Chasing Fame or Cheating Fame?


Hello Good People who read this blog...

I am writing because I am about to work on some music projects and I do so reluctantly, due to the amount of work involved, but also because on a subconscious level I am troubled by concepts of “fame” and my relationship with it.

As a creative person, working on “creative projects” involves dealing with other people’s reaction to what I do,and if I ever needed to be successful enough to earn a living from music, a certain amount of compromise and chasing exposure would be required.

It seems that many young people I know are getting into acting, modelling, music, with “fame” as the eventual desired outcome and goal.  As a young person, I also daydreamed that from my music I might be accomplished enough to be famous and in my fantasy to have the respect,  power, and recognition that came with fame.

So I am writing this maybe to try to understand my relationship with fame. I don’t chase fame, I avoid it.

There have been many incidents in my life where it seemed like I was “cheating fame” in the same way people “cheat death”. Maybe I sound crazy but I think that the whole issue of fame and recognition by large numbers of people , is a worthy concept to examine, however clumsily I do this.

In our largely secular society, many seem to aspire to be famous when previously they might have wanted to go to heaven , or  might have wanted a good career and a respectable role within their social group, a happy marriage , a solid home.

It seems to me that chasing fame is a very ” conformist” thing to do, wanting to be accepted by the masses surely means having to “play the game” on some level, follow a passing fashion, please your media patrons. I feel deeply sorry for young people now who chase fame. I think this is a result of the media environment and social codes they grow up with, largely a modern phenomenon from the ever-growing forms of mass media, including my blog!

If you want to get to the truth it’s best to rely on real life experience  than theory, so sorry to bore you again with my life!

As a child I was lucky enough to grow up in Chelsea in the 1960s and 1970s surrounded by famous people. For instance,I remember seeing a Rolls Royce every day with the number plate “BOW 1”  with David or Angela Bowie and sometimes their son, being driven around.  A close relative of mine worked for Bowie and told me a few stories. What struck me the most, was that I was not allowed to know the address of where Bowie lived, he had to change his phone number at least once every six months and this number was also kept strictly secret. On the one hand you have this superstar parading around Chelsea in a Rolls Royce, and on the other you have someone desperately trying to get away from people,not the paparazzi but his fanatical fans.

I grew up in the age of Beatlemania, it was a new religion, there seemed to be a lot less famous people than now, their fame seemed greater and more enduring  because almost everything  in the sixties was groundbreaking.

An  exception to this sense of cultural revolution was the soap opera about a Midlands Motel called “Crossroads”. I think it was mostly acted and broadcast “live” which explains a lot.

I saw actors from Crossroads, my mother’s favourite TV programme, wandering about the King’s Road. I later found out that one of the scriptwriters  was staying in our guest house incognito, he would come and write there,  even his own family did not know where he was disappearing to.

In the supermarket I remember seeing my absolute heroine, Emma Peel, except of course it was the actress Diana Rigg an altogether different person. I so wanted to be “Emma Peel” when I grew up, witty and intelligent, free, and able to karate chop herself out of dangerous situations. As a child I assumed the actress was indeed that person, shopping in Sainsbury’s.

My concept of fame was pretty warped by these and many other events.As a young child, I found the idea of becoming famous exciting, like somehow my innate shyness and all my defects of character, all problems in life, would disappear just by being famous.It seemed entirely possible to become famous in London if you were in the right place, at the right time, doing something creative.

My parents hated the whole thing. My mother would complain that racing police cars had kept her up all night because the Rolling Stones had  another debauched party. My parents respected God, the upper classes,all authority figures, classical music and literature and aspired to be educated and posh. These new TV and music celebrities and the whole new culture with its shocking fashions seemed outrageous to them.

As an adult,I have had famous people around me , including my ex-partner who will read this, who like it or not, had a certain amount of fame, which was never intended.

As a musician “fame” is difficult for me, it is a barrier, it is not something to be aspired to. I aspire to use my creativity to heal my frame of mind, do the best I can, to be innovative, because I love being experimental at times, to express myself honestly, to create things from some compelling intuitive idea, derived from processing everything I hear or think about . I struggle to do anything creative which will eventually be exposed to others and must match certain technical standards, I am not naturally talented. I essentially create stuff for myself first and secondly to reach out to a few others and see if anyone is on my wavelength. However the idea of great success and fame is still there lurking in the background like a bad smell.

What would my life be like if  suddenly my phone was constantly ringing with people wanting to be my friend? What if I wanted to walk around London and be left alone?

This is a mainstream pop tune , but my intuition says it’s the right one for this post, plus I love the production on this track: Maybe Tomorrow by The Stereophonics (2003)

What if I were so successful that other people’s salaries depended on my producing  something that would sell to the greatest amount of people? What if  I got ill from the work schedule and stress? How much would I have to conform and compromise? What if I got bad publicity for something and people started to hate me? I don’t even like going on stage, I like to do a good gig but I don’t like to face a crowd of people.

So fame may be a result of hard work in the arts, of  being a perfectionist and successfully communicating something that needs to be expressed and that will contribute to the evolution of culture. But fame in itself is terrifying to me, even if you do enjoy it, once you are up there and dealing with the stresses, you either have to maintain it all, hopefully without resorting to overwhelming addictions, or choose to go back to obscurity ( if the media will allow it!).

The environment young people are growing up with now is so much crazier than mine.

Anyone can be famous,without even working at it too much, there are more opportunities to be famous than ever before and yet fame seems more transient than ever. What kind of warped morality are young people growing up with?

I don’t think it’s so bad to want to grow up and be a Beatle or Emma Peel, but what if you want to be one of the women on “4 Music” dancing round a pole?

I don’t like the mass media and I hate the music business, but in a recession even I may have to learn to deal with it, in the hope of  getting some kind of exposure to my music and getting paid for it. For me the whole process of writing, composing, lyric writing, recording and sound editing  is a very private and solitary occupation, occasionally involving others if they are on the same wavelength, but the land of mass media and fame is as alien to me as Planet Zog.

I have written so much about myself and my ego, but this was done with the purpose of opening  a dialogue about how fame personally affects us, how it affects those closest to those who  become famous, and how much it can control our choices in life, and the lives of generations to come.

Now I have thought a bit more about fame and my relationship with it , I realise that my true reason for doing music or anything creative has been for my own healing, and sometimes to bond with others, not for money or fame.

Love & Peace

Born2rant

From the Sixties to the End of the Noughties..did it match up to expectations?


Hello Good People who read this blog

I am listening to music over the headphones while I write this, to keep me focussed and calm,so I might as well start by sharing what I am listening to. Some English sixties folk, Sandy Denny with an acoustic home recorded demo version of Who Knows Where the Time Goes?

Across the purple sky, all the birds are leaving…

Well everyone on TV and radio seems to be reviewing the noughties. I can’t believe a decade has gone by.

I feel a sense of foreboding in broaching the subject of the “noughties” as I think for me it was a decade that started with high hopes and ends in doubt, fear and disappointment. In my personal life that is not the case but in terms of an alternative type of person living in London, it has not been a great decade.

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I guess for me this decade started in the sixties. As a child, the year 2000 seemed like an impossibly long time away. I wondered if I actually would live to be that old.

In 1968 , this is what we thought could be happening in 2001:

At school in the sixties,one of the favourite essay topics of teachers, was to ask us write about how the world would be in the year 2000. We all wrote about world peace, wearing silver suits, having robots to do all our housework, going for holidays in outer space, an absence of disease, poverty and famine and extraordinary futuristic and sophisticated pop music,together with the occasional time machine and transporter room ( in the style of Star Trek). It is hardly surprising that we were so optimistic, the sixties was an amazing time of progress, with the peace movement, breaking down of many prejudices,new fashions made of new synthetic materials, amazing ground-breaking pop music, advances in medicine and the proliferation of science fiction which speculated on how new technology would affect us all in the future.

Some of the predictions made by scientists were very misguided.

Tomorrow’s World (BBC)  in the late 60s

At other times the predictions were petty spot on. Here is a clip I found called Britain of the Future . It features mobile phones, CCTV in banks, luxury short plane journeys to Sydney, computers and the internet, how we will select our children for mathematical ability, flatscreen TVs  and more.If you play it 5 minutes in, you will find some predictions for 2000. The population figures quoted must be for Britain only. In fact according to the National Statistics office the UK population in 2008 was 61 million and not quite the 65 million that they anticipated for 2000.

It is hardly surprising that in the sixties, a time of great creativity, invention and hope, that we looked to the future with great excitement. Could we say the same now? How do we see the future in these fearful times where every TV programme seems to warn us about some threat : climate change,  terrorist attack, or timeless pleasures that are a danger to our health, as well as the possibility of financial ruin or new diseases that will wipe us all out unless we wash our hands 20 times a day.

Do you know any teachers who ask their class to write an essay about how exciting life will be in the year 2050?

Poor kids today!

In 1969, western consciousness was full of hope. Everyone with access to a TV,remembers the day when Apollo 11 landed on the moon.  The music of The Beatles, Hendrix and others was so new, young and exciting , we hoped that with new technology  we would be creating the most amazing music ever by 2010…OOPS! We didn’t account for those forces that kill creativity: trying to make money by trying to appeal to all, trying to look perfect, marketing, advertising, selling your soul to Satan Cowell etc..

I remember sitting with some friends back in the eighties, after listening to all four “sides” of  Electric Ladyland and saying:  “Just imagine what music Hendrix would make if he’d survived until the year 2000 , with all that technology!” and others agreeing and imagining this amazing music with  new synthesizers and effects and even computers.

Now I think:”Yep…if Hendrix had survived, I bet his record company would be re-issuing all his old stuff. Maybe having gone through a brief “Unplugged” tour during the nineties.” Cynical me…

But technology has brought some interesting new music, even if it is sometimes rehashed old music from the sixties. Recently this was recommended to me by two people in their twenties. DJ Shadow’s “Endtroducing” ,first released in 1996 and re-issued in 2005.This album is created entirely out of samples. D.J Shadow combines these skillfully to make a totally new, and some would say,genius, classic album.

Is this the future of music?

Building Steam with a Grain of Salt  by  DJ Shadow.

I like it, but I prefer Dark Side of The Moon which uses samples of speech but where  the music is less repetitive and  the lyrics have a message.( Or do I have a case of middle-aged “They just don’t write tunes like they used to and don’t police officers look young”etc.?)P.S. 3/1/2010 However this track has definitely “grown on me” in the past few days. I find a lot of good music plays that trick.

Another PS!!!!

I recently interviewed Andy Leung for another  little radio documentary, he is the keyboard player from the band “Introducing” a nine piece band who play “Endtroducing” live at gigs and festivals. Now  this has become one of my fav tracks , here they are playing “Building Steam with a Grain of Salt” and other tracks for the album at the Skylarkin, Carling Academy Oxford in December 2008. What do you think?

I hope that the future of music in 2010 and beyond goes back to live performance, more thought-provoking contents, and originality. Unlike in previous decades, the music business is no longer the only way for independent minded musicians to get their music aired. The internet has liberated us and trapped us at the same time.

As far as file sharing goes, my feelings are mixed. The musicians I know,mostly don’t mind file sharing, they also like using open source materials and all the free things on the internet to help them, from myspace, to music lessons on youtube. But the musicians I know don’t make a whole lot of money. Internet file sharing is nothing new, ever heard of cassette recorders and photocopying machines? As a child/teenager I had very little pocket money. We used to record the entire chart show on Radio One on an old reel to reel recorder. I still have the tapes!

Here is Kraftwerk being futuristic in 1978.Will music in the coming decade be progressive or retrogressive? It all depends on what our collective consciousness or fashion dictate.

The Robots ( nevermind playing synthesizers, will they design robots to do the bloody housework next decade?)

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Like the Apollo 11 Moon Landing, there have been some moments in life, commonly shared with others, where I remember where I was and who I was with, and every feeling and thought impressed  up there in my memory.Preceeding the beginning of the nougthies, there was the eclipse which I saw on Hampstead Heath in London, together with several hundred others.Each one of us forwarned eternally by the media not to look straight up at the sun. It was a special and spiritual moment, I spoke to many Londoners who I didn’t know there, and strangely I bumped into all sorts of music people I knew,but who were equally surprised to see me there. The eclipse reminded us that day, that we were only on a small, rather vulnerable planet, I felt united with others, but for some reason it made me feel sad too.

New Year’s Eve 2000 itself was also a strange time for me personally,  I remember having ventured alone into Central London around the Thames surrounded by thousands of others.I have never felt so lonely! London can be like that. Luckily I went to a friend’s place later.

I guess the main events from the Noughties that affected everything else in our daily lives in London, was September the 11th 2001 followed by the invasion of Iraq in 2003. Both events completely changed the London I knew into a place where CCTV and police apparently took over. I also remember the bus and tube bombings of July 2005 and the further aborted bombings a couple of weeks later. My entire neighbourhood was cordoned off that day, and a friend had to stay at my place because the police wouldn’t let him go home.

Immediately after September the 11th , I was very interested to hear all the “ins and outs” of why the “plane crashes”  could have  happened.

I knew both Americans and Lebanese people at that time, who knew a lot about politics. Before the full story broke out in the news, it was pretty obvious from my conversations with them, that it was bound to be a group from the middle-east over Palestine.

The protest march against the invasion of Iraq in February 2003 was another day I will never forget. I have been on a quite a few protest marches, but this was exceptional. The political apathy of the British public was dispelled for once and to take part in the march was amazing. It was freezing cold and slow, but I was so pleased to see others of all ages and backgrounds united in not wanting a war.

I had written a detailed letter to my MP at the time, Michael Portilo, a month or two beforehand, giving him five well-thought out reasons why we should not invade Iraq. One of my main points was that London would become a target for terrorists if we got involved in America’s attack. I stated that we were still regarded as neutral until we committed to invading Iraq. I wrote that I thought that central London would become a less friendly, and more dangerous place with armed police, and that there would be a threat of terrorist attacks on the tubes.

To my surprise, and to his credit, Portilo wrote back me ( or maybe someone in his office wrote it for him) . It was a long letter, replying to each one of my five points in detail. The letter is somewhere up in my attic I think, I could not find it to quote here unfortunately ( I may add it later).

Portilo assured me that if we did not invade Iraq, that London would become a terrorist target and a dangerous place to live. Although a conservative MP, he  fully supported the labour government’s actions. I might have sounded hysterical in my letter,but I was right.  Our tubes were bombed and London did become a far more paranoid and fearful place, with new detention laws and the police, at times taking over tube stations with an aggressive and intimidating presence,compounded by stories of police torture at Scotland Yard, police brutality at recent climate change protests etc…

I have subsequently met Kurdish refugees from Iraq and Turkey, living here in London, who were extremely happy to see Saddam go. One guy I knew lost not only his family, but all his friends,school teachers and everyone he ever met in his entire life, through one of Saddam’s mass gas attacks of the Kurds.

I am still a pacifist and think we were wrong to invade Iraq, but these things are never entirely black and white.

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I guess my main worry for the next decade is the impact of climate change, I do think life for people will have to change whether we plan for it or not.

On a positive note, I am a great believer in Mother Earth. Before all the patriarchal religions ( and yes I know I will upset many by writing this!) there were religions in most parts of the world based on the concept of the great mother, the giver of life. The planet and all living things , and sometimes non-living things such land,rocks and hills etc. were sacred and respected.

If we don’t adopt a better attitude, then the forces of nature which are stronger than the forces of man, will take over.I believe the planet will be self-regulating. This is a very harsh image and of course I don’t want anyone to die or suffer. If we think of the planet as a kind of living being under threat (from billions of  little human parasites), then I believe that it could rebel and kill enough people so that it can restore itself back to health.

Well let’s see if we can prevent any great tragedy from happening by using  less, and thinking more about the way we treat our planet within this gigantic, wonderful and mysterious Universe. We must choose to either plunder or to care for this beautiful, delicate, live-giving planet Earth.

Happy New Year 2010,

May the next decade bring us Wisdom and Peace

Born2rant

Green Slimy Politicians, clashing tour dates and Psychedelic Cinderella


Hello once again Good People Who Still Read This Blog

Hawkwind -“Space is Deep” a great song and a great little film (apologies for environmentally unfriendly rockets but they are cool)

How are you all? If there is a name for a really terrible blogger who has deserted their dedicated readers like an auntie they have guiltily abandoned since early adulthood even though they still get a yearly fiver tucked into their birthday card… then that must be me.

I am sorry, my life has changed and so has the world but even if my posts are rare I am still here somewhere in the known Universe.

I miss my blog oh yes I do! and I miss also doing my own music…

This morning started well, oh what a laugh! A smug capitalist politician being drenched in green custard, wonderful stuff! Even better was that the eloquent woman who did this actually got on the BBC news. She explained how “Mandy” had done some sleazy deal to get the third runway to Heathrow the go-ahead even though there was so much opposition and let’s face it our planet is slowly dying and if we don’t do as much as we can our children and grandchildren won’t have any food, water, air…very grim.

However the green custard episode really cheered me up. “Mandy” used to live right next to me and he used to throw some loud parties with really good psychedelic music so he has no excuse. If he can listen to sixties psychedelic music he ought to  be a hippie but alas as one can tell by endless prats wearing Led Zeppelin T-shirts  to look cool and trendy in an ironic-retro way, musical taste does not equate actual thinking in the brain as in the days of yore ( or “Yes!”  I wish there was a Roger Dean font then I could write “yes” and my entire blog with it…this one is levitating against my will) .

In case you didn’t catch the clip of the spectacular ” green Event”( n.b. that should read “Green Event” Steve Hillage has nothing to do with this event and is entirely blameless but I have temporarily invented my own “Logo of  70s Rock” font and will no doubt be sued by anyone who manages to find me using the new and wonderful totalitarian fascist terror digital surveillance services)

As I was saying if you didn’t catch it here is the wonderful clip..

BEFORE= “smug”     AFTER =” a bit humiliated and definitely greener”.

Please note my quote of the dayThe only Green thing about Peter Mandelson is the Green slime coursing through his veins” ( and dripping down his face.):

There’s a lot of cool psychedelic events coming up but some of them are clashing!

I hope they don’t mind me using their posters after all I am giving them free publicity.

First of all in March….

The clash of two events I want to go to, I definitely need a helicopter or maybe an old Star Trek style transporter room, or a Tardis with Jon Pertwee navigating would be even better.

On Saturday March 28th (2009 in case you are reading this some light years away from now from another planet that has internet access)

the truly lovely people from”Born To Go” (no relation) in Hitchin  are running their own fantastic psychedelic gig/club night. When I went before they certainly knew how to put on a lavish show, all they need is lots of  people!

Here’s their flyer:

born2go

Here’s some Nukli:( not much audience but festival gigs can be like that)


This is from the Born To Go myspace site :

NUKLI – veterans of the golden age of free festivals with full-on psychedelic grooves, and soaring guitar, they take you on a trip back to the Pyramid Stage, the Tibetan’s and Club Dog all rolled into one cosmic jam.SHOM play psychedelic dub space techno rock. Featuring blistering guitar and deep dub rhythms they never fail to get any audience dancing.PEYOTE GURU are a true jamming band, in fact the ‘band’ consists of 3 core members and whomever is willing to play along on the day. Loose jammed tracks emerge from the underlying synth textures to evoke the sounds of the festival scene of old.Alongside the very best of space, prog, kraut and all thing psychedelic spun by our DJ Kozmik Ken, psychedelic lights, videos, great vibe, happy smiling faces – all the usual you’ve come to expect from Born To Go!”

However I am torn between this and Steve Hillage and Miquette Giraudy doing a chill-out set as Mirror System on the very same night!

mirror-system

When I saw them at Solfest in 2007 , they did a fanstastic chill-out set including their first live performance of “Rainbow Dome Musik ” since its release in 1979.

What a terrible psychedelic dilemma!

If that wasn’t bad enough….

This Summer Solfest 2009

solfestmy definite favourite festival ( helped by the fact that I can be one of the crew backstage and mingle with some great people and have hung out with some of my favourite musicians of all Time and Space and Universe)  is also clashing with Hawkwind’s 40th Anniversary gig

hawkwind-gig

I am a bit puzzled by this because their 30th Anniversary was on the 21st of October 2000. I was extremely p***** off at the time as everyone I knew went but only told me afterwards because I had a gig to do and it was around my birthday too. However I was told by all those who didn’t tell me beforehand what an absolutely amazing gig it was and how even Terry Ollis and Mick Slattery were there and why wasn’t I there etc..etc..

Will there be a Hawkwind and old Hawkwind reunion this August? I hope so.


So  this time I am going to the ball, like some kind of psychedelic cinderella , but I’ll probably be in Morrocan sandals rather than glass slippers. But Solfest is also my key event to the year, it’s like my equivalent to Crufts  to strange people who breed dogs into weird shapes, or Ascot to posh ladies wearing silly hats (  I don’t know why they don’t go to one of the above gigs, I’m sure there will be odd hats there).

What will I do?

Well I guess I’ll take one day at a time… as they say at Narcotics Anonymous..”clean and serene

or “falling over in festival mud and fun” as I prefer to say.

I’ll go see Hawkwind and then see if there’s any way I can easily get to the middle nowhere in beautiful blue mountain and lake surrounded Solfest.

Lastly there is a gig or a series of gigs that is INCREDIBLY EXCITING!!!!!!!!!!!

“GONG” are  WITH SOME OF THE ORIGINAL MEMBERS ..including Hillage yey!!!!! They are touring the UK from the 19th to the 29th of  November 2009..

http://www.artistticket.com/link/?s=gong  )

The Hawkwind 40th Anniversary gig is sold out although there are other dates outside London

I want to leave my home and go on tour and write books about the entire history of all these people, bands and intersections via Ladbroke Grove in the 60s and 70s.

Well I have been interviewing  again  …if I get time and permission I’ll put some clips up here in the meantime here is the Gong Flyer

gong

Here’s them at them in June 2008 with Steve Hillage…another gig  I missed…please email me about these things!

Here’s another with dialogue from audience commenting on HUGE HEADS and the like:


Love and Peace

Born2rant

My Metaphorical Comfort Drug: Gong and a bit of Bonzo Dog Doo-Dah


Hello good people who read this blog

Are you sitting comfortably?

Well before we begin since I don’t have anything specific to urgently talk about let us listen to our first hippie anthem of the day to warm up our cockles on this cold evening ( dancing or waving arms about or playing along with wild and wonderful percussion instruments is optional)

Gong and “Builder” from the You album

The cold season was approaching  and as usual I was conned by the local nurse a few weeks ago into having a ‘flu jab as I come into one of those categories where they insist you have it due to low immunity …

Naturally just  like last year  ( see my blog entry around this time ) this meant within 24 hours I had what my doctor would call  “a  reaction to the ‘flu jab “as it “doesn’t contain any live viruses”.

My “reaction” started off by being weak, having no appetite and aching all over with a high temperature and a sore throat shortly followed by three weeks of coughing day and night, being too ill to go out , losing my voice completely for 10 days,  more fever and now a month later being still very weak and needing steroid medication to  breathe.

So next year I think I’d like the opportunity to catch the ‘flu the  conventional way rather than have it directly injected into my bloodstream. But every year I give in to doctor’s pressure ….

More music to cheer us up the excellent Bonzo Dog Doo-Dah band

In the Canyons of your Mind

Well lots going on in my life, busy,busy,busy,ill,ill,ill, busy,busy,busy…..

The bad thing about being busy is that it actually stops you from thinking , if you have lots of other things to occupy your brain and your time  then there is just no time to watch TV, read the news, think about the usual stuff let alone do anything creative like write music or blogs or even talk to friends and relatives.

In some ways this is a good thing as the news is so bleak. I feel that when I watch the news on TV it’s a similar activity to pulling out your own eyebrows compulsively or practising some kind of self-harming activity.

Watching and actually listening to the news is like a neurotic compulsion which serves to deepen that  sense of helpless lack of control over anything and everything…

“Expect to lose everything” the newsreaders and commentators insinuate “job, home, savings, pension, expect not to afford food, heating.. maybe not right now but in a couple of year’s time”...and then on top of it to hear that some companies are making record profits ………..and then there’s still the youth crime and the end of the world through climate change…and ARGH!

Gordon Brown’s smug face and even smugger statements about how Britain isn’t really responsible for all this ….. Get out the bottle of whisky now .

I don’t drink whisky but it’s a metaphorical bottle of whisky to deaden the senses and worries and sore throat all in one.

The news is scaring everyone to death and surely that’s in part what is causing the economy to fail.

The  music in this blog entry is my metaphorical bottle of whisky or metaphorical old fashioned joint (without skunk and just strong enough to make me mellow and creative) ..more music from the lovely gamelan-influenced Gong . “Love is How You Make it” from one of my favourite albums of all time Angel’s Egg ( every track is a gem):

I cannot embed it anymore sorry!

http://uk.youtube.com/watch?v=O-QuwUWySG0

“The Rich” behaving like “The Poor”

Just one or two little local observations about the economic crisis and then upwards and onwards to something better.

As my regular readers may know I live amongst the wealthy of Notting Hill although I am pretty poor myself. One thing that has always puzzled me if why I never ever see my rich neighbours and acquaintances in the local supermarkets.

After years of puzzling over this question the simple answer is that generally speaking they wouldn’t be seen dead in a supermarket. Sometimes they send their housekeepers off to the supermarket with long lists of luxury foods or they just order everything from Waitrose who deliver.

So imagine my shock when on Saturday afternoon I saw not one but TWO of my rich neighbours in the local Tesco! I tried to make eye contact with either of them and smiled but found them unwilling to reciprocate ( I am poor scum after all and should not be living in a rich area ….maybe I am being paranoid but after 20 years of saying hello to these same rich neighbours and getting nowhere that is my paranoid conclusion).

One of them who owns a penthouse suite with roof garden etc… had ventured bravely into a supermarket to buy one thing only.

He left the store with a  small bag of  economy rice under his arm. I was shocked..I bought that same rice myself and it really is poor quality , I ended up throwing mine away and I never throw away food.

Also …. one of my very very very  rich acquaintances was not her happy self the other day and was complaining that her husband’s investments were all in the States and that he had told her “No more spending” these  people are normally a fountain of money, spending and investing in wild, expensive and often totally useless things.

So although 4 to 6 weeks ago the cracks were not showing amongst the very very very wealthy they are very acutely apparent now.

More cheerful  music needed urgently

Love is a Cylindrical Piano  – Bonzo Dog Doo-Dah band and Eric Idle again…

I guess we have to live from day to day rather than worry about the future but when I was at my poorest with my sensible female hippie friends we used to pool our resources. One friend of mine used to buy a huge sack of rice and one of red lentils from somewhere cheap and then we would give her money and petrol money and share the cost ( as well as the food of course). Ah petrol money! I used to go everywhere by petrol money, to festivals and camping and shopping trips. I was not a hitcher or a driver but someone willing to pay petrol money .

So many things are possible when people co-operate and collaborate and life can actually be a lot more fun and less lonely too  when resources are pooled together.

Being ridiculously wealthy tends to make people more selfish, although for some the guilt or the fear of ending up in hell or occasionally just kindness makes them incredibly generous .

I think we all need to pull together ( sounds like WWII ). I also think as a society in the UK people have lost their sense of being able to do anything for themselves long ago. There’s always a law or a rule to stop you from doing something creative and empowering so the general mentality in response to being terrified by the news of recession is to sit at home and listen to more and more and more bad news. Like monitoring impending doom as it happens from a cosy armchair and waiting for someone else to make some kind of miracle legislation to sort it all out.

As for me, I’d rather we started sorting things out ourselves without being told what to do or prompted by idiotic hypocritical politicians.

Why don’t we find out who our real friends are and start to buy big bags of rice and share our cars, share costs, swap childcare, swap services.

We need to empower ourselves and to take pride in the things we can do collectively instead of waiting for a miracle law or a miracle sack load of money to save us. ( now I sound like a Tory ARGH!!)

Anyway here is some more music.

Music is my chocolate, my wine , my spirit, my drug and my hug.

Zero the Hero:

Sorry I can’t embed it anymore go to:

http://uk.youtube.com/watch?v=ZjDo073HzlM

Music is addictive but it’s better than pulling out your eyebrows and sitting watching the news waiting for poverty to set in.

I’m looking forwards to people being collaborative again. If rules and laws are made to stop people from finding creative and empowering ways to survive the law-makers will be turning positive action into helplessness. Let’s hope change will be change for the better, but more than hope let’s make it better and start up our own economic collaborations.

We need lots of comfort music..Love and Peace

Born2rant

Gong ….The Isle of Everywhere

See Also…

Gong Live Now and Then

The Dave Russell Interviews reborn ( Notting Hill Arts- 1967-72)


Hello Good People who read this blog

If you go back in time to my earlier entries you will find some interesting stories about Notting Hill in the 60s and 70s and also Anti-Media activities in the 80s , bits about the gigs before Club Dog etc….

However I have been having problems with technology and the Dave Russell interviews being repeatedly deleted .

Therefore I have re-issued part one of this interview on Youtube. It’s the first time I have ever done anything like this so don’t expect miracles!

Enjoy ! and to read onthe background to the things mentioned in this interview go back to my previous post called

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

This was written back in the winter of 2007 and the weather today is about the same.

here is part two of the interview for more information go to my previous post

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

Part two

Part Three

of the interview below please see this post for more details:

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments

The final part

read more on

(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

Love and peace

Born2rant

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


Carlyle ReedyCarlyle Reedy

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments.

Hello Good People who read and contribute to this blog!

Thanks for waiting, there have been technical problems galore which after complaining to TalkTalk and reformatting the computer are gradually clearing up.

I have finally uploaded the third installment of the Dave Russell interview about The Crypt in Notting Hill . He also tells us a bit about Frestonia and Release.

Episode Three of the Dave Russell interview about The Arts and Community Centre Notting Hill

At the start of this post I have put a photo of Carlyle Reedy who started up and ran the club from 1967 to 1972. She is fairly reclusive at present but I hope to meet her soon.

Dave talks about them charging half a crown which is 2/6 ( two and six) in predecimal money which is 12 and a half pence in today’s money . Here is a poster kindly sent to me by Iain Jacobs for the club which has the price and several other interesting points. If you point your cursor over the picture you can enlarge it and read the details. You will see several well known names in music.

Pete Brown’s Battered Ornaments Poster

Pete Brown who is best known for co-writing most of the hits for the band Cream was a performance poet.

Here is a bit I nicked from Wikkipedia:Pete Brown (born December 25, 1940 in Ashtead, Surrey, England) is a British performance poet, lyricist and musical producer, best known for his collaborations with Jack Bruce. He worked also with The Battered Ornaments, and formed his own group Piblokto!. He was part of the poetry scene in Liverpool during the 1960s and in 1964 was the first poet to perform at Morden Tower in Newcastle. In 2004 he formed Brown Waters, an award-winning British film production company[1], with Mark AJ Waters and Miran Hawke….

Brown was originally brought into the Cream fold as a writing partner for drummer Ginger Baker, but the group quickly discovered that he worked better with bassist Jack Bruce. Of the situation, Bruce later remarked “Ginger and Pete were at my flat trying to work on a song but it wasn’t happening. My wife Janet then got with Ginger and they wrote ‘Sweet Wine’ while I started working with Pete.”

Together, Brown and Bruce wrote the majority of Cream’s numbers, including the hits “I Feel Free“, “White Room” and (with Clapton) “Sunshine of Your Love“.

After the breakup of Cream, Bruce and Brown continued to write songs together for Bruce’s solo career. Brown wrote the lyrics for Bruce’s albums Songs For a Tailor, Harmony Row and Into the Storm.”

Chris Spedding is another well-known name who has worked with many people in the music business. Here is a bit taken from his website. It’s a very brief description of his career.

Guitarist/Singer/Songwriter Chris Spedding has been a mainstay of the British session scene since the late 60s, playing with just about everyone from Nucleus, Jack Bruce, John Cale, Elton John, Mike Batt, to Paul McCartney & The Bay City Rollers (anonymously!).
In 1975 Spedding had a hit record called “Motorbikin'”. In the late 70s he moved to the States and worked with Robert Gordon, Jerry Harrison, Dick Rivers and Johnny Hallyday.
Recently, Spedding played with Roxy Music/Bryan Ferry, in the summer of 2005 he released a solo album “CLICK CLACK”. And plays The War Of The World tour!”

Chris’ website is http://www.chrisspedding.com/

It’s funny that I had The Wombles on my Christmas blog because I think Chris may have known them well.

I used to think The Wombles were a very lame excuse for people in the music business to make lots of money out of little children. I still think that but now seeing them on youtube makes me smile and they are almost cool…in fact I’d like be one on stage and do the dances etc…ok I’m being really uncool and must carry on.

getting back to the poster..in brief (as it’s late now and I need to lie down) …Jamie Muir was a free form percussionist and later played in King Crimson and is now a painter.

Charlie Hart has also done 10 billion zillion things here is a short extract from the biography on his website featuring a picture of Pete Brown’s Battered Ornaments:

” As a student Charlie played organ in the psychedelic band 117. The group appeared frequently at the Middle Earth/UFO clubs and recorded at a legendary session with Mick Jagger and Andrew Oldham at Olympic Studios. By that point, Charlie was heavily into black music and the most sensible plan seemed to go to Africa, so he spent a year in Ghana. Highlife and traditional music became an obsession and the next year Charlie returned to sit in with highlife bands and study marimba.

After college he was asked to join Pete Brown’s Battered Ornaments with Chris Spedding, Dick Hextall-Smith and George Khan and he was introduced to the delights of the M1 and the Blue Boar. At that time he also started playing double bass with the People BandTerry Day, Mel Davis, Lyn Dobson, Mike Figgis, Davey Payne and they toured with the People Show. With Davey Payne and Terry Day he formed OMMU and they toured Holland frequently.

OMMU then joined Ian Dury, the eccentric art-school lyricist and Kilburn and the Highroads were at the front of the early 70s Pub-rock boom, free jazz meets rock and roll. Wreckless Eric was in the same stable, and Charlie played keyboards on his first LP. “

His website is http://www.charliehart.com

George Khan was a tenor saxophonist and all of them I’m sure were great ..I just don’t know them and I have to go to bed now! This took longer than I thought.

Next time maybe a bit of ranting, maybe a bit of Frestonia maybe a bit about Steve Hillage maybe some more posters from the 60s and 70s and 80s that are not published anywhere else or nicked ! I will see ..for now

Thanks for reading and bedtime!

but music before bed

see also

Frestonia-Your essential entertainment & lifestyle guide

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt


Interview with Dave Russell on the Arts and Community Centre Notting Hill in the 60s and 70s( Part Two)

Following on from my previous post here is episode 2 of my interview with Dave Russell from a couple of weeks ago. Here he continues to tell us of the gigs and wild arts happenings in Notting Hill 1967-1972 occurring first at The Ecumenical Centre in Denbigh Road Notting Hill which later moved to the bigger venue in the crypt of the Methodist Church in Lancaster Road otherwise known as “The Arts and Community Centre Notting Hill” where psychedelic bands such as Gong, Pink Floyd, Hawkwind performed, here he also tells us of acoustic musicians, poets and drug use on church premises.

Dave Russell interview episode 2

I’ll edit and upload the next episode of this interview in a couple of days time.

This is Ron Geesin with “Spiky Diving Bells”

Now I’m cheating by using a documentary of Hawkwind in the early Notting Hill years
(for those of you from outside the UK :Ladbroke Grove is a road and an area in the North End of Notting Hill where it was a bit rougher than than the south, Notting Hill is in the London borough of Kensington and Chelsea but was a much poorer area)

I apologise for name-dropping but I just cannot post that Hawkwind clip without saying that I used to know both Mick Slattery and Terry Ollis who both feature in that clip and have casually played music with both of them..although I’m not sure what they think of me! I’ve also met Lemmy and Nik Turner but they won’t remember me and I don’t remember a lot about them!

This is the Amazing Davy Graham who is still gigging and very influential to British Folk musicians in the 60s

…..and here is Dave Russell himself performing

Back in a couple of days with episode three
Love and Peace
Born2rant

Apologies to anyone who doesn’t have broadband!

I’ll write some more stories soon but unfortunately some of the craziest ones I could write I won’t because I respect my old friends too much not just the ones in this post!