(Episode Four) Dave Russell – Notting Hill 1967-1972 The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat


(Episode Four) Notting Hill 1967-1972: an interview with Dave Russell – More about the Crypt ( arts and community centre), The Free School, Destruction in Art Symposium, Friends/Frendz magazine and the Rural Retreat

*I mention “Friends magazine” but it seems that they also spelt it “Frendz magazine”. For more info on the magazine including examples of articles go to this link: http://www.ibiblio.org/mal/MO/philm/friends/

Hello good people who read this blog. After an interlude of some time finally here we are …

Here is the final part of the Dave Russell interview about the Arts and Community Centre ( the Crypt) and beyond:

The Free School
In his interview I asked Dave about the Free School which is often associated with Pink Floyd ( who played at the Crypt too) . He said it had moved about a bit and referred me to another site. So I “borrowed” this map on Tom Vague’s site ( see links to “History Talk”). Dave said that he had done lots of archiving of materials and had helped Tom with the map so I am hoping it is ok to borrow it for my site. You will see on this map the location of the Free School changes as well as some of the other important sites ( and there were more not included on this map) double-click on the image to enlarge.

mapofportobello.jpg

from http://www.portobellofilmfestival.com/talkpics/talk-vague02.html

Destruction in Art
Dave mentions the destruction in Art Symposium who encouraged the smashing up of things. Here is another reference to it from Wikipedia complete with 1966 poster.

“The Destruction in Art Symposium (DIAS) was a gathering of a diverse group of international artists, poets, and scientists to London, from 9th11th September, 1966. Included in this number were representatives of the counter-cultural underground who were there to speak on the theme of destruction in art.”dias_poster.jpg

The Honorary Committee, led by Gustav Metzger, attracted the attention of both the international media and international art community to the symposium.

Michael Moorcock, Friends magazine, and Hawkwind

I asked Dave about these in the interview .Here is a second clip of the fantastic BBC4 Hawkwind documentary which was one of my main inspirations for writing this entire blog.It reminded me of a time long gone of artistic and creative revolution in London. The clip starts with sci-fi writer Michael Moorcock talking about happenings in Notting Hill ( or Ladbroke Grove) and documents further alternative strands in the area , plus Hawkwind and drugs.

Hawkwind Documentary

Flyers and Iain Jacobs

Iain Jacobs now an established photgrapher in Spain has contributed greatly to my research. He was one of the organisers of the Arts and Community Centre. He was 19 when he first joined their ranks. He also performed in The People Band and designed some of the flyers for the centre which migrated to various venues but was mostly at The Crypt , Lancaster Road.

He has very kindly sent me a quantity of flyers to help document this in my blog. I would very much have liked to have interviewed Carlyle Reedy , orginally from the U.S. ,who was the founder and main organiser of the Arts and Community Centre Notting Hill .At present she is not available but I am sure in time I will meet her and hopefully she can help me to document more.

Thanks again to Iain Jacobs for supplying me with the following documents:(click on them to enlarge)

accnh_brochure_cover.jpg

This is the brochure cover to the A.C.C.N.H.

accnh_brochure_inside.jpg Inside of Brochure

accnh_poster_01.jpg

The Continuous Music Ensemble poster

crypt_poster_01cardewamm.jpg

Cornelius Cardew Poster

crypt_poster_05third-ear-band-etc.jpg

The Third Ear Band

Some General Posters for the Arts and Community Centre Notting Hill:

crypt_poster_02general.jpgcrypt_poster_06.jpg

Poster for the Exploding Galaxy

crypt_poster_08cartoon.jpg

more info on The Exploding Galaxy
I found this on the “disinformation” website in relation to Genesis P-Orridge:
This would be around 1969

“After a near-death experience left him determined to follow his notion of becoming a beatnik writer, the young P-Orridge’s instinct for finding other “genetic terrorists” like himself led him to the psycho-therapeutic bootcamp of the Exploding Galaxy/Transmedia commune (which also included filmmaker Derek Jarman). Members were required to sleep in a different location every night, to take meals at different times during the day, and to act out assigned roles and attitudes, often in costume and with unerring earnestness, going so far as to have atypical sexual encounters (in character!) or risk getting badly beaten up if a situation warranted it.

The commune’s anarchistic spirit and insistence on life as art and art as life inspired the performance art events of COUM (pronounced “coom”) Transmissions. Staged primarily by P-Orridge and part time pin-up model Cosey Fanni Tutti (born Christine Carol Newby, 1951), COUM’s outrageous “happenings” were parallel to the work of Viennese Actionist Otto Muehl and Hermann Nitsch’s Orgies Mysteries Theater. COUM’s shamanic improvisations involving enemas, blood, roses, wire, feathers, sexual intercourse, milk, urine, licking up vomit, crucifixion, maggots and self-mutilation were often not conceptualized until the very moment of the performances, if at all. “Quoted from http://www.disinfo.com/archive/pages/article/id1246/pg1/index.html

It all sounds like an average Saturday night out to me! ( my attempt at humour) I don’t think anything quite that extreme went on at the Crypt in Notting Hill!

The Poetry Workshop

crypt_poster_04poetry-workshop.jpg

Jazz gigs at The Ladbroke Hotel

lh_poster_01.jpg lh_poster_00sounds.jpg

The People Band ( was in previous entry but I like this poster a lot!)

crypt_poster_07.jpg

Well that’s all for now….I hope to bring you more of something soon!

Have a good weekend and be creative without dollar/euro/pound signs in your cartoon eyes .

DAVE RUSSELL ( the man I interviewed and Notting Hill resident since the sixties)

Before I go one last vid. This is Dave Russell with ” Hades W10″ also known as “Nobody gets off at this bus stop” (The people in the background are quite interesting and entertaining …he usually gets a much better response than this!) after that he plays another one of his own songs “Crackdown Tribunal”. Dave is an intellectual creative rebel well-versed in folk, blues, jazz, punk and poetry. He has recorded countless albums of his songs as well as covering the rawest blues songs and setting music to William Blake and other  poetry. He has covered some Madonna songs which are so riotous that you’d think they were written by Dylan, Robert Johnson or John Lydon.

He revels in  words as well as music and has written two novels and a book of poetry. He plays all the acoustic clubs in London that are any good and avoids the soul-less ones looking for pretty pop stars.

At present he has no website or myspace although I hope one day this will happen.

(p.s. he is also a really nice bloke and my friend who has been very tolerant of me over the years)

see also

Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Pink Floyd, Hawkwind, Gong and more…(Episode One)

(Episode two) Notting Hill and the Arts 1967-1972: an interview with Dave Russell -Psychedelic rock bands, Pink Floyd, Hawkwind, Ralph McTell, Davy Graham, lightshows, poets, and drug-taking in a crypt

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


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(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments


Carlyle ReedyCarlyle Reedy

(Episode Three) Notting Hill and the Arts 1967-1972: an interview with Dave Russell – Jazz, Psychedelic Rock Bands, Poetry, Frestonia, Release and Pete Brown’s Battered Ornaments.

Hello Good People who read and contribute to this blog!

Thanks for waiting, there have been technical problems galore which after complaining to TalkTalk and reformatting the computer are gradually clearing up.

I have finally uploaded the third installment of the Dave Russell interview about The Crypt in Notting Hill . He also tells us a bit about Frestonia and Release.

Episode Three of the Dave Russell interview about The Arts and Community Centre Notting Hill

At the start of this post I have put a photo of Carlyle Reedy who started up and ran the club from 1967 to 1972. She is fairly reclusive at present but I hope to meet her soon.

Dave talks about them charging half a crown which is 2/6 ( two and six) in predecimal money which is 12 and a half pence in today’s money . Here is a poster kindly sent to me by Iain Jacobs for the club which has the price and several other interesting points. If you point your cursor over the picture you can enlarge it and read the details. You will see several well known names in music.

Pete Brown’s Battered Ornaments Poster

Pete Brown who is best known for co-writing most of the hits for the band Cream was a performance poet.

Here is a bit I nicked from Wikkipedia:Pete Brown (born December 25, 1940 in Ashtead, Surrey, England) is a British performance poet, lyricist and musical producer, best known for his collaborations with Jack Bruce. He worked also with The Battered Ornaments, and formed his own group Piblokto!. He was part of the poetry scene in Liverpool during the 1960s and in 1964 was the first poet to perform at Morden Tower in Newcastle. In 2004 he formed Brown Waters, an award-winning British film production company[1], with Mark AJ Waters and Miran Hawke….

Brown was originally brought into the Cream fold as a writing partner for drummer Ginger Baker, but the group quickly discovered that he worked better with bassist Jack Bruce. Of the situation, Bruce later remarked “Ginger and Pete were at my flat trying to work on a song but it wasn’t happening. My wife Janet then got with Ginger and they wrote ‘Sweet Wine’ while I started working with Pete.”

Together, Brown and Bruce wrote the majority of Cream’s numbers, including the hits “I Feel Free“, “White Room” and (with Clapton) “Sunshine of Your Love“.

After the breakup of Cream, Bruce and Brown continued to write songs together for Bruce’s solo career. Brown wrote the lyrics for Bruce’s albums Songs For a Tailor, Harmony Row and Into the Storm.”

Chris Spedding is another well-known name who has worked with many people in the music business. Here is a bit taken from his website. It’s a very brief description of his career.

Guitarist/Singer/Songwriter Chris Spedding has been a mainstay of the British session scene since the late 60s, playing with just about everyone from Nucleus, Jack Bruce, John Cale, Elton John, Mike Batt, to Paul McCartney & The Bay City Rollers (anonymously!).
In 1975 Spedding had a hit record called “Motorbikin'”. In the late 70s he moved to the States and worked with Robert Gordon, Jerry Harrison, Dick Rivers and Johnny Hallyday.
Recently, Spedding played with Roxy Music/Bryan Ferry, in the summer of 2005 he released a solo album “CLICK CLACK”. And plays The War Of The World tour!”

Chris’ website is http://www.chrisspedding.com/

It’s funny that I had The Wombles on my Christmas blog because I think Chris may have known them well.

I used to think The Wombles were a very lame excuse for people in the music business to make lots of money out of little children. I still think that but now seeing them on youtube makes me smile and they are almost cool…in fact I’d like be one on stage and do the dances etc…ok I’m being really uncool and must carry on.

getting back to the poster..in brief (as it’s late now and I need to lie down) …Jamie Muir was a free form percussionist and later played in King Crimson and is now a painter.

Charlie Hart has also done 10 billion zillion things here is a short extract from the biography on his website featuring a picture of Pete Brown’s Battered Ornaments:

” As a student Charlie played organ in the psychedelic band 117. The group appeared frequently at the Middle Earth/UFO clubs and recorded at a legendary session with Mick Jagger and Andrew Oldham at Olympic Studios. By that point, Charlie was heavily into black music and the most sensible plan seemed to go to Africa, so he spent a year in Ghana. Highlife and traditional music became an obsession and the next year Charlie returned to sit in with highlife bands and study marimba.

After college he was asked to join Pete Brown’s Battered Ornaments with Chris Spedding, Dick Hextall-Smith and George Khan and he was introduced to the delights of the M1 and the Blue Boar. At that time he also started playing double bass with the People BandTerry Day, Mel Davis, Lyn Dobson, Mike Figgis, Davey Payne and they toured with the People Show. With Davey Payne and Terry Day he formed OMMU and they toured Holland frequently.

OMMU then joined Ian Dury, the eccentric art-school lyricist and Kilburn and the Highroads were at the front of the early 70s Pub-rock boom, free jazz meets rock and roll. Wreckless Eric was in the same stable, and Charlie played keyboards on his first LP. “

His website is http://www.charliehart.com

George Khan was a tenor saxophonist and all of them I’m sure were great ..I just don’t know them and I have to go to bed now! This took longer than I thought.

Next time maybe a bit of ranting, maybe a bit of Frestonia maybe a bit about Steve Hillage maybe some more posters from the 60s and 70s and 80s that are not published anywhere else or nicked ! I will see ..for now

Thanks for reading and bedtime!

but music before bed

see also

Frestonia-Your essential entertainment & lifestyle guide

Coming Soon..more of the Crypt in Notting Hill


Hello Good people who read this blog.

Happy New Year

I am still wrestling with my internet connection but I hope to bring you the next part of the Dave Russell interview and more stories of The Arts and Community Centre Notting Hill otherwise known as “The Crypt” of the Methodist Church in Lancaster Road and other tales of Notting Hill in the late sixties early seventies very soon.

I also have been put in touch with Iain Jacobs who also helped to run the Crypt and was in the “ People Band“(see poster below) which from hearing their album sound similar to bits of jazz from Gong who played in the same venues. As Dave put it ” There was a lot of intermingling!”.

I have received flyers today both from Iain Jacobs and from Michael Dog for my blog . Thank you!

They will appear keep coming back!

Here’s a taster a poster for The People Band at the Crypt in Notting Hill ( not to be confused with the one nearly 20 years later in Deptford!) It’s so nice that people are getting in touch and volunteering their stories. I am still trying to understand various types of computer/internet technology however if you put your cursor over this poster a tool should appear to let you enlarge it and see it in detail. Just click on the poster when it appears in a separate box and then when it goes to a full screen window click again to enlarge further. Some of my other pictures and posters also have this facility.

crypt_poster_07.jpg

Poster courtesy of Iain Jacobs.

Hope to be able to bring you all this soon…

In the Meantime…

Some “Pot Head Pixies ” Genius from Gong!

If you enjoyed that go see my updated post called

“Gong Live Now and Then”

See you soon

Love and Peace

Born2rant