing psychedelic spun by our DJ Kozmik Ken, psychedelic lights, videos, great vibe, happy smiling faces – all the usual you’ve come to expect from Born To Go!”

However I am torn between this and Steve Hillage and Miquette Giraudy doing a chill-out set as Mirror System on the very same night!

mirror-system

When I saw them at Solfest in 2007 , they did a fanstastic chill-out set including their first live performance of “Rainbow Dome Musik ” since its release in 1979.

What a terrible psychedelic dilemma!

If that wasn’t bad enough….

This Summer Solfest 2009

solfestmy definite favourite festival ( helped by the fact that I can be one of the crew backstage and mingle with some great people and have hung out with some of my favourite musicians of all Time and Space and Universe)  is also clashing with Hawkwind’s 40th Anniversary gig

hawkwind-gig

I am a bit puzzled by this because their 30th Anniversary was on the 21st of October 2000. I was extremely p***** off at the time as everyone I knew went but only told me afterwards because I had a gig to do and it was around my birthday too. However I was told by all those who didn’t tell me beforehand what an absolutely amazing gig it was and how even Terry Ollis and Mick Slattery were there and why wasn’t I there etc..etc..

Will there be a Hawkwind and old Hawkwind reunion this August? I hope so.


So  this time I am going to the ball, like some kind of psychedelic cinderella , but I’ll probably be in Morrocan sandals rather than glass slippers. But Solfest is also my key event to the year, it’s like my equivalent to Crufts  to strange people who breed dogs into weird shapes, or Ascot to posh ladies wearing silly hats (  I don’t know why they don’t go to one of the above gigs, I’m sure there will be odd hats there).

What will I do?

Well I guess I’ll take one day at a time… as they say at Narcotics Anonymous..”clean and serene

or “falling over in festival mud and fun” as I prefer to say.

I’ll go see Hawkwind and then see if there’s any way I can easily get to the middle nowhere in beautiful blue mountain and lake surrounded Solfest.

Lastly there is a gig or a series of gigs that is INCREDIBLY EXCITING!!!!!!!!!!!

“GONG” are  WITH SOME OF THE ORIGINAL MEMBERS ..including Hillage yey!!!!! They are touring the UK from the 19th to the 29th of  November 2009..

http://www.artistticket.com/link/?s=gong  )

The Hawkwind 40th Anniversary gig is sold out although there are other dates outside London

I want to leave my home and go on tour and write books about the entire history of all these people, bands and intersections via Ladbroke Grove in the 60s and 70s.

Well I have been interviewing  again  …if I get time and permission I’ll put some clips up here in the meantime here is the Gong Flyer

gong

Here’s them at them in June 2008 with Steve Hillage…another gig  I missed…please email me about these things!

Here’s another with dialogue from audience commenting on HUGE HEADS and the like:


Love and Peace

Born2rant

The Dave Russell Interviews reborn ( Notting Hill Arts- 1967-72)


Hello Good People who read this blog

If you go back in time to my earlier entries you will find some interesting stories about Notting Hill in the 60s and 70s and also Anti-Media activities in the 80s , bits about the gigs before Club Dog etc….

However I have been having problems with technology and the Dave Russell interviews being repeatedly deleted .

Therefore I have re-issued part one of this interview on Youtube. It’s the first time I have ever done anything like this so don’t expect miracles!

Enjoy ! and to read onthe background to the things mentioned in this interview go back to my previous post called

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

This was written back in the winter of 2007 and the weather today is about the same.

here is part two of the interview for more information go to my previous post

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

Part two

Part Three

of the interview below please see this post for more details:

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments

The final part

read more on

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

Love and peace

Born2rant

My Adolescent Weekend & the Power of Gatherings(Part Deux)


Hello Good People who read this blog

After my last entry which attracted a lot of readers , I thought I’d cheer things up a bit.

In the media the knife crime and violence is taking up every spare moment of our consciousness and although it is obviously important I think I need to brighten things up a bit.

So here we go first of all I will tell you that on a whim, because I happened to have my debit card on me when I went out, I bought a sitar today.

Oh what joy! It’s so cool, I’m making a horrible noise on it but playing the riff from Led Zep’s ” Kashmir” is a doddle. I played for hours and the day’s severe stresses faded into harmonic overtones of OM!

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I wrote an entry originally posted on Sunday night all about my mad weekend and how at my age I probably shouldn’t be enjoying myself so much. In the morning I deleted it because it didn’t follow on from my stories of Notting Hill dodgy places, but what happened is that someone, maybe WordPress somehow translated it into French with one of those daft internet translators that completely distorts the meaning and then linked it to my site so since my petty hedonistic weekend is out there for everyone to read in very strange French I thought I’d re-issue it in English. If you read my blog regularly you’ll notice posts appearing, disappearing, re-edited , translated into Japanese..hmm, it’s got to be done.

I hope you enjoy it. My blog like me likes to flit about from subject to subject and swing from one state of mind to another.

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“My Weekend” by hippie aged 14 (sorry I meant 40 something)

Hello Good People who read this blog!

This blog is getting weirder and more anarchic and spontaneous as time goes on, but that’s ok, that’s what life is like unpredictable , with high and lows, memories and day-to day realities, unexpected joys and nightmares.

I am therefore putting my tales of drug-dealers of the late 70s early eighties in Notting Hill and beyond to one side for now.

I’m going to tell you about my weekend as I am ending it with Glastonbury in the background.

On Friday afternoon having no other commitments I decided on a whim to get a bus up to Speaker’s Corner to go to Nelson Mandela’s birthday party. I didn’t have a ticket of course at £65 pounds a hit well , it’s beyond my budget. But you can sit on the grass and hear it from outside.

At first I went to watch the screens from the gates. You could see the screens clearly, at that point there was Annie Lennox and with an African choir. I have no idea who half the performers I heard or saw were although Eddie Grant got everyone near me dancing and singing “ Give me Hope Joanna!” , Will Smith was great too there were so many performers doing 2 songs each.
There was a great mix of people gathered outside looking at the screens. Wafts of smoke of a fragrant nature, lots of black people of all shades, ages, income brackets, tourists as well as out of town white families with their picnics and dogs, groups of students, all different kinds of people. The crowd was as eclectic as the music..

I couldn’t hear the acts so I moved to a bit of grass closest to the stage where I couldn’t see any screens. Hearing it clearly was more important as was sitting down after a couple of hours.
There were a lot of police and one of the bits of fence nearby was regularly being opened to allow in and out convoys of police escorted black limousines. Naturally we the rabble outside then took the opportunity to get up and crowd around and look inside with the police telling us to move back.

There was this very cheerful pretty black woman in her forties …( actually I’m writing “black” but I have to say I didn’t notice to start with. I know that sounds lame but unless I go out of London for a long time, or someone is extreme in their clothing and “attitude” I often don’t notice what colour people are).
Anyway she was a real laugh and was shouting at the policemen ” Come on give us a smile don’t look so miserable! It’s a birthday party!” and many variations on this.
Later I got talking to her and her friend and we found a gap in a fence to peak through and spent the evening in each other’s company and discussed the artists and politics and had a great time.

At one point another woman who I can only describe as what Amy Winehouse would look like in 25 year’s time with no front teeth, pushed us out of the way , along with her mates all totally off their faces. “I love Amy Winehouse” she shouted and we could tell as she dressed just like her.
Later her boyfriend was arrested and carried away by a couple of police officers. I don’t like to be mean but our evening was slightly improved as a result.

As Amy Winehouse started to sing “ Rehab” her voice was weak and faltering and it was kind of sad and I wondered why on earth someone hasn’t cancelled her gigs yet as she clearly is not well mentally or physically, confirmed by her hitting someone in the audience the following evening at Glastonbury.

I really hope in my dreams that some good people, maybe a bit older who have overcome their own addictions, come to terms with themselves, maybe musicians, could take Amy Winehouse off secretly away from the city, the press, the music biz, the crowds to some calm anonymous cottage by the sea and let her chill out and not be this sad object of fascination for the public. She’s only young, maybe she doesn’t want to go to rehab but she definitely needs rescuing.

Later my new acquaintances managed to succeed in making at least one policeman smile.
We were totally sober but there was a great party atmosphere and it was contagious.

I saw several older black people outside the the fence who were wandering about or sitting on the grass. One woman in her seventies wearing a scarf round her head and the kind of earrings and clothes that to me are characteristically Afro-Caribbean must have made a trip there specially , even though she had trouble walking, Nelson Mandela must have meant a lot to her. I found it very moving to see her there.

Similarly I was standing next to a sharp-suited black gentleman who looked like he was well into his eighties who was smiling to everyone. I don’t think he came to see Queen or Bono.
When Mr. Mandela himself appeared on the stage I got up and rushed to find a screen I could peak at and I found myself quite emotional. He looks so vibrant, he represents hope.

I remember all those years of campaigning, from the “Rock Against Racism” gigs I attended in Brockwell Park to Wembley, years later, people singing “Free Nelson Mandela” . I watched and videoed it at home wishing I’d been in the audience.
That concert made a difference, a political difference and he was freed eventually.

How history and the news was rewritten. Once it was Nelson Mandela the “violent terrorist”, Winnie Mandela the “ever-loyal wife”. I never thought Mandela would ever speak in public again let alone be freed from jail to create a new nation.

I can’t embed this video so here’s the link, copy and paste job . “Free Nelson Mandela” with Amy Winehouse in Hyde park it’s cool.

http://youtube.com/watch?v=tcmGGuwAoJs&feature=related

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Saturday I went to a totally different event. I was invited by a close friend to go an see Brian Wilson at Kenwood , Hampstead Heath. This was the weirdest outdoor gig I have ever been to. I don’t think there was anyone there who hadn’t attended public school. All these people had big sophisticated rugs and groundsheets to mark their territory, with iceboxes and Pringles and stuff.
I went to the Big Chill once, I enjoyed it but its level of middle-class affluence scared me a bit. Who brings a Gazebo and a crate of fine wine to a festival? The organisers provided cocktail bars and “greeters” and even clean loos. It’s just not natural.

Yesterday Brian Wilson and his note-perfect band was great though and a good time was had by all. I enjoyed watching the Japanese couple next to us. They watched drunken groups of young people jumping and jiving about to all the Beach Boys hits in great admiration of their free expression .

The gig seemed to end really fast the music was excellent, the performance and sound improving with our levels of debauchery. Although Brian Wilson did miss out a whole verse of a song, I wouldn’t have realised if he hadn’t said anything.

Before and after the concert and during the intermission there was some guy making a terrible monotone announcement in a public school accent for “Jacques Fruit Cider… the cider with Fruit!”………………

Enjoy Jacque’s fruit cider any time ” etc.. each time he said it everyone laughed and cringed he must have said it 20 times. We were near a free “Jacques cider” tent.
The girls at the Jacque’s taster tent were giving away the stuff by the gallon and we got pretty rat-arsed, none of us drink much and have no resistance to such things, we got through our own bottles of booze and most of Jacque’s cider too. It tasted like very sweet lemonade so it was hard to imagine it was alcoholic.

This made the journey back “interesting.” Standing up was possible but walking was trying, or rather trying to walk involved thought processes close to rocket science.

My friends decided that we wouldn’t leave the conventional way along with everyone else but that we would climb over a fence, with a sign on it saying “Do not on any account climb over this fence” and walk to Hampstead.
We managed the fence, I was proud of myself. We walked a bit more, got more wrecked , watched bats , argued about whether or not they were actually bats, I ranted stupidly telling tales of famous rock stars incoherently and then we found we were actually locked into the grounds of Kenwood House and it was dark.
By this point standing up had become very difficult .We were in our forties behaving like we were fourteen unable to get home. When we eventually found the peripheral gate with 6 foot tall iron fence with rusty menacing spikes on the top , I refused to climb over it although there were several comical attempts to haul me over. They would have been more successful getting a drunken wild horse over that impressive solid iron fence. But once they realised this and gave up, I still couldn’t persuade them to go back to the official exit.

We got out in the end but I am sworn to secrecy how, nothing criminal was done, is all I can say. However we then walked at breakneck speed in pitch dark through woods which was terrifying although I laughed most of the way. The whole thing took about two hours but I guess it was fun since none of us broke any bones in the process.

This is Brian Wilson at Glastonbury 3 years ago( except I can’t embed this one either!) copy and paste this:

http://youtube.com/watch?v=4yMR53VcUSk

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Sunday I felt a bit under the weather and I was going to go back to Hyde Park to hear kt Tunstall and The Police. I went for a short walk to the shops and bumped into someone who I think was Hawkwind’s ex-manager, Doug Smith,( who I recognised from the Hawkwind documentary and have seen many times walking down Pembridge Road but then I thought I saw Dave Brock before and it wasn’t, I see so many famous people in the street round here that I just like to give everyone the benefit of the doubt and assume everyone is just famous, I’m short-sighted so this helps with my confusion ) The guy who may or may not have been Doug Smith looked at me partly because I was looking at him and maybe because I have this habit of singing while I walk down the street. I suddenly wondered if he read my blog and if I should say hello. Then out of the blue a few feet further I saw a songwriter I know from North London in a wheelchair , who was very surprised to see me. She said I was her angel as she needed some assistance buying bananas and couldn’t physically enter the shop. It was so weird bumping into 2 people like that one after another who I recognised ( or who I thought I did). London isn’t usually like this but I felt connected for once.

Later after various important emails and phone calls, my friend Dave Russell came round and I interviewed him again. After writing a bit about The Apollo in All Saints Road last time I wanted more info on this and the Black community in Notting Hill in the 70s and 80s.
I forgot all about going to Hyde Park .
The “interview” was really a rambling unplanned hung-over conversation which I will edit and put up in the blog soon.. We ended up watching the Glastonbury festival on my computer, my favourite bit was The Groove Armada, ( it’s rare that I can remember the name of a band beyond 1979..that’s when I stopped trying to remember them) what a show…… Dave wanted to see Suzanne Vega and Joan Baez but although I stayed up late I didn’t see them …..and well that’s my weekend.

Live music and all its ensuing interrelationships is what makes me feel alive and happy.

But I am allowed to embed a bit of Hawkwind definitely my favourite of the three so that’s OK!

Love and peace

Born2rant

P.S. I hope my little journey cheered you up a bit. I have just found out that I have been accepted on a Masters course in Ethnomusicology and I am over the moon and scared but mainly very pleased. Buying the sitar today wasn’t as crazy as I thought , I’ll be needing it for my course!

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat


(Episode Four) Notting Hill 1967-1972: an interview with Dave Russell – More about the Crypt ( arts and community centre), The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

*I mention “Friends magazine” but it seems that they also spelt it “Frendz magazine”. For more info on the magazine including examples of articles go to this link: http://www.ibiblio.org/mal/MO/philm/friends/

Hello good people who read this blog. After an interlude of some time finally here we are …

Here is the final part of the Dave Russell interview about the Arts and Community Centre ( the Crypt) and beyond:

The Free School
In his interview I asked Dave about the Free School which is often associated with Pink Floyd ( who played at the Crypt too) . He said it had moved about a bit and referred me to another site. So I “borrowed” this map on Tom Vague’s site ( see links to “History Talk”). Dave said that he had done lots of archiving of materials and had helped Tom with the map so I am hoping it is ok to borrow it for my site. You will see on this map the location of the Free School changes as well as some of the other important sites ( and there were more not included on this map) double-click on the image to enlarge.

mapofportobello.jpg

from http://www.portobellofilmfestival.com/talkpics/talk-vague02.html

Destruction in Art
Dave mentions the destruction in Art Symposium who encouraged the smashing up of things. Here is another reference to it from Wikipedia complete with 1966 poster.

“The Destruction in Art Symposium (DIAS) was a gathering of a diverse group of international artists, poets, and scientists to London, from 9th11th September, 1966. Included in this number were representatives of the counter-cultural underground who were there to speak on the theme of destruction in art.”dias_poster.jpg

The Honorary Committee, led by Gustav Metzger, attracted the attention of both the international media and international art community to the symposium.

Michael Moorcock, Friends magazine, and Hawkwind

I asked Dave about these in the interview .Here is a second clip of the fantastic BBC4 Hawkwind documentary which was one of my main inspirations for writing this entire blog.It reminded me of a time long gone of artistic and creative revolution in London. The clip starts with sci-fi writer Michael Moorcock talking about happenings in Notting Hill ( or Ladbroke Grove) and documents further alternative strands in the area , plus Hawkwind and drugs.

Hawkwind Documentary

Flyers and Iain Jacobs

Iain Jacobs now an established photgrapher in Spain has contributed greatly to my research. He was one of the organisers of the Arts and Community Centre. He was 19 when he first joined their ranks. He also performed in The People Band and designed some of the flyers for the centre which migrated to various venues but was mostly at The Crypt , Lancaster Road.

He has very kindly sent me a quantity of flyers to help document this in my blog. I would very much have liked to have interviewed Carlyle Reedy , orginally from the U.S. ,who was the founder and main organiser of the Arts and Community Centre Notting Hill .At present she is not available but I am sure in time I will meet her and hopefully she can help me to document more.

Thanks again to Iain Jacobs for supplying me with the following documents:(click on them to enlarge)

accnh_brochure_cover.jpg

This is the brochure cover to the A.C.C.N.H.

accnh_brochure_inside.jpg Inside of Brochure

accnh_poster_01.jpg

The Continuous Music Ensemble poster

crypt_poster_01cardewamm.jpg

Cornelius Cardew Poster

crypt_poster_05third-ear-band-etc.jpg

The Third Ear Band

Some General Posters for the Arts and Community Centre Notting Hill:

crypt_poster_02general.jpgcrypt_poster_06.jpg

Poster for the Exploding Galaxy

crypt_poster_08cartoon.jpg

more info on The Exploding Galaxy
I found this on the “disinformation” website in relation to Genesis P-Orridge:
This would be around 1969

“After a near-death experience left him determined to follow his notion of becoming a beatnik writer, the young P-Orridge’s instinct for finding other “genetic terrorists” like himself led him to the psycho-therapeutic bootcamp of the Exploding Galaxy/Transmedia commune (which also included filmmaker Derek Jarman). Members were required to sleep in a different location every night, to take meals at different times during the day, and to act out assigned roles and attitudes, often in costume and with unerring earnestness, going so far as to have atypical sexual encounters (in character!) or risk getting badly beaten up if a situation warranted it.

The commune’s anarchistic spirit and insistence on life as art and art as life inspired the performance art events of COUM (pronounced “coom”) Transmissions. Staged primarily by P-Orridge and part time pin-up model Cosey Fanni Tutti (born Christine Carol Newby, 1951), COUM’s outrageous “happenings” were parallel to the work of Viennese Actionist Otto Muehl and Hermann Nitsch’s Orgies Mysteries Theater. COUM’s shamanic improvisations involving enemas, blood, roses, wire, feathers, sexual intercourse, milk, urine, licking up vomit, crucifixion, maggots and self-mutilation were often not conceptualized until the very moment of the performances, if at all. “Quoted from http://www.disinfo.com/archive/pages/article/id1246/pg1/index.html

It all sounds like an average Saturday night out to me! ( my attempt at humour) I don’t think anything quite that extreme went on at the Crypt in Notting Hill!

The Poetry Workshop

crypt_poster_04poetry-workshop.jpg

Jazz gigs at The Ladbroke Hotel

lh_poster_01.jpg lh_poster_00sounds.jpg

The People Band ( was in previous entry but I like this poster a lot!)

crypt_poster_07.jpg

Well that’s all for now….I hope to bring you more of something soon!

Have a good weekend and be creative without dollar/euro/pound signs in your cartoon eyes .

DAVE RUSSELL ( the man I interviewed and Notting Hill resident since the sixties)

Before I go one last vid. This is Dave Russell with ” Hades W10″ also known as “Nobody gets off at this bus stop” (The people in the background are quite interesting and entertaining …he usually gets a much better response than this!) after that he plays another one of his own songs “Crackdown Tribunal”. Dave is an intellectual creative rebel well-versed in folk, blues, jazz, punk and poetry. He has recorded countless albums of his songs as well as covering the rawest blues songs and setting music to William Blake and other  poetry. He has covered some Madonna songs which are so riotous that you’d think they were written by Dylan, Robert Johnson or John Lydon.

He revels in  words as well as music and has written two novels and a book of poetry. He plays all the acoustic clubs in London that are any good and avoids the soul-less ones looking for pretty pop stars.

At present he has no website or myspace although I hope one day this will happen.

(p.s. he is also a really nice bloke and my friend who has been very tolerant of me over the years)

see also

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


Carlyle ReedyCarlyle Reedy

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments.

Hello Good People who read and contribute to this blog!

Thanks for waiting, there have been technical problems galore which after complaining to TalkTalk and reformatting the computer are gradually clearing up.

I have finally uploaded the third installment of the Dave Russell interview about The Crypt in Notting Hill . He also tells us a bit about Frestonia and Release.

Episode Three of the Dave Russell interview about The Arts and Community Centre Notting Hill

At the start of this post I have put a photo of Carlyle Reedy who started up and ran the club from 1967 to 1972. She is fairly reclusive at present but I hope to meet her soon.

Dave talks about them charging half a crown which is 2/6 ( two and six) in predecimal money which is 12 and a half pence in today’s money . Here is a poster kindly sent to me by Iain Jacobs for the club which has the price and several other interesting points. If you point your cursor over the picture you can enlarge it and read the details. You will see several well known names in music.

Pete Brown’s Battered Ornaments Poster

Pete Brown who is best known for co-writing most of the hits for the band Cream was a performance poet.

Here is a bit I nicked from Wikkipedia:Pete Brown (born December 25, 1940 in Ashtead, Surrey, England) is a British performance poet, lyricist and musical producer, best known for his collaborations with Jack Bruce. He worked also with The Battered Ornaments, and formed his own group Piblokto!. He was part of the poetry scene in Liverpool during the 1960s and in 1964 was the first poet to perform at Morden Tower in Newcastle. In 2004 he formed Brown Waters, an award-winning British film production company[1], with Mark AJ Waters and Miran Hawke….

Brown was originally brought into the Cream fold as a writing partner for drummer Ginger Baker, but the group quickly discovered that he worked better with bassist Jack Bruce. Of the situation, Bruce later remarked “Ginger and Pete were at my flat trying to work on a song but it wasn’t happening. My wife Janet then got with Ginger and they wrote ‘Sweet Wine’ while I started working with Pete.”

Together, Brown and Bruce wrote the majority of Cream’s numbers, including the hits “I Feel Free“, “White Room” and (with Clapton) “Sunshine of Your Love“.

After the breakup of Cream, Bruce and Brown continued to write songs together for Bruce’s solo career. Brown wrote the lyrics for Bruce’s albums Songs For a Tailor, Harmony Row and Into the Storm.”

Chris Spedding is another well-known name who has worked with many people in the music business. Here is a bit taken from his website. It’s a very brief description of his career.

Guitarist/Singer/Songwriter Chris Spedding has been a mainstay of the British session scene since the late 60s, playing with just about everyone from Nucleus, Jack Bruce, John Cale, Elton John, Mike Batt, to Paul McCartney & The Bay City Rollers (anonymously!).
In 1975 Spedding had a hit record called “Motorbikin'”. In the late 70s he moved to the States and worked with Robert Gordon, Jerry Harrison, Dick Rivers and Johnny Hallyday.
Recently, Spedding played with Roxy Music/Bryan Ferry, in the summer of 2005 he released a solo album “CLICK CLACK”. And plays The War Of The World tour!”

Chris’ website is http://www.chrisspedding.com/

It’s funny that I had The Wombles on my Christmas blog because I think Chris may have known them well.

I used to think The Wombles were a very lame excuse for people in the music business to make lots of money out of little children. I still think that but now seeing them on youtube makes me smile and they are almost cool…in fact I’d like be one on stage and do the dances etc…ok I’m being really uncool and must carry on.

getting back to the poster..in brief (as it’s late now and I need to lie down) …Jamie Muir was a free form percussionist and later played in King Crimson and is now a painter.

Charlie Hart has also done 10 billion zillion things here is a short extract from the biography on his website featuring a picture of Pete Brown’s Battered Ornaments:

” As a student Charlie played organ in the psychedelic band 117. The group appeared frequently at the Middle Earth/UFO clubs and recorded at a legendary session with Mick Jagger and Andrew Oldham at Olympic Studios. By that point, Charlie was heavily into black music and the most sensible plan seemed to go to Africa, so he spent a year in Ghana. Highlife and traditional music became an obsession and the next year Charlie returned to sit in with highlife bands and study marimba.

After college he was asked to join Pete Brown’s Battered Ornaments with Chris Spedding, Dick Hextall-Smith and George Khan and he was introduced to the delights of the M1 and the Blue Boar. At that time he also started playing double bass with the People BandTerry Day, Mel Davis, Lyn Dobson, Mike Figgis, Davey Payne and they toured with the People Show. With Davey Payne and Terry Day he formed OMMU and they toured Holland frequently.

OMMU then joined Ian Dury, the eccentric art-school lyricist and Kilburn and the Highroads were at the front of the early 70s Pub-rock boom, free jazz meets rock and roll. Wreckless Eric was in the same stable, and Charlie played keyboards on his first LP. “

His website is http://www.charliehart.com

George Khan was a tenor saxophonist and all of them I’m sure were great ..I just don’t know them and I have to go to bed now! This took longer than I thought.

Next time maybe a bit of ranting, maybe a bit of Frestonia maybe a bit about Steve Hillage maybe some more posters from the 60s and 70s and 80s that are not published anywhere else or nicked ! I will see ..for now

Thanks for reading and bedtime!

but music before bed

see also

Frestonia-Your essential entertainment & lifestyle guide

Coming Soon..more of the Crypt in Notting Hill


Hello Good people who read this blog.

Happy New Year

I am still wrestling with my internet connection but I hope to bring you the next part of the Dave Russell interview and more stories of The Arts and Community Centre Notting Hill otherwise known as “The Crypt” of the Methodist Church in Lancaster Road and other tales of Notting Hill in the late sixties early seventies very soon.

I also have been put in touch with Iain Jacobs who also helped to run the Crypt and was in the “ People Band“(see poster below) which from hearing their album sound similar to bits of jazz from Gong who played in the same venues. As Dave put it ” There was a lot of intermingling!”.

I have received flyers today both from Iain Jacobs and from Michael Dog for my blog . Thank you!

They will appear keep coming back!

Here’s a taster a poster for The People Band at the Crypt in Notting Hill ( not to be confused with the one nearly 20 years later in Deptford!) It’s so nice that people are getting in touch and volunteering their stories. I am still trying to understand various types of computer/internet technology however if you put your cursor over this poster a tool should appear to let you enlarge it and see it in detail. Just click on the poster when it appears in a separate box and then when it goes to a full screen window click again to enlarge further. Some of my other pictures and posters also have this facility.

crypt_poster_07.jpg

Poster courtesy of Iain Jacobs.

Hope to be able to bring you all this soon…

In the Meantime…

Some “Pot Head Pixies ” Genius from Gong!

If you enjoyed that go see my updated post called

“Gong Live Now and Then”

See you soon

Love and Peace

Born2rant

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